Women They Talk About

Vitturo Caggoni is a gay-hearted, rollicking Italian troubadour. He meets a young woman, Marjorie Holbrook, and falls in love with her, serenades her, and courts her in the old romantic troubadour way.

In a village where appearances reigned, a wealthy woman, known as "The Saint," presided from her grand estate, her charity a public spectacle. She professed devout Christianity and frequently reminded the community of her moral influence. In stark contrast stood "The Sinner," a young man unconcerned with piety. He frequented card games, and whispers of his atheism followed him. When a broken-hearted girl arrived, her nameless child clinging to her, "The Saint" dismissed her plea. Yet, "The Sinner" welcomed them into his home, offering refuge and care. His actions sparked immediate outrage among the villagers, further inflamed when he and the young woman attended church together that Sunday. Fortunately, the town's minister was a man of genuine faith, and through his tireless efforts, the outcast found acceptance and a place within the community.

Tom Allen, a hardworking young miner. He cautions his wife, Beatrice, about the presence of a "worthless chap" named Joe Hills, who frequently loiters around their cabin. Hills subsequently steals Allen's gold, and Beatrice discovers him in the act.

After finding her sister dead, Maria tries to find out who or what is to blame.

Owing to his father's illness, Cecil Crenwell is sent to inspect the family rice plantation in Hawaii. While there he falls in love with Hawai'ian girl Uana and wins her away from her native beau Kau.

An escaped lunatic threatens the romance of his wife and her new suitor.

Joe Brooks is taken advantage of by his employer, Captain Williams, who is a jealous former suitor of Joe's wife, Emma. Williams puts Joe in charge of the company's payroll money and has detectives set a trap for him.

Sergeant Malone of the Mounties and effeminate Etienne Doray are both in love with Rose-Marie, but she doesn't light up until soldier of fortune Jim Kenyon drifts into the post. Soon Jim is accused of murder but he escapes.

Bobby, the doughboy, has left his sweetheart behind in Paris. He returns for her and has the greatest difficulty locating her. In his hunt he runs into the tough White Rat Cafe, where the Darling of Paris becomes enamored of him, thereby arousing the jealousy of her lover, who threatens Bobby with dire consequences. Bobby escapes, runs into his sweetheart, and in the chase, the villain at his heels is captured by the police as a badly wanted criminal.

Sad sack gob Billy finds himself challenged to two duels at the same time in the French countryside over two different women. Hilarity ensues when he tries desperately to avoid either!

Bingville is holding a beauty contest and the three finalists are Mary, Dora, and the Village Vamp. Dora's beau Eddie asks Walter, the contest judge, who will win, and is told that Dora will. Walter goes to the barber shop where the Village Vamp is the manicurist and her father is the barber, and advises them she will win. When they all arrive at the contest, Walter announces Mary as the winner. The mêlée that follows destroys the roadster that was the winner's prize.

In this recently found and restored banned underground classic from 1984, four girls go into a bathroom to hide in the middle of a war and, after an impulsive act by one of them, they find themselves trapped there. As panic gives way to despair, tragedy approaches.

Henry Warner (Herbert Rawlinson) is so broke that he has sold his overcoat and now his landlady won't leave him alone about the rent. When he sees a wallet sticking out of a rich man's pocket, he's desperate enough to steal it. The police give pursuit, and Henry winds up in someone's study. The man who lives there, Middleton (Alfred Allen) has been looking for someone with Henry's nerve and offers him a job (along with an overcoat and some cash): He must steal back a will that Middleton's nephew, Craig (Harry Carter) stole from him.

A girl from Paris' underworld fights for love and survival during a time of international turmoil.

Silent adaptation of the Victor Hugo classic focusing on the character of Esmeralda rather than Quasimodo.

A gang of crooks evade the police by moving their operations to a small town. There the gang's leader encounters a faith healer and uses him to scam gullible public of funds for a supposed chapel. But when a real healing takes place, a change comes over the gang. Lost film, only the most famous scene has survived.

Abby Hopkins, the eldest of a small-town newspaper-owner's five daughters, is urged by her family to marry the wealthy, twice-widowed J.B. Hanks. Abby leaves Hank on the night of the wedding and goes to New York, where she supports herself as a waitress and shares an apartment with a co-worker. At the restaurant, Abby meets J. Booth Hunter, a heavy-drinking "ham" actor, and tries to convince him to give up liquor. Hanks shows up one day and during a battle with his estranged wife, Hunter comes to Abby's rescue. Abby finally gets a divorce from Hanks, Hunter conquers his drinking habit, and Abby marries him.

The cowboys and gamblers of Curzon are very much interested in a placard which appears one day in the saloon, giving the information that the Rev. A.B. Cole is due to arrive from Glue Gulch, and that services will be held in the schoolhouse. The cowboys plan to give the preacher a warm reception, but are surprised and chagrined when the new minister turns out to be a pretty woman. The immediately apologize and agree that religion must be a good thing if taught by such a charming woman. The attendance at the schoolhouse is large, and the barroom is almost deserted. The bartender is in despair and is on the point of closing out his business. He is urged against this, however, by one steady patron, Joe Lane, who tries his best to bring the deserters back into camp.

When our picture opens, Joe Flynn, a rider in the service of the government, has been shot from ambush by a masked man and is dying. Grouped at his bedside are his son Jack, a sturdy young man, the local doctor and the county sheriff. The old man dies and a week later we see Jack delivering the mail. The sheriff has inserted the description of the murderer in the Yuma Gulch Herald, and the country is being scoured to find him. Jack has a long and perilous ride between the two points of his route and is frequently beset with danger. Steve Benson, a desperado, who has killed old man Flynn, is living unhappily with his wife in hourly fear of having his crime discovered.

The stage appeals very strongly to the child of temperamental nature and often it dreams of the glory and fame attending success. Little Alice is a child of this kind and although she is surrounded by the most meager, even poor circumstances she has a great desire to be an actress. Her mother, who takes in washing, sends the little girl to deliver a large basket of clothes. Struggling along the street she stops at the theater to look at a display of photographs of actors and actresses who are appearing there. She loses herself in reverie; while thus engaged the leading lady, whose picture particularly attracts the child's attention, arrives for rehearsal. She speaks to Alice, becomes interested in her and gives her two tickets for the afternoon performance. Pleased and delighted with the gifts she rushes home to her mother who takes the tickets from her, scolds and whips her for not attending to her errand.