Trampa Para Duendes

A Terra Faz o Homem

A New Yorker journeys to the jungle in the Darien Gap of Panama to reconnect with an indigenous tribe he met and photographed 20 years ago. Their reunion highlights the profound power of photos and the human connection that transcends cultural barriers.

A provocative and poetic exploration of how the British people have seen their own land through more than a century of cinema. A hallucinated journey of immense beauty and brutality. A kaleidoscopic essay on how magic and madness have linked human beings to nature since the beginning of time.

This stand up special features material from five of the most famous Hispanic standup comics of their era. Paul Rodriguez, George Lopez, Cheech Marin, Alex Reymundo, and Joey Medina deliver material on a variety of topics that will seem familiar to audiences of every race.

The hairstyles of four Afro-descendant people from Mexican - Senegalese families, represent the starting point to reflect, through memories that emerge from their past and present, what it is like to live in México wearing a Black Crown and the consequences that implies.

On the shores of Jeju Island, a fierce group of South Korean divers fight to save their vanishing culture from looming threats.

Does Europe also have its own animistic heritage, like Pachamama in South America and Shinto in Japan? If so, which one? In the Misty Lands, i.e. Estonia, Latvia and Lithuania, a sacred fire is lit on the winter solstice to celebrate the return of the sun and ancient beliefs that have been forgotten in the rest of Europe for thousands of years. Sophie Planque and Jérémy Vaugeois decided to take a journey on bicycles to experience the Baltic winter and meet the people who keep their ancestral culture alive. A unique heritage that reinforces a deep relationship with nature.

An old, broken morin khurr (horse head fiddle) compels renowned Mongolian singer Urna Chahar Tugchi to take a road journey to Ulan Bator and the steppes of Mongolia.

Shot during three seasons, Kenuajuak's documentary tenderly portrays village life and the elements that forge the character of his people: their history, the great open spaces and their unflagging humour. Though Kenuajuak appreciates the amenities of southern civilization that have made their way north, he remains attached to the traditional way of life and the land: its vast tundra, the sea teeming with Arctic char, the sky full of Canada geese. My Village in Nunavik is an unsentimental film by a young Inuk who is open to the outside world but clearly loves his village. With subtitles.

"...a charming depiction of life as I knew it with my grandparents in my own village..." Clara Caleo Green, Cinema Italia UK "The sum of the individual fates and life choices paints a picture, the validity of which extends far beyond this village." Joachim Manzin, Black Box This documentary records the thoughtful and emotional confrontation with time, change, loss and hope related by the members of a small community in the idyllic Ligurian countryside who are dealing with a rapidly changing agricultural industry, transformed by globalisation and technological advances and an increasing number of foreigners buying the empty houses in their village. Forgoing the use of music and voice over, the film lets Aracà's inhabitants tell their own stories and allows the audience to dive into the rich soundscape of the ligurian alpine countryside.

This documentary by Dan Glynn follows the personal story of Jairo, a hard-working Mexican who immigrates to the US in order to find work to support his family back in Mexico. The film looks at current immigration issues in the United States. The story takes a dramatic turn, when Jairo's cousin is arrested by local police putting the entire family in danger of deportation. In the movie we meet numerous people who want to stem the tide of immigration from Mexico as well as people who help those who make the long, arduous journey to new employment in the United States.

A short film exploring the joy and importance of Morris dancing for a group of young people.

Deep in the heart of the Waveney valley, Master Thatcher Nick and his apprentice Olly work on the ancient roofs of east anglia. Keeping the craft alive, they challenge modern practices, following long standing traditional methods using local materials. This film accompanies them over a short day in their working lives, following their methods & musings and uncovering the ‘truth on the roof’.

During his adventure in Mexico, Sergei Eisenstein made footage of a Mexican "Death Day" celebration for inclusion in his "Que Viva Mexico!" film project. When the 200,000-plus feet of film he eventually exposed in Mexico was first attempted to be made into a feature film, "Thunder Over Mexico", the producers excluded the Death Day material for subsequent compilation as an independent short subject. Silent with music track and explanatory English intertitles.

In the Faroe Islands, hundreds of pilot whales are slaughtered each year in a hunt known as the “Grind.” This gruesome tradition has drawn outrage from activists, most notably the international conservation group Sea Shepherd, who routinely sail to the islands to try to block whaling boats. Yet the Faroese are equally determined to maintain their tradition, defending the practice as more sustainable and less cruel than getting meat from slaughterhouses. Director Vincent Kelner spends time with both Faroese hunters and Sea Shepherd crusaders, building to a nuanced look at a disturbing event with much larger implications for the way humans relate to other creatures.

Pra Ver a Banda Passar

As was common in Diaz's Mexico, a young hacienda worker finds his betrothed imprisoned and his life threatened by his master for confronting a hacienda guest for raping the girl. This film is the first of several attempts to make a feature-length motion picture out of the 200,000-plus feet of film shot by Sergei Eisenstein, on photographic expedition in Mexico during 1931-32 for Upton Sinclair and a cadre of private American producer-investors. Silent with music and English intertitles.

"Monday's Girls" explores the conflict between modern individualism and traditional communities in today's Africa through the eyes of two young Waikiriki women from the Niger delta. Although both come from leading families in the same large island town, Florence looks at the iria women's initiation ceremony as an honor, while Azikiwe, who has lived in the city for ten years, sees it as an indignity.

At an altitude of 4500 meters, on the highest plateaus of Karnak in the Himalayan région of Ladakh, in a lunar setting where the sky blends with the mineral immensity, director Marianne Chaud filmed the movements of these last nomads. Immersed for months in their community, speaking their language, she placed her camera as close as possible to their voices and gestures, offering viewers encounters of a rare intimacy. As much as the splendor of the landscapes, the extreme harshness of the living conditions or the emotion shared with these nomads, it is this closeness that creates the magic of the film.

El Arte De Morir