SPLIT - Maggie Lindemann

the story of one long day following a group of friends wasting their time in the summer. from moshing at house shows to stealing from gas stations in the pursuit of a first kiss.

On a trip to attend a wedding, a young girl sees herself amidst a major rampage at a construction site of a flying city after a slight malfunction of her means of transportation.

Nowhere, Nobody is a reflection of the life and perspective of Earl Sweatshirt. Through sheer symbiosis, they also reflect the life and perspective of co-writer and director Naima Ramos-Chapman, whose Afrosurrealist vision helped give his latest album, Some Rap Songs, new life.

Starring Mateen Hussain, this ground-breaking film was directed over Skype across 2 different continents. In the movie we meet Arjun, a motorcycle dealer in Bangalore who lives life to the fullest while staying clear from the complications of a real relationship. That is until he meets Manasa, an innocent college student new to town. Arjun and Manasa find everything in each other but as time passes, the realities of life start to kick in and they must face some harsh truths. Arjun has no stable career to speak of but his complete love for Manasa makes him try his best to tick all the boxes for her family. In the end she is forced to call it off with Arjun and take on an arranged suitor. Not able to make peace with the break-up and his situation, Arjun goes from bad to worse as he hits the bottle and other things for comfort. Jaded, mentally drained and closed off from his friends, his depression intensifies and he soon slips into an obsessive malicious love disorder.

A modern love story to the rhythm of rock in Mexico City.

A modern take on the classic Cinderella tale.

Crab Day is a short film made to accompany Cate Le Bon’s eponymous album, released on April 15, 2016 via Turnstile. Directed by Phil Collins and shot on location in Berlin in the winter of 2015.

A vibrant anthology of LGBTQ+ short films and music videos that delve into the complexities of youth, identity, and desire. This diverse collection showcases a range of cinematic voices—both emerging and established—exploring the exhilaration, vulnerability, and confusion of coming-of-age through stories that celebrate queer love, self-discovery, and the breaking of societal boundaries. Blending narrative shorts, experimental visuals, and music-driven pieces, the anthology offers an evocative, multifaceted portrait of innocence transformed.

The story of Ivan and Josh, two dimwitted ex-security guards who love music videos. Out of work, with no job prospects, they form a music video production company. They soon learn the ins and outs of the business in LA, and with some help from Mo Fuzz, they soon become hot property. But not all goes smoothly when they try to resurrect the career of their favorite R&B duo, the Swanky Modes.

A ballet dancer moves and shifts in a space unknown.

Although Gainsbourg and Birkin had appeared in a string of films since their magnetic collision in Pierre Grimblat’s Slogan, Melody was a bit of diversion from their collaborations since it’s a series of interwoven videos inspired by the Gainsbourgalbum. For '71 it’s a novel concept to bring visual life to an LP, but even more surprising are the short film’s amazing visuals that director Averty crafted using a wealth of video filters, overlays, camera movements and chroma key effects. Averty applies these in tandem with the increasing tone of Gainsbourg’s songs, which more or less chronicle an older man's affair with a young girl. Each song is comprised of steady, sometimes brooding poetic delivery, with refrains timed to the phrase repeats of each song, while Alan Parker’s buzzing guitar accompanies and wiggles around Gainsbourg’s resonant voice. The bass is fat and groovy, the drums easy but steady, and the periodic use of strings or rich vibrato makes this short a sultry little gem.

Sal

One of three films made as part of the multi-media project ‘Doem, Dood & Verderf’ (2017) by Mees Joachim, chronicling the most traumatic moments from three of their prior long-term relationships. This multi-media project took the form of twelve 100x65cm illustrations, 4 per relationship, an EP released as Pink Boah (Zalmroze in collaboration with Jerboah) and three experimental films backed by the three title tracks from the Pink Boah EP. Each of the three films is a self-projected character study, with the three relationships being depicted and acted out, by the artist and a placeholder model, through physical performance and touch. Visually it is most in line with the artist’s photographic series "The Gaze Upon The Male Gaze”, made for Sauce Magazine, with both the films and that photo series being highly sexploitative in nature.

One of three films made as part of the multi-media project ‘Doem, Dood & Verderf’ (2017) by Mees Joachim, chronicling the most traumatic moments from three of their prior long-term relationships. This multi-media project took the form of twelve 100x65cm illustrations, 4 per relationship, an EP released as Pink Boah (Zalmroze in collaboration with Jerboah) and three experimental films backed by the three title tracks from the Pink Boah EP. Each of the three films is a self-projected character study, with the three relationships being depicted and acted out, by the artist and a placeholder model, through physical performance and touch. Visually it is most in line with the artist’s photographic series "The Gaze Upon The Male Gaze”, made for Sauce Magazine, with both the films and that photo series being highly sexploitative in nature.

One of three films made as part of the multi-media project ‘Doem, Dood & Verderf’ (2017) by Mees Joachim, chronicling the most traumatic moments from three of their prior long-term relationships. This multi-media project took the form of twelve 100x65cm illustrations, 4 per relationship, an EP released as Pink Boah (Zalmroze in collaboration with Jerboah) and three experimental films backed by the three title tracks from the Pink Boah EP. Each of the three films is a self-projected character study, with the three relationships being depicted and acted out, by the artist and a placeholder model, through physical performance and touch. Visually it is most in line with the artist’s photographic series "The Gaze Upon The Male Gaze”, made for Sauce Magazine, with both the films and that photo series being highly sexploitative in nature.

The year is 2021. And Hong Kong is one match away from qualifying for the World Cup. Flash back to 2009. Cheuk-long, aged 18, branded a geek by his girlfriend and an all-round loser by his mother. But he has a dream, ignited by a no-nonsense, Churchill-quoting teacher and driven by a spirited, big-hearted coach. The wannabe footballer grows up overnight, and through blood, toil, tears and sweat, makes the big leaps from the substitute's bench to captaining the Hong Kong side. Three World Cups later, Cheuk-long is one free kick away from making history and legend.

Derrick is a struggling law student who takes a job as an awards show seat filler to make ends meet. One day, he is seated next to the beautiful pop superstar Jhnelle, who mistakes him for a well-known industry executive. With an instant chemistry, the unlikely pair begin to date.

A 22 year old man who has lived inside a crystal room because of a rare illness, meets an up and coming rock star, and the two fall in love.

High schooler Asaya Kanata throws himself into creating music videos. One night, he is stunned by the voice of a woman performing live on the street in the rain. The singer is Yū Orie, who abandoned her musical career and has just started working as a teacher at Kanata's high school.

Short film featuring the extended version of the song “All Too Well” by Taylor Swift. A troubled couple's romance blossoms before it eventually falls apart.