Village of Women

For months, the FBI have been investigating Russian interference in the American presidential elections. ZEMBLA is investigating another explosive dossier concerning Trump’s involvement with the Russians: Trump’s business and personal ties to oligarchs from the former Soviet Union. Powerful billionaires suspected of money laundering and fraud, and of having contacts in Moscow and with the mafia. What do these relationships say about Trump and why does he deny them? How compromising are these dubious business relationships for the 45th president of the United States? And are there connections with the Netherlands? ZEMBLA meets with one of Trump’s controversial cronies and speaks with a former CIA agent, fraud investigators, attorneys, and an American senator among others.

Saud now lives in Paris, caring with devotion and tenderness for his two young children while closely following the drama in Gaza. “It's hard to be far away.” He speaks sadly of his situation as a Palestinian citizen of Israel. When he accompanies his daughter to school, they both stick up placards for the liberation of Palestine...

Kirill can never see his hometown again: he fled Russia when Ukraine was attacked. His friend, Daniel, makes the journey and “cans Moscow” for him. Kirill discovers his “reconfigured” apartment; his bicycle hanging on the wall watches over his remaining comrades. In snowy Moscow, the lights are shining for the holidays. Kirill looks at the images: engulfed passers-by, war posters: “This is not my city”.

A candid, fly-on-the-wall BBC television documentary portrait of Russian Nationalist politician, Vladimir Zhirinovsky. The film shows the leader on a cruise surrounded by two hundred supporters getting plenty of media attention in New York. We are left with the nagging question: to what extent is Zhirinovsky really dangerous? To take that further, to what extent are populist politicians truly dangerous?

Casimê Celîl was born into a Yezidi Kurdish family in 1908, in a village called Kızılkule, located in Digor, Kars. The village and family life, which he longed to remember throughout his life, ends with the massacre they endured in 1918. During his long road to Erivan, Armenia, he lost all his family members. Left all alone, Casim was placed into an orphanage and was forced to change his name. To remember who he was and where he came from, every morning he repeated the mantra “Navê min Casim e, Ez kurê Celîlim, Ez ji gundê Qizilquleyê Dîgorê me, Ez Kurdim, Kurdê Êzîdî me”, which translates to: “My name is Casim, I am the son of Celîl, I come from the village of Kızılkule in Digor, I am a Kurd, and I am Yezidi”. He clings to every piece of his culture he can find, reads, and saves whatever Kurdish literature or art he comes across. As the year’s pass, Casim finds himself with an impressive collection of Kurdish culture and history.

To tell the story of Joseph Kessel is to tell the story of the entire 20th century. He lived a thousand lives in one: reporter, novelist, exile, resistance fighter, screenwriter, adventurer, gambler, poet, alcoholic, cabaret lover, seducer, and inveterate globetrotter. Through archival footage and Kessel's colorful language, this film traces the journey of a man who turned reporting into an epic and reality into the stuff of novels.

The last collaboration of Artavazd Peleshian and cinematographer Mikhail Vartanov is a film-essay about Armenia's shepherds, about the contradiction and the harmony between man and nature, scored to Vivaldi's Four Seasons.

The 40-day war has just ended in Armenia. David completed a 2-year service and has returned home from the front. Uncertain about his next steps, he is actively searching for a job that resonates with him. Arthur served in the army for a year and is currently on vacation. He continues his efforts to recall his favorite tune on the piano. Serezha harbors jealousy toward his brothers who experienced the war. He is getting ready to enlist in the army, as he will turn 18 this year. All three are brothers, and they are all Nina's children.

Filmmaker Binevsa Bêrîvan travels to Armenia to capture the daily life, customs, and history of the country's Yazidi Kurdish community.

In the 1970s, Agustín Gómez Arcos rose to the top of French literature, while in his own country, Spain, his name remained hidden. A Free Man reflects on the recent history of Spain through silences, lost stories and the role of culture and memory.

Es geht um Alles

At the peak of Perestroika, in 1987, in the village of Gorki, where Lenin spent his last years, after a long construction, the last and most grandiose museum of the Leader was opened. Soon after the opening, the ideology changed, and the flow of pilgrims gradually dried up. Despite this, the museum still works and the management is looking for ways to attract visitors. Faithful to the Lenin keepers of the museum as they can resist the onset of commercialization. The film tells about the modern life of this amazing museum-reserve and its employees.

She is a full-length documentary about writer Aimée Baker and her award-winning poetry collection Doe. Doe is her quest to give voice to the missing and unidentified women of the United States.

After losing part of her memory in an accident, Leila, a young French woman of Iraqi origin, reconstructs her story by reconnecting with her family and exploring her roots. Through music and cinema, she brings her exiled father's poems to lite, dis-covers the reality of the Middle East, and embarks on a personal quest to understand her identity and find her voice.

The Moscow Case is a 52 minute documentary with never-before-seen footage of Michael Jackson in Moscow during the "Dangerous" tour. This film tells the behind the scenes story of Jackson's ill fated concert in September 1993. It includes unique archival footage showing Michael close up and personal while meeting fans and playing with orphan children.

Documentary to mark the WI's centenary. Lucy Worsley goes beyond the stereotypes of jam and Jerusalem to reveal the surprisingly radical side of this Great British institution.

Traces the new Cold War between Russia and the West from the ban on American citizens adopting Russian children to the Kremlin’s anti-LGBTQ campaign, which positions the international marriage equality movement as a national threat.

Never before in Russian history has the Russian domestic intelligence services been more powerful than today. The FSB is a murky organisation that can ruin people’s lives who are deemed enemies of the Russian state and even commit murder on behalf of the Kremlin. Four people in exile open up about their experiences with the FSB.

Hannah Arendt's views on Jewish identity, the Israel-Palestine conflict, and authoritarian-totalitarian systems seem more relevant than ever. Together with biographer Thomas Meyer, this documentary takes us back to the time of her exile in Paris. It was there, on the banks of the Seine, that she laid the foundations for her later works, which would bring her international renown.

The documentary follows the life of Farroukh, a young Tajik immigrant who lives in Moscow outskirts with his family and does odd jobs in dreams of becoming an actor.