A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.
This film explains what James Ensor (1860-1949) meant for the development of art and makes palpable where he got his inspiration from.
A reframing of the classic tale of Narcissus, the director draws on snippets of conversation with a trusted friend to muse on gender and identity. Just as shimmers are difficult to grasp as knowable entities, so does the concept of a gendered self feel unknowable except through reflection. Is it Narcissus that Echo truly longs for, or simply the Knowing he possesses when gazing upon himself?
Short film about Hitler's rise to power in 1933
Jean Vigo : le son retrouvé
A cinematic portrait of the homeless population who live permanently in the underground tunnels of New York City.
The first woman to appear in front of an Edison motion picture camera and possibly the first woman to appear in a motion picture within the United States. In the film, Carmencita is recorded going through a routine she had been performing at Koster & Bial's in New York since February 1890.
In this film, Will Young travels to Magritte's native Belgium to find out more about the man whose trademark was a bowler hat and whose apparently conventional exterior concealed the mind of a subversive rebel. Will uncovers a childhood marked by tragedy, a marriage that lasted from Magritte's adolescence until his death in 1967, and a stunning artistic legacy which endures to this day.
A cameraman wanders around with a camera slung over his shoulder, documenting urban life with dazzling inventiveness.
In 2008, after a show celebrating the 20th anniversary of his fashion house, Maison Margiela, visionary designer Martin Margiela left the fashion world for good. Throughout his career, the Belgian designer remained anonymous, refusing interviews and never being photographed, leading some to call him the fashion world’s answer to Banksy. Now, more than a decade after his departure, Margiela digs into his meticulous and idiosyncratic personal archives to reflect on his revolutionary career and legacy.
Two days in the life of priest Father Fred Stadtmuller whose New Mexico parish is so large he can only spread goodness and light among his flock with the aid of a monoplane. The priestly pilot is seen dashing from one province to the next at the helm of his trusty Piper Club administering guidance to unruly children, sermonizing at funerals and flying a sickly child and its mother to a hospital.
Various people from the GDR describe their lives and their work for the socialist society. Because everyone fulfills an important task in the society.
In 1962 Joris Ivens was invited to Chile for teaching and filmmaking. Together with students he made …A Valparaíso, one of his most poetic films. Contrasting the prestigious history of the seaport with the present the film sketches a portrait of the city, built on 42 hills, with its wealth and poverty, its daily life on the streets, the stairs, the rack railways and in the bars. Although the port has lost its importance, the rich past is still present in the impoverished city. The film echoes this ambiguous situation in its dialectical poetic style, interweaving the daily life reality (of 1963) with the history of the city and changing from black and white to colour, finally leaving us with hopeful perspective for the children who are playing on the stairs and hills of this beautiful town.
Discover how six seemingly ordinary but supremely talented men became Monty Python, sketch comedy's inspired group of lunatics who turned such unlikely sources of inspiration as Spam, dead parrots and the Inquisition into enduring punch lines. This entertaining documentary includes interviews with members of the troupe, as well as home movies, photos and rare recordings from Monty Python's early years.
Grave robbing, torture, possessed nuns, and a satanic Sabbath: Benjamin Christensen's legendary film uses a series of dramatic vignettes to explore the scientific hypothesis that the witches of the Middle Ages suffered the same hysteria as turn-of-the-century psychiatric patients. But the film itself is far from serious-- instead it's a witches' brew of the scary, gross, and darkly humorous.
The last remaining film of Le Prince's LPCCP Type-1 MkII single-lens camera is a sequence of frames of his son, Adolphe Le Prince, playing a diatonic button accordion. It was recorded on the steps of the house of Joseph Whitley, Adolphe's grandfather.
The newsreel series Jornal Português (1938-1951) was produced for the Secretariat of National Propaganda (SPN/SNI) by the "Portuguese Newsreel Society" (SPAC), under the technical supervision of António Lopes Ribeiro. It was conceived and employed as part of the propaganda machinery of Salazar's regime. Screened in cinema theatres prior to the main feature film, each issue of Jornal had approximately ten minutes in length and covered a variety of official government acts, national political news, major sports events and other assorted social and cultural affairs. Jornal Português is not only an indispensable document for the history of Estado Novo's propaganda, but also an unparalleled audiovisual archive of 1940s Portugal.
A black-and-white visual meditation of wilderness and the elements. Wildlife filmmaker Richard Sidey returns to the triptych format for a cinematic experience like no other.
Dom starych kobiet
Two young men are alone at a self-service laundry. They are sitting next to each other, waiting in silence. An old framed embroidery of a young deer is hanging against the wall across them.