My mother's car

SOME COLORS

A poetic exploration of the multi-generational affects of Canada's Indian Residential School system, based on the personal trials of Aboriginal playwright Yvette Nolan.

An Israeli director currently living in Berlin returns to Israel to meet some of her friends from primary school. She learns what has been happening in their lives since their paths parted while we get a glimpse of different Israelis.

In 2010, director Michiel van Erp started filming a group of children in Utrecht. He kept filming them till 2018, the year they turned 18. The film portrays those moments which were crucial for the development and personal growth of the kids.

Bébés placés, la vie devant eux

A short documentary on a grandson returning home to visit his aging grandmother who was crying to see him on the phone.

Pegah talks about Gholam, a man who’s not like her father, mother, uncles, or aunts, even though he’s always present at family gatherings. Gholam films these everyday scenes with his own camera. At the time, Pegah can’t imagine what the purpose of these films might be, but she’s happy to pose before the lens of this family friend, who she’s certainly very fond of.

"Imagine sleeping at home" follows the story of several children who guide us to understand the conflict and the problems that they face, but also pay attention of small groups of friends who spontaneously comes to camera to tell what are their concerns. In the documentary we can also find the testimony of the director of a school for disabled children, the story of how a mother had to escape from the occupied territories when the Moroccan police detained for a week her ten years old son, or the analysis of a Sahrawi soldier about the situation of their children.

In a nursing home, a young man visits his grandmother. As she constantly repeats that she wants to go home, his grandson visits her now empty apartment, seeking to capture memories of a fading past.

Memória de uma Criança Afogada

For her entire professional life, renowned ecologist Nalini Nadkarni pioneered climbing techniques to study "what grows back” after an ecological disturbance in the rainforest canopy. Now, after surviving a life-threatening fall from a tree, she must turn her research question onto herself in order to understand the effects of disturbance and recovery throughout her life.

Isa and Zoe are eleven years old, they are best friends. Through their video diaries, they tell their perspectives on the transition from childhood to adolescence, the changes they are undergoing and their concerns when they stop being girls to become women.

Mi pesadilla fue que me mataba la guerrilla

Children play amidst cycles of thunder and violence.

In late October 2022, a developed city splited into two realities. Inside a sealed compound, children run, shout, and play as if the world is small enough to hold. Outside, the city surfaces through shaky phone fragments—conflict, shouting, pressure, light—then disappears again. Zheng does not explain what happened. It holds the gap between inside and outside until it hurts, asking the viewer to sit with a late arrival of knowledge: how can a city be both ordinary and unbearable at once?

An unnamed passer-by is forced to trace a circular route inside an abandoned tram station, facing loss and time. The broken walls act as a channel, transmitting fragmentary, blurred and analogical memories. 

La Parole de l'enfant, sortir du silence

It takes time to grow up. And sometimes you even wonder if it’s really worth it… Then the children move slowly, at their own pace, the time to tame the world that awaits them. On the way, they ask questions and invent answers using their overflowing imagination.

For more than thirty years, and through his television program, Fred Rogers (1928-2003), host, producer, writer and pianist, accompanied by his puppets and his many friends, spoke directly to young children about some of life's most important issues.

Blending candid interviews, experimental moments, and reflective narration, this 55-minute personal doc explores what it means to grow up when the people who love you also struggle to accept who you are. Through screen-recorded calls with friends, street interviews, and distant footage of everyday life, I examine my upbringing as a queer non-binary trans person—where love, expectation, and shame often coexisted—among a sea of other stories about adolescence. Anchored by a conversation with a close friend and fellow artist, the film sits in the tension between care and rejection, asking if anyone is even really special—or maybe all of us are.