Marina

Children learn what they see and feel what their elders teach them to feel. If they live surrounded by hate and thirst for revenge, they will learn to hate and take revenge. The documentary collects the stories of these children told by themselves; of the children who live today in the war and of those who, already old, reflect on the childhood they lived in another distant war.

Javi and Dani go around the city trying to sell a stolen painting.

AURORA

The perfect oxymoron: Enya is as famous as she is withdrawn. There is no other musician in the world who has reached the heights that the Irish singer has reached without ever selling a concert – never. As Ireland’s biggest ever solo artist with over 75 million albums sold, Enya is definitely a mystery.

Rome, Italy, June 1993. Antonietta De Lillo and Marcello Garofalo interview legendary Italian film director Lucio Fulci (1927-96).

This is a semi documentary about a Belgian woman trying to deal with her confused ideals after the big industrial strikes in Wallony. To do so, she goes to Spain to try and find out if there is a future for anarchist ideals.

Boris Charmatz face au Grand Palais

This made-for-video documentary gives animation fans a behind-the-scenes look at the making of Metropolis, the film adaptation of classic manga artist Osamu Tezuka's vision of a future society where humans and humanoid robots live in uneasy coexistence. Also included are interviews with the voice actors and other members of the crew, who share their experiences from making the film and discuss some of the special efforts that went into it.

The biggest investigation on Alexander Lukashenko, the president of Belarus.

A very human tech doc, uncovers the real costs of the platform economy through the lives of workers from around the world for companies including Uber, Amazon and Deliveroo. From delivering food and driving ride shares to tagging images for AI, millions of people around the world are finding work task by task online. The gig economy is worth over 5 trillion USD globally, and growing. And yet the stories of the workers behind this tech revolution have gone largely neglected. Who are the people in this shadow workforce? It brings their stories into the light. Lured by the promise of flexible work hours, independence, and control over time and money, workers from around the world have found a very different reality. Work conditions are often dangerous, pay often changes without notice, and workers can effectively be fired through deactivation or a bad rating. Through an engaging global cast of characters, it reveals how the magic of technology we are being sold might not be magic at all.

Gaga has travelled through time with her ever changing sound, reinventing herself for every album, award ceremony and red carpet. With a strong fan base behind her, she continues to reign as one of the biggest pop stars of the industry.

Agatha Christie was born in Torquay on England's south coast. In a career spanning over half a century, the prolific crime writer was inspired by the landscapes and character of her home country, much of which featured in her novels. This heart-warming documentary takes viewers on a literary tour of England - focusing on the most interesting locations featured in some of her best-known books.

Act of Violence Upon a Young Journalist is a film shot in 1988 and released on VHS in 1989; a mysterious cult work of Uruguayan cinema surrounded by strange theories about Manuel Lamas, its unknown creator. Until now.

One-off documentary following the Davies-Monk family from Oxfordshire as they try to break out of the seclusion that has been enforced on them by other people's negative reactions to their two children who both have Tourette's Syndrome.

On July 30, 2018, documentary filmmaker Alexander Rastorguev was killed in the Central African Republic. He left a unique mark on Russian cinema, but managed to do much less than he could. "Rastorguev" - a portrait of one of the brightest and most free filmmakers of our time; direct speech and fragments of films, forming a single statement about the meaning of art, homeland and pain.

A journey through the ancient ruins of Tipasa, Algeria, and an exploration of the importance of heritage preservation.

Trouble with Johnny explores the recurrence of loop, tempo, and flicker. The project uses found footage as a method for emphasizing the cinematic collisions between audio and visual composition. Working within the margins of structural filmmaking, Trouble with Johnny creates a visceral experience of fragmented sounds and cyclical imagery. Likewise, Trouble with Johnny functions as a parody of the mainstream movie industry. The source material derives from the 1980’s coming of age film, The Karate Kid. Throughout the story, the main antagonist, a bully who goes by the name “Johnny”, is revered by a dedicated clique of subservient underlings. Applied as an experimental technique, the repetitive use of the word “Johnny” draws attention to the stereotypical and recurring tropes found in many teen movies.

On the edge of Dundee a 17-story tower block awaits demolition, the last of its kind on the once sprawling Ardler housing estate. Its residents are either gone or going. We undertake a journey, moving steadily upwards, exploring the space, drifting through deserted corridors and rooms. The memories of former residents accompany the voyage.

Around one billion people worldwide struggle with stress-related illnesses - and the trend is rising. What protects those who stay healthy? Is their resilience innate? Or can the ability to withstand chronic stress and crises be learned? In search of answers, ARTE embarks on a cinematic journey to leading minds in resilience research.

“I Beg You To Like Me”, serves as a testimony of individuals who felt oppressed about their body image for not meeting the standard beauty criteria, and demonstrates how a reckless language based on others’ physical appearance could turn violent. It aims to achieve much more than simply stating the obvious, which is that we are not obligated to submit to the ideal beauty standards dictated by the media, consumerism and the beauty industry. The intimate stories about one’s own body image as told by women, men, disabled people and LGBT individuals make it apparent that any one of us could end up being a victim and a perpetrator at the same time. What if, this iconic body image is nothing but an unobtainable fallacy? “Is it not yet the time to openly discuss the conventional perception of beauty, and step up onto the catwalk in our actual likeness?