Green

As the romantic monsoon rains loom, the extended Verma family reunites from around the globe for a last-minute arranged marriage in New Delhi. This film traces five intersecting stories, each navigating different aspects of love as they cross boundaries of class, continent and morality.

At the beginning of the twenty-first century, abstraction - that most quintessentially modernist innovation - maintains a peculiarly contradictory position. Used, on one hand, by post-modernist artists as just one more quotable style amongst many, it is on the other hand still considered an elitist or hermetic language by audiences intimidated by its lack of recognizable subject matter. Yet ultimately, abstraction continues to be a viable creative path for contemporary artists of all generations, many of whom embrace it as the most inclusive and fundamentally resonant of artistic languages. Filmed at the artists' studios, the Dia Center for the Arts, and the Guggenheim Museum during their exhibition, "Abstraction in the Twentieth Century."

A nameless drifter navigates a barren landscape punctuated by satellite dishes, radio towers and droning airplanes. Stopping periodically in anonymous hotel rooms, she makes attempts to connect to an unidentified second party.

A New Yorker journeys to the jungle in the Darien Gap of Panama to reconnect with an indigenous tribe he met and photographed 20 years ago. Their reunion highlights the profound power of photos and the human connection that transcends cultural barriers.

To be in Venice and see the architecture of New York, to perceive in a painting by Tintoretto the birth of animated images, to look at the burlesque Cretinetti as the ancestor of montage - so many shifts, displacements, and striking telescopings that Philippe-Alain Michaud proposes in this film dedicated to him. To follow this art historian, curator of the cinema collections at the Centre Pompidou, is to go from the oriental carpet to the film, or from the first fireworks to the cinema. And everywhere the animation of the images - projections of Antony McCall, or of Paul Sharits, Column without end of Brancusi, Pasolini's Accatone - everything moves! Under the tutelage of Aby Warburg, the great art historian of the early twentieth century, precursor of iconology and image comparison, to whom Philippe-Alain Michaud was the first in France to devote an important essay, eleven images are placed on the table to describe the singular journey of this art historian.

Crab Day is a short film made to accompany Cate Le Bon’s eponymous album, released on April 15, 2016 via Turnstile. Directed by Phil Collins and shot on location in Berlin in the winter of 2015.

A feature length, lively - montage style - documentary, capturing the essence of what life was like in socialist Hungary - dubbed the "The most cheerful barrack" back then - using contemporary music, interviews, adverts and news footages.

An ambitious reporter gets in trouble while investigating a senator's assassination which leads to a vast conspiracy involving a multinational corporation behind every event in the world's headlines.

Behind-the-scenes footage, rare screen tests and insightful interviews highlight this engrossing two-hour look at one of Hollywood's greatest dream factories. Such film luminaries as Tom Hanks, William Friedkin, George Lucas, Oliver Stone and Robert Altman discuss their work at the studio. Clips include scenes from Butch Cassidy and the Sundance Kid, Patton, Young Frankenstein, Star Wars, Alien, Big, Home Alone, Die Hard and dozens more.

An experiment in video and sound collage by John Ledingham and Liam McCarrell. Inspired by the novel "Libra" by Don DeLillo.

Sketch Film #5 (Tomonari Nishikawa, 2007, 3 min., super 8, silent, 18/24fps, b&w, USA) This is the last film in the series. I shot at the site of Marin Headlands County in California when I was an artist in residence at the Headlands Center for the Art. The footage shows the nature in the area, as well as the historic buildings originally built for the US Army, including batteries and the Nike Missile Site. It was all edited in camera and hand-processed afterwards.

Sketch Film #3 (Tomonari Nishikawa, 2006, 3 min., super 8, silent, 18/24fps, b&w, USA/Japan) The third film in the series, which starts with a sequence of paired images: a focused image and a blurred image of the same subject, which was caused by a diagonal camera movement. Later, it shows an experiment to produce an apparent depth by rotating an apparent shape. It was edited in camera and hand-processed afterwards.

CREMASTER 3 (2002) is set in New York City and narrates the construction of the Chrysler Building, which is in itself a character - host to inner, antagonistic forces at play for access to the process of (spiritual) transcendence. These factions find form in the struggle between Hiram Abiff or the Architect ...

Lucas Simons, an 11-year-old filmmaker, is obsessed with death after the loss of his brother. When Lucas accidentally captures a mysterious presence in one of his films, he inadvertently becomes a YouTube phenomenon, and must learn to live life in the spotlight while also learning how to once again start living life to its fullest.

A former kick-boxing world champion discovers a young fighter, and believes together they can win back the world crown.

During World War II, the US Army's only all-Black, all-women battalion takes on an impossible mission: sorting through a three-year backlog of 17 million pieces of mail that hadn't been delivered to American soldiers and finish within six months.

A random montage of disturbing images tell a story about one summer in the lives of two teenagers who somehow find love within each other, Orso and Marie. After they realize this, they run off to a hidden island off the coast of France where they can not be bothered until Orso's hunger for danger and crime become too much for him, forcing him to return to his normal life...

"We follow Detective Rodriguez on a case that will take him to new and abstract places and feelings"

A man trying to find the real meaning of the place called home or which place he should call it as he has lived his youth abroad and now is having a hard time settling in his home country where he was born.

Penthesilea, the first of six films made by Laura Mulvey and Peter Wollen, traverses thousands of years to look at the image of the Amazonian woman in myth. It asks, among other questions, is the Amazonian woman a rare strong female image or is she a figure derived from male phantasy? The film explores the complexities of such questions, but does not seek any concrete answers.