Não Sei Qual Cidade se Passa aos Olhos Dele

Cruzeiro: As crônicas do Bicampeão da América

Follow all the behind the scenes of Cruzeiro Esporte Clube's conquest and celebration of the Sixth Brazilian Cup. Unpublished images and testimonies of the club's tenth national title.

Soberano o Cruzeiro Resplandece

Amadeu

Gerais da Pedra

Memórias Culinárias do Quilombo Ausente Feliz

Pra Ver a Banda Passar

videomemoria

Every map has a discourse

Nigim is an ufologist from the city of Passa Tempo in MG who recorded numerous appearances of et’s from the Planet of Jov. But now, it seems like who is being watched is him.

Nothing Like Before delves into the creation of the Clube da Esquina Album (Brazil, 1972). Considered by many music critics one of the best albums of all time, it presented to the world musicians like Milton Nascimento, Lô Borges, Toninho Horta, Beto Guedes and Wagner Tiso.

Ruído das Minas was produced by journalists Filipe Sartoreto, Gracielle Fonseca, and Rafael Sette Câmara as a graduation project in Social Communication at Universidade Federal de Minas Gerais (UFMG). The film gained visibility after being screened at the first IN-EDIT Brazil International Music Documentary Festival in June and July 2009, in São Paulo and Rio de Janeiro. This exposure led to an invitation from MTV Brasil, and the documentary was later broadcast as part of the channel’s Doc.MTV programming block, dedicated to music documentaries. Heavy guitars, long hair, crosses, and demons: heavy metal from Minas Gerais became one of Brazil’s most influential scenes. Belo Horizonte gave rise to bands such as Overdose, Sarcófago, and one of the biggest metal acts in the world, Sepultura. Ruído das Minas tells this story through the voices of those who lived the early days of heavy metal in the state capital firsthand.

minicômios

Foram os peixes a inaugurar a linguagem

Curral Central

GêVê

Bateria Meritíssima TABU 2023

In the morning after the night they met, Alana and Laís talk on the phone about what that night meant to each of them.

David, a naive graduate student, has volunteered to work as a 'buddy' for people dying of AIDS. Assigned to the intensely political Robert, a lifelong activist whose friends and family have abandoned him following his diagnosis, the two men, each with notably different world views, soon discover common bonds, as David's inner activist awakens and Robert's need for emotional release is fulfilled.

This 1985 Spanish film reveals one of the many terrible aspects of 16th century Spain, still plagued by the radical Christian Inquisition, one of a plethora of difficulties Spaniards faced at the time. Spanish super star Carmen Maura plays a nun who agrees to a selfless scam, a fake stigmata, only to avoid separation from her lover, another nun. It's a serious and passionate work, highlighting the theme of outspoken women-against-repression, seen in other good gay and lesbian films. This is not a lesbian "Nun sense" or another "Dark Habits" (by Almodovar, which also starred Carmen Maura, and also set in a Spanish convent, with some lesbian nuns). Perhaps, best of all, 'Extramuros' is realistic and frank. It isn't shy about its characters' sexuality. Their sexuality, and the film as a whole are genuine.