Springtime

After graduating from college, rich girl Margery Carr decides to do some good in the world. Much to the chagrin of her father, she decides to open an office to help derelicts. For her secretary, she picks an ex-gangster named Bubbs out of the throng.

Musty gets a job in a grocery store. Through a series of very bad encounters with various customers it becomes clear he is ill-suited to the job and ultimately he goes his own way.

Neal, while sitting in his room, notices an accident in the street and kindly goes to the man's rescue with his car and takes him to the hospital. The nurse assigned to the case, Billie, makes a great hit with Neal.

As early as 1919, Russian Communists (then known as Bolsheviks) were convenient movie villains. This heavy-handed comedy uses the Russian revolution as an excuse for a series of slapstick set pieces.

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A young man joins the army to impress his girlfriend. He soon finds out that his sergeant is actually an enemy spy, but before he can take any action, he and his girlfriend are kidnapped by enemy soldiers, and devise an unusual method of escape from capture.

Edward Swinger contrives to win the hand of the lovely Caroline Pickering by selling her father his business - a business that doesn't actually exist.

During World War I, Jeanette Gontreau becomes a "godmother" to three Allied soldiers imprisoned in a German camp. Describing herself as an old woman, she sends them cheerful letters and baskets of small gifts until one of the soldiers, Harry Ledyard, informs her that he has been released and will visit her in New York. Panic-stricken, Jeanette dons a wig and spectacles, and although she convinces Harry that she is old and gray, she soon falls in love with him. Harry worships his "godmother," and when secret service agents discover coded messages on her letters, he shields her by assuming the blame.

This ceremony requires greenbacks but the groom came up short.

Hoping to elope, farmer's daughter Myrtle Fairley and her beau Jack Holt are forced to return home after finding the minister not at home. Upon arrival they discover a pair of incompetent safe crackers trying to force Mr. Fairley to give up his money, leading to a tense resolution.

A group of stenographers decide to host a ball and invite their boss, Mr. Hadley, as the guest of honor. The plot revolves around a mix-up involving masquerade costumes.

To trick a judge who's trying him on a gambling charge, Leon poses as a famous British explorer.

Mr. Hadley shows Bill a photograph of his fiancée, Alice Mordaunt, and instructs Bill to admit her immediately should she arrive at the office. Bill leaves for lunch. Upon his return, he discovers his boss kissing Ethel, who is Mr. Hadley's sister, not his fiancée. Bill, unaware of their family relationship, is horrified, believing his boss is being unfaithful to Alice Mordaunt. Feeling a strong sense of loyalty to the absent fiancée, Bill decides to get even with his boss. He informs Mr. Hadley's real fiancée, Alice, about his boss's perceived "duplicity". The outcome is a comical situation as Bill's interference leads to misunderstandings and fallout, which is how Bill "squares it" with his boss.

Adolph is a great pianist who prefers the simple pleasures such as frankfurters and sauerkraut but is so constantly pursued by society women that he gets no peace and comfort. After being chased everywhere in the end he escapes by donning a disguise and finally finding peace and quiet.

Figures Don't Lie is a showcase for the physical charms of lovely Esther Ralston, who in one scene proves the accuracy of the title by donning a fetching one-piece bathing suit. The main story concerns wise-guy insurance salesman Richard Arlen, who through a combination of hard work and sheer gall lands a job as sales manager. But he can't land heroine Ralston, who has remained cool to his charms ever since he tried to make a play for her on the street. A lost film.

A couple of rowdy gamblers, a cowboy, and a woman undercover.

"'Boxcar' Simmons, a tramp, represents himself as a mining millionaire in a small town. The population accepts him at his own valuation, and two of the town's 'slickers' make desperate efforts to 'take him for his roll.' One of their schemes is to sell him a worthless ranch, but he turns the tables on them by making them believe that the ranch is a veritable bed of silver ore, and then, after they buy it, he presents the major part of the proceeds to the girl who owns the place and with whom he had fallen in love." (Moving Picture World, 24 Jun 1922, p. 736.)

Upon striking oil on his farm, Silas T. Pettingill (Charles Eldridge) moves to Park Avenue at the behest of his social-climbing wife Maria (Kate Blancke) and daughter Helen (Emmy Wehlen). But like Jiggs in the comic strip, Pettingill never loses his common touch, and one evening he goes out on a toot with his new chauffeur Hubert Stanwood (Paul Gordon).

Short comedy

Tom Taylor, a woman-hater, who sells his property to a financier at a play. In order to finalize the transaction, Taylor must go to the financier's hotel and becomes the subject of a bet by Lou Bennett that she can win his affections. Lou succeeds in the bet, but Taylor finds out and is preparing to leave forever when Lou speaks to him.