All Girl Revue

A series of ten black and white shorts.

Basia has already settled down in her life. She is a housewife and has a loving family. It seems as though she does not miss anything to be happy. Until a moment when an opera diva moves into an apartment upstairs. Basia is enchanted and seduced with her voice. A peculiar relationship is born between them. It develops into a feeling which is not particularly comfortable for either of the two women.

Featuring never-before-seen footage, concert performances and intimate interviews, filmmaker Ron Howard examines the life and career of famed opera tenor Luciano Pavarotti.

Mickey Mouse conducts an orchestra, while the rest of the Disney menagerie of the era provides a dance recital, with Horace Horsecollar as stage manager, and Pluto continually sneaking on stage.

After hours, individuals on various magazine covers in a drugstore come to life and sing, speak, or perform. Caricature celebrity depictions include George Arliss, Eddie Cantor, Sonja Henie, Benito Mussolini, Ignacy Paderewski, Edward G. Robinson, Will Rogers, and Ed Wynn. A robbery sequence features bad guys breaking into the cash register and Sherlock Holmes and Dr. Watson on the case. King Kong also makes an appearance. A Merrie Melody cartoon.

Bosko is a Mountie in the cold, snowy north. His sergeant demands that he get his man: a peg-legged villain wanted dead or alive.

In this short film, prominent jazz musicians of the 1940s gather for a rare filming of a jam session. This highly stylized chronicle features tenor sax legend Lester Young.

Based on the Béla Bartók opera, Duke Bluebeard reluctantly and gradually uncovers the secrets of his psyche to his fourth wife, Judit, opening the seven doors of his castle to ultimately reveal his still living previous wives, among whom Judit must take her place.

In this all-black cast short, legendary blues singer Bessie Smith finds her gambler lover Jimmy messin' with a pretty, younger woman; he leaves and she sings the blues, with chorus and dancers.

Music video for "Te Esperei", single by Pélico & Catto

The story of a disabled beggar in Charleston,S.C. who falls in love with a prostitute, this is the first filmed version of Gershwin's opera which uses Gershwin's own orchestrations and practically all of the music, with only one major cut.

Mozart’s allegorical fairy tale has charmed audiences and inspired artists, for more than 200 years. A few weeks before this telecast, the Met unveiled a new production of the opera featuring the colorful designs of acclaimed artist David Hockney. His bold colors and vivid images enchanted audiences and seemed to inspire the striking cast, led by James Levine’s affectionate conducting. Francisco Araiza is the young prince Tamino, who finds himself in a strange land, forced to undergo mysterious tests so he can rescue, then marry, the woman he loves, Pamina, played by Kathleen Battle. Kurt Moll is the compassionate Sarastro and Luciana Serra is the Queen of the Night.

Herbert Wernicke's production of Richard Strauss's "Der Rosenkavalier", filmed live at the Festspielhaus Baden-Baden on 31 January 2009. Renée Fleming is the Marschallin, Diana Damrau is Sophie, Sophie Koch is Octavian, Franz Hawlata is Baron Ochs, Franz Grundheber is Faninal, Jane Henschel is Annina, and Jonas Kaufmann is the Italian singer. Christian Thielemann conducts the Münchner Philharmoniker.

The Nikolaus Lehnhoff production of Richard Strauss's "Elektra", recorded live at the Salzburger Festspiele in 2010. Iréne Theorin stars as Elektra, with Eva-Maria Westbroek as Chrysothemis, Waltraud Meier as Klytämnestra, Robert Gambill as Aegisth, and René Pape as Orest. Daniele Gatti conducts the Wiener Philharmoniker.

Set in a nightclub in Sugarland---not the one in Texas---the bon-bons, lollipops, taffy and other sweet-and-sticky citizens perform in a musical show. The grand finale features the Sugar Lump Orchestra playing "Ain't She Sweet" while the bouncing-ball leads the theatre audience in a sing-along.

Opera singer Chivo is currently playing a singing cowboy, and Mexican bandito Braganza kidnaps him (along with Jane, an heiress) so he can learn to become more like the American movie gangsters he admires.

Bongo, the performing bear, escapes from the circus and tries to adapt to life in the wild.

David McVicar's spellbinding production of LE NOZZE DI FIGARO is set in 1830s post-revolution France, where the inexorable unravelling of an old order has produced acute feelings of loss. In the relationship between Finley's suave, dashingly self-absorbed Count and Röschmann's passionately dignified Countess, which lies at the tragic heart of the opera, the sexy ease between a feisty Figaro (Erwin Schrott) and a sassy Susanna (Miah Persson) is starkly absent, the tenacious spark between Marcellina (Graciela Araya) and Bartolo (Jonathan Veira) suggesting what might be rekindled. The production is superbly complemented by the beauty of Paule Constable's lighting and Tanya McCallin's evocative sets. Antonio Pappano conducts (and accompanies the recitatives) with invigorating wit and emotional depth.

Here the artist creates a world of color, form, movement and sound in which the elements are in a state of controllable flux, the two materials (visual and aural) are subject to any conceivable interrelation and modification.

Aldo and his girlfriend Lucy reopen an abandoned opera house, but find out that the place is inhabited by a group of Phantoms wearing the Claude Rains 1943 Phantom of the Opera costume.