Color of the Stone

Finding love is never easy. For Ravi Patel, a first generation Indian-American, the odds are slim. His ideal bride is beautiful, smart, funny, family-oriented, kind and—in keeping with tradition—Indian (though hopefully raised in the US). Oh, and her last name should be Patel because in India, Patels usually marry other Patels. And so at 30, Ravi decides to break up with his American girlfriend (the one who by all accounts is perfect for him except for her red hair and American name) and embark on a worldwide search for another Patel longing to be loved. He enlists the help of his matchmaker mother, attends a convention of Patels living in the US and travels to wedding season in India. Witty, honest and heartfelt, this comedy explores the questions with which we all struggle: What is love? What is happiness? And how in the world do we go about finding them?

When seminal documentarian Ed Pincus is diagnosed with a terminal illness, he and collaborator Lucia Small team up to make one last film, much to the chagrin of Jane, Ed’s wife of 50 years. Told from two points of view with vulnerability, intimacy and humor, ONE CUT, ONE LIFE challenges the form of first person documentary while offering a complex story of love, loss, legacy, and the delicacy of capturing the preciousness of life while time is fleeting.

A lyrical and haunting portrait of reindeer herding in the twilight expanses of the Lappish wilderness.

Lee Anne Schmitt explores California's landscape and past to document the history of one-time boom towns built and abandoned by the industries that necessitated their creation. Sold as a limitless land expansive with free opportunity, California was actually, from its onset, fissured by the interwoven needs of private and public interests. Schmitt's film covers various locations through time, as the major industries of the early 20th century (mining, lumber, oil) give way to the military, eventually leading to multinational corporations, and the use of small towns as satellites for growing urban metropolises.

Gonzalo Suárez: Sam Peckinpah, director salvaje

Tobias Natterer explains the motives of creating The Uncensored Library, a library containing forbidden articles from several countries around the world inside a Minecraft server. The documentary also digs further into the press freedom situation around the world and the sad truths behind it.

Since March 2020, Indonesia was hit by the COVID-19 pandemic, forcing Indonesians to self-quarantine at home. However, the pandemic didn’t stop them from doing activities at home just as much as they would outdoors. The pandemic didn’t silence them. The crowds are still heard, albeit online. There is no more gaze, all that remains is sound.

'9-Man' is an independent feature documentary about an isolated and exceptionally athletic Chinese-American sport that's much more than a pastime. Since the 1930s, young men have played this gritty streetball game competitively in the alleys and parking lots of Chinatown. At a time when anti-Chinese sentiment and laws like the Chinese Exclusion Act forced Chinese restaurant workers and laundrymen to socialize exclusively amongst themselves, nine-man offered both escape and fraternity for men who were separated from their families in China and facing extreme discrimination and distrust. Pivoting between oil-spotted Chinatown parking lots and jellyfish-filled banquet scenes, the film captures the spirit of nine-man as players not only battle for a championship but fight to preserve a sport that holds so much history.

A wartime documentary directed by Alexander Dovzhenko and Yuliya Solntseva, depicting the final campaigns that drove Nazi forces from Ukraine in 1944–45. Combining frontline footage, liberated cityscapes, and scenes of returning civilians, the film chronicles both the devastation of occupation and the triumph of Soviet arms. It stands as both a historical record of the Ukrainian front and a patriotic celebration of victory at the close of the Second World War.

Tres instantes, un grito

Wartime documentary by Dovzhenko and Solntseva.

Adolfo Kaminsky started saving lives when chance and necessity made him a master forger. As a teenager, he became a member of the French Resistance and used his talent to save the lives of thousands of Jews. The Forger is a well-crafted origin story of a real-life superhero.

Filmmaker Froukje van Wengerden’s 86-year-old grandmother shares a powerful memory from 1944, when she was just 14. As her story unfolds, we see a group of contemporary 14-year-old girls. Their procession of portraits permits the spectator to see simultaneously forward and back, into the future and towards the past. A miraculous testimonial that uses eye contact to focus the viewer inward and evoke unexpected emotions.

A short documentary about a Korean high school student preparing for the most important exam she will ever take, an eight hour long college entrance exam.

This video work was made while Rist was still an art student at the School of Design in Basel, Switzerland. It was produced in an unlimited edition and is intended to be shown on a domestic-style monitor, although it may also be displayed as a projection with special permission from the artist. The video depicts the artist, an attractive young woman dancing manically around the room while repeatedly singing ‘I’m not the girl who misses much’. The phrase is an adaptation of the first line of the Beatles song ‘Happiness is a Warm Gun'. Referring to her childhood Rist has said, ‘In my village in Switzerland I had a small window on the art world through the mass media; through John Lennon/Yoko Ono I moved from pop music to contemporary art. In return, I will always be grateful to popular culture’ (quoted in ‘I rist, you rist, she rists, he rists, we rist, you rist, they rist, tourist: Hans Ulrich Obrist in Conversation with Pipilotti Rist’, Pipilotti Rist, p.16).

Worldy renowned for his masterpiece The Housemaid (1960), Kim Ki-young debuts with his first short film I Am a Truck (1953), which was sponsored by UN and made a year after the armistice of the Korean War. This film is a fascinating glimpse into the mind of a soon-to-be powerful auteur and influential filmmaker in the post-war Korean cinema, if not the whole history of Korean cinema.

A documentary on the massacre of Planas in the Colombian east plains in 1970. An Indigenous community formed a cooperative to defend their rights from settlers and colonists, but the government organized a military operation to protect the latter and foreign companies.

A short lyrical document about an ancient Oriental discipline, this film moves from the streets of China, where the people practice Tai-Chi daily, to North America, where the same movements are executed by a solitary figure in a park.

“An Imminent Threat” follows a fisherman activist, Yngve Larsen, who fights against oil and gas drilling activities in north of Norway. Will Yngve succeed in avoiding the extinction of many species of fish and thus irreversible damage to our planet?

A documentary short by Barbara Bingley-Verseman about the creation of a monumental outdoor mural by her twin sister, LA-based Kat Bing, and Parisian artist Kekli in the lead up to the Paris 2024 Olympics