Yesterday, Today

Sprout. In the vacant lots against the hammering of buildings always under construction, between walls of granite, cement and sheet metal with rust, moss and cats; on the hillside between the train and the river, next to the traffic on the highway, facing the subway, vegetable gardens sprout. In this city, the choreography of ancient gestures of cultivating the land is repeated day after day, without fail. Sowing, digging, harvesting, watering, eating, talking, resting and returning the next day. The longest day of the year brings S. João and nobody goes to bed, but when the sun rises, the discreet gestures of resistance will restart.

Die Plivitzer Seen in Kroatien

The film focuses on the development of absolutism in the Duchy of Wolfenbüttel under Duke Anton Ulrich, as preserved in pictorial documents and architectural monuments. In addition to the ideas of French absolutism, the court and government as well as the financing of the expenditure through taxes and duties, which placed an extraordinary burden on the people, are shown in detail.

A beautiful collection of pictures ties Frank Cancian, an elderly photographer and retired professor of anthropology, American with origin from Veneto, to the people of Lacedonia, a small town in southern Italy. Thanks to the rediscovery of the photos taken in 1957 by the young Cancian in that rural village where he had arrived almost by chance, the story resumes there where it was interrupted 60 years earlier. And the thread of memories ties back to people and places, bringing with itself some essential reflections on how photography can become an ethnographic look at small communities.

Through the power of IMAX 3D, experience a wondrous adventure from the dinosaur age. Join Julie, an imaginative young woman, in a unique voyage through time and space. Explore an amazing underwater universe inhabited by larger-than-life creatures which were ruling the seas before dinosaurs conquered the earth. See science come alive in an entertaining manner and get ready for a face-to-face encounter with the T-Rex of the seas!

Video Days is a skateboarding video by Blind Skateboards released in 1991.

Across the installation's multiple channels, the camera circles a group of artists as they sit together in a field eating, licking, and squeezing ripe tomatoes. Throughout the ever-changing scene, kisses, whispers, and caresses are shared with a casual, gentle intimacy that reflects interconnectivity and abundance. These queer and desirous exchanges constitute a portrait of collectivity wherein individuals come together as distinct parts of a whole.

A 1968 animation/documentary that criticises the industrial system.

María Domínguez. La palabra libre

A documentary that follows the journey of a young man named Kristian, who suffers from anxiety and a fear of flying, as he attempts to overcome his fears and travel to Tokyo, Japan. The film captures the raw emotions and experiences of Kristian including the challenges he faces along the way.

FATTO A MANO is a documentary short film that shows how a lot of essential food, from the region in Puglia, Italy, is handmade with a lot of energy, passion and knowledge and the people who produce it.

Jean-François Boisvenue tells us about his childhood fears and his history of mental illness. On the screen, we can see a series of hand-drawn animations projected onto his body that plunges us into psychosis and depersonalization. The whole was captured by the camera without postproduction effects.

For months Eva Van Tongeren maintains a correspondence with the convicted and incarcerated paedophile Thomas. With a voice-over she reflects upon his thoughts and how their atrociousness resonates through her daily life. Despite her unchanging incomprehension she seeks the limits of her empathy and tries to find ways to deal with such a loaded subject. As it proves to be impossible to make a connection she looks for something that does bind them. This brings her to the American landscape surrounding Death Valley, a place Thomas always wanted to visit. The filmmaker sends him fragments of quiet landscapes and memories that will never be his.

Der Frühling erobert Berlin

Ein Abend im Olympic

Propaganda short about the "Führer" Adolf Hitler

Lernen macht den Meister

Biogas aus dem Meer

Documents the rule of the Spartakusbund during the period of the Rätepublik in Munich and how it was then suppressed by the Reichswehr.

A movie quintessential to Wiszniewski's artistic output. Its protagonist, Bernard Budgol, is a miner and a legendary leader of socialist labour in the 40s and 50s. Structured around a dissonance and contradiction, the film is reminiscent of a broken mirror. Budgol's utterances do not for a cohesive whole, but come into conflict with one another. His wife, children and fellow miners tend to be critical of him while the protagonist himself feels compelled to defend his legend and the rightousness of his own conduct. (FILMAFFINITY)