Live by my house

The Lark Farm is set in a small Turkish town in 1915. It deals with the genocide of Armenians, looking closely at the fortunes, or rather, misfortunes of one wealthy Armenian family.

In 1948, decades after fleeing Armenia to the US as a child, Charlie returns in the hopes of finding a connection to his roots, but what he finds instead is a country crushed under Soviet rule. After being unjustly imprisoned, Charlie falls into despair, until he discovers that he can see into a nearby apartment from his cell window - the home of a prison guard.

On Easter 2018, a man put on a backpack and began to walk across Armenia. His mission: to inspire a velvet revolution and topple the corrupt regime that enjoys absolute power in his former Soviet nation. With total access to all key players, this documentary tells the story of what happened in the next 40 days.

INTENT TO DESTROY embeds with a historic feature production as a springboard to explore the violent history of the Armenian Genocide and legacy of Turkish suppression and denial over the past century.

The tranquility of a remote Armenian mountain community is disrupted when a group of shepherds affected by the pangs of an evening hunger, decide to butcher and barbecue the sheep of another's that have strayed into their herd. An official inquiry by the city police complicates matters, and questions of law, morality and community only seem to lead to further entanglements.

The last collaboration of Artavazd Peleshian and cinematographer Mikhail Vartanov is a film-essay about Armenia's shepherds, about the contradiction and the harmony between man and nature, scored to Vivaldi's Four Seasons.

An unconventional story conveyed with a delicate sensuality about two broken souls and a brief encounter reigniting memories and leading to difficult choices.

Robert Sternvall, a German journalist, returns to Artsakh in 2016 to cover the war which has been reignited after a 22-year ceasefire. In the result of his journalistic investigation, Robert meets Sophia, a young opera singer, who happens to be the daughter of missing photojournalist Edgar Martirosyan, whom Robert abandoned in captivity during the fall of the village of Talish in 1992. Robert and Sophia’s frequent rendezvouses ignite a passionate romance...

The Armenian national hero, David Bek, leads a major Armenian uprising against Safavid Persia in the Syunik region in the 18th century.

The film consists of three parts. The first one is about a harmonious family that will be separated because of the existing situation. Little Aram carries the tragedy of the separated family. In a day, his entire childhood ends. The reason is one thing only… In the second part of the film a feminine touch is evident by Astghik’s character. One step and peace turn to war in a day, that’s when she loses her friendship, her love, and the idol. The third film tells about a 14-year old Tevanik who becomes part of the war activities. During the fights and as a result of his inability to put an end to a beauty, moments become decisive for Tevanik

This is a story about returning to ones ancestral homeland. Anna is a cardiologist who discovers her father has fled to his native Armenia after being diagnosed with a heart problem. Despite their contentious relationship, she sets out to bring her father back for this operation. Anna is a tough-minded, headstrong woman with little feeling for her fathers homeland or patience with its politics and socially intrusive culture, yet she finds this journey not only a reunion of sorts, but one of reconciliation as well.

Explores the Ottoman Empire killings of more than one million Armenians during World War I. The film describes not only what happened before, during and since World War I, but also takes a direct look at the genocide denial maintained by Turkey to the present day.

Inspired by true events, this is a film about a childhood friendship, torn apart by the horrific Hamidian massacres infiltrated by the Ottoman Empire under the rule of Sultan Abdul Hamid II (1894-1896).

In post-war Armenia, physicist Artyom buries himself in work, haunted by the loss of his wife in WWII, unable to let go of the past. Meanwhile, young Tanya refuses to accept her stepfather, still waiting for her real father, missing in action for years. Their parallel journeys explore memory, loss, and the weight of history—both personal and national. As Artyom grapples with the dilemma of remembering versus forgetting, the film becomes a meditation on identity, time, and the inescapable pull of the past. Partially based on the life of prominent Soviet-Armenian scientist Artem Alikhanyan, Hello, It’s Me! is a deeply reflective exploration of history’s grip on both individuals and nations.

A bunch of stories, portraits and images about people of amazing destinies, including Parajanov and Tarkovsky, merging into a non-traditional and polemic image of Armenia.

A man paves his own way to his own soul through an intellectual quest, tragedies of nations and personal drama. The road moving through the cosmic distances is a flight into one's internal world. This flight and this drama are revealed in this philosophical film-poem.

After the devastating Spitak earthquake of December 7th, Konstantin Berezhnoy, a 50-year-old Russian, and Robert Melkonyan, a 28-year-old Armenian, work together to rescue the desperate survivors.

Two years after receiving news of his father’s death in WWII a young boy continues to wait for trains from the front. The boy lives with his crippled uncle rather than with his mother, who has remarried and has another child. Then one day the father returns.

In 2020, when a French robotics student investigates his mother's guarded secret about his true Armenian identity, he jeopardizes his university AI competition to travel to Artsakh and gets entangled in an unexpected full-scale war where he must rely on the evolving consciousness of his AI creation to save his life and learn the truth.

Stone, Time, Touch is a documentary made by Gariné Torossian about the relationship of three Armenian women from the diaspora with the land of Armenia. The young woman (played by Kamee Abrahamian) is visiting Armenia for the first time. The older woman, Arsinée Khanjian has a more conflicted and analytical perspective of her identity and her relationship with the fledgling democracy, one of the former Soviet Union republics. She has been to landlocked Armenia many times and comments on photos taken by French photographer Marc Baguelin. The third trajectory is more subtle and is represented by Gariné Torossian herself whose face is super imposed from time to time in this stylistically-layered documentary.