Atlantis

In August 1995 Blur and Oasis were engaged in a head-to-head chart battle which divided music fans and led to a wider argument about British pop music. John Harris, journalist and author of The Last Party - the definitive study of the entwinement of music and politics in the 1990s - presents a documentary charting the rise of Britpop, its brief romance with New Labour and the emergence of 'new lad' culture. Finally, as Britpop declines, he asks what legacy it has left. Including contributions from Blur's Graham Coxon, Elastica's Justine Frischmann, Sleeper's Louise Wener, former New Labour insider Darren Kalynuk, and the founder of Creation records, Alan McGee.

This exhibition focuses on Jonas Mekas’ 365 Day Project, a succession of films and videos in calendar form. Every day as of January 1st, 2007 and for an entire year, as indicated in the title, a large public (the artist's friends, as well as unknowns) were invited to view a diary of short films of various lengths (from one to twenty minutes) on the Internet. A movie was posted each day, adding to the previously posted pieces, resulting altogether in nearly thirty-eight hours of moving images.

Honouring Juneteenth and Black Music Month, this primetime special will detail the history of hip-hop, providing insight into its origins, growth and evolution over the last 50 years and where things stand today.

The character Jonh Michael embarks on a journey to tell you everything about Tim Maia.

Ten years of hard work have made the young Arod Quartet one of the most brilliant of its generation. For it takes years to blend together 4 individual talents into one. Their repertoire is ranging from Mozart to Bartok, Debussy to Kurtág.

Weaving previously unseen and rare performances and home movies with a new, exclusive interview with King, American Masters – Carole King: Natural Woman delves into her life and career. New interviews with friends and colleagues, including fellow songwriters Barry Mann and Cynthia Weil, Tapestry producer Lou Adler, drummer Russ Kunkel, guitarist Danny “Kootch” Kortchmar, daughter and manager Sherry Goffin Kondor, lyricists Toni Stern and Carole Bayer Sager, and former manager Peter Asher, complete the biographical tapestry.

A frenetic found-footage documentary made entirely from “lost” unlabeled media on YouTube - weaving together nearly a thousand raw videos, each mistakenly or mindlessly uploaded under a generic filename (e.g., IMG 1326, IMG 5493…).

David dreams of being a pianist like his father, José Luis, who believes it impossible due to his son's physical characteristics: short arms, hands with four fingers and limited hearing. Thanks to his tenacity, David shows him that he can play in his own way and together they begin a musical path that culminates with a new challenge for David: premiering the difficult concerto for piano and orchestra that his father composed for him.

Four Rotterdam boys find solace and connection through a substitute form of spoken language, music, bridging the gap of a missing fifth. Without one, there is no other; without sorrow, no happiness. Together, we strive to endure the great unbearable existence.

This documentary interweaves celluloid and voice recordings by Maya Deren, and colleagues who knew her firsthand: Jean Rouch, Jonas Mekas, Alexander Hammid, Cecile Starr etc. Maya Deren (1917-1961) was an experimental filmmaker. In the 1940s and 1950s she made several influential avant-garde films, such as Meshes of the Afternoon (1943). Images from this and her other work are used in this documentary. You can also hear her voice, as well as accounts by contemporaries such as Jean Rouch and Jonas Mekas.

Rolling Stones – Hearts for Prague

Attila Baukó, aka Azahriah is one of Hungary's most famous singer, who filled the biggest sport arena of the country with three consecutive concerts. But this film is not a concert film. It is not a music documentary. Nor is it a traditional portrait film. We are Azahriah is the story of a real and an imaginary journey inspired by Azahriah's life and songs.

On a quest for ancestral music, musician Luis Pérez-Ixoneztli meets the spiritual elder of one of Mexico's most isolated indigenous groups, who believes danger will befall his village if his son does not take his place.

Šturm und drunk

In 1967, experimental filmmaker Jorgen Leth created a striking short film, The Perfect Human, starring a man and women sitting in a box while a narrator poses questions about their relationship and humanity. Years later, Danish director Lars von Trier made a deal with Leth to remake his film five times, each under a different set of circumstances and with von Trier's strictly prescribed rules. As Leth completes each challenge, von Trier creates increasingly further elaborate stipulations.

Before Rolling Stone, there was Soul Newspaper. Behind Soul, there was Regina Jones. Against all odds, Regina blazed her own path, and at 80 has found herself again.

Looking back on BTOB's 10 years, promising a new future, and filling the KSPO Dome with a wave of emotion, the 2022 10th Anniversary Concert BTOB TIME [Be Together] is a treat for the fans who have been with BTOB for the past 10 years, an honest concert movie to watch and listen to.

Ellie Goulding: LIVE at the Troubadour - Official HD Director's Cut (2012)

The discovery of a human torso thrown into a waterway, leads the viewer to observe the work of modern criminology and the task of special agents to track and record the psychopath's mentality through the elucidation of techniques present in the reality of the police investigation.

This series comprised six lectures on music, which cumulatively took the title of a work by Charles Ives, The Unanswered Question. Bernstein drew analogies to other disciplines, such as poetry, aesthetics, and especially linguistics, hoping to make these lectures accessible to an audience with limited or no musical experience, while maintaining an intelligent level of discourse: This lecture takes its name from a line in John Keats' poem, "On the Grasshopper and Cricket". Bernstein does not discuss Keats' poem directly in this chapter, but he provides his own definition of the poetry of earth, which is tonality. Tonality is the poetry of earth because of the phonological universals discussed in lecture 1. This lecture discusses predominantly Stravinsky, whom Bernstein considers the poet of earth.