Foram os peixes a inaugurar a linguagem

Bateria Meritíssima TABU 2023

Pra Ver a Banda Passar

Nigim is an ufologist from the city of Passa Tempo in MG who recorded numerous appearances of et’s from the Planet of Jov. But now, it seems like who is being watched is him.

Memórias Culinárias do Quilombo Ausente Feliz

Curral Central

Gerais da Pedra

Não Sei Qual Cidade se Passa aos Olhos Dele

GêVê

Soberano o Cruzeiro Resplandece

Cruzeiro: As crônicas do Bicampeão da América

Follow all the behind the scenes of Cruzeiro Esporte Clube's conquest and celebration of the Sixth Brazilian Cup. Unpublished images and testimonies of the club's tenth national title.

Nothing Like Before delves into the creation of the Clube da Esquina Album (Brazil, 1972). Considered by many music critics one of the best albums of all time, it presented to the world musicians like Milton Nascimento, Lô Borges, Toninho Horta, Beto Guedes and Wagner Tiso.

Ruído das Minas was produced by journalists Filipe Sartoreto, Gracielle Fonseca, and Rafael Sette Câmara as a graduation project in Social Communication at Universidade Federal de Minas Gerais (UFMG). The film gained visibility after being screened at the first IN-EDIT Brazil International Music Documentary Festival in June and July 2009, in São Paulo and Rio de Janeiro. This exposure led to an invitation from MTV Brasil, and the documentary was later broadcast as part of the channel’s Doc.MTV programming block, dedicated to music documentaries. Heavy guitars, long hair, crosses, and demons: heavy metal from Minas Gerais became one of Brazil’s most influential scenes. Belo Horizonte gave rise to bands such as Overdose, Sarcófago, and one of the biggest metal acts in the world, Sepultura. Ruído das Minas tells this story through the voices of those who lived the early days of heavy metal in the state capital firsthand.

Amadeu

videomemoria

Ouro Preto, one of Brazil’s most historically significant cities and a UNESCO World Heritage Site, was once known as Vila Rica. Its history is filled with stories and characters that have transcended generations through oral tradition, folk tales, and the stories passed down by its people. Through the accounts of several interviewees, the film tells the story of Antônio Francisco Alves, known as Vira-Saia, one of these figures who, even before Tiradentes and the Minas Conspiracy, had already challenged the Portuguese Crown and disrupted its plans for extracting gold and sending it to the capital of the Portuguese Empire.

In the morning after the night they met, Alana and Laís talk on the phone about what that night meant to each of them.

Luz

The romanced story of Xica da Silva, a slave that used her "feminine atributes" in order to get power.

Also Known as Jihadi follows the progress of a young man's journey from France to Syria, and back to France, where he is incarcerated for allegedly joining Daesh. Based on real events, and drawn from thousands of pages of judicial documents, the work employs the so-called landscape theory (fukeiron in Japanese). The character's paths to radicalism are rendered purely through a series of landscape shots filmed at the locations traversed by the subject: a biography determined not by what the subject did, but by what the subject saw, and one that questions how these landscapes reflect the social and political structures that are the backdrop for a journey of alienation and return.