Love in the Walls

A year in the life of troubled Australian graffiti artist Justin Hughes.

Because of the big housing problem in the US many people move into cheap, run down hotels, the so-called Flophouse hotels. Twelve-year-old Mikal was born and raised in a hotel room he shares with his parents, who struggle with substance abuse. Driven by love and a desire for a better life, his greatest wish is for his mother to stop drinking. Mikal is bright and articulate, but his parents’ struggles prevent them from giving him the stability he needs. Through Mikal’s perspective, the film paints an intimate portrait of resilience, hope, and the harsh realities of life on society’s margins.

Legendary homeless activist Ted Hayes embarks on a journey to heal hearts and minds of Americans.

Řecké děti

With less than a month until his Eurovision appearance Tusse must undergo a surgery that puts everything in jeopardy. Here is Tusse’s incredible life story, from Congolese refugee to winner of Swedish Idol and Melodifestivalen.

Following director Rotimi Rainwater, a former homeless youth, as he travels the country to shine a light on the epidemic of youth homelessness in America.

A documentary view of an encampment of homeless people on the outskirts of Nashville, Tennessee in the Southern United States.

Some 240,000 women over 55 are at risk of homelessness In Australia – a figure both surprising (owing to this demographic being less likely to speak up about their difficulties) and shocking, given this country’s wealth. Under Cover introduces us to 10 of these people, including a survivor of domestic violence, a former advertising executive, a self-confessed loner and a displaced immigrant, for whom security and shelter are constant unknowns and who, until now, have suffered in silence.

49 Up is the seventh film in a series of landmark documentaries that began 42 years ago when UK-based Granada's World in Action team, inspired by the Jesuit maxim "Give me the child until he is seven and I will give you the man," interviewed a diverse group of seven-year-old children from all over England, asking them about their lives and their dreams for the future. Michael Apted, a researcher for the original film, has returned to interview the "children" every seven years since, at ages 14, 21, 28, 35, 42 and now again at age 49.In this latest chapter, more life-changing decisions are revealed, more shocking announcements made and more of the original group take part than ever before, speaking out on a variety of subjects including love, marriage, career, class and prejudice.

On June 13, 1978, the punk bands the Cramps and the Mutants played a free show for psychiatric patients at the Napa State Hospital in California. We Were There to Be There chronicles the people, politics, and cultural currents that led to the show and its live recording.

Cambodian refugee Ted Ngoy builds a multi-million dollar empire by baking America's favourite pastry: the doughnut.

Between Fences

The fate of thousands of people is unified under the tarpaulins of the refugee camps in Kobanê and in Shingal. Kurdish filmmaker Bahman Ghobadi has given eight children the opportunity to use a camera to tell their own stories. Each film gives us a glimpse into the plight of the children, as seen through their own eyes. Their stories tell of young people with their whole lives ahead of them, though they’ve already lost almost everything. At a certain point, the film crew leaves the camp and follows the 13-year-old Mahmod and his sister in the search for his parent‘s house in Kobanê. The town has been ravaged by the war and all the children find is rubble. The eight films reveal the courage and openness of the young filmmakers, who share their stories with great intensity, realism and poetry, despite their harsh fate.

The four Afghan refugees who have applied for asylum in Austria strike up the song, “The caravan moves on” again and again. Encouraged by the journalist Lucy Ashton to record their lives on their smartphone cameras as a video diary, the friends film their precarious daily routine between visits to authorities, small jobs, and changing accommodations. Yet even when hope is lost, one certainty remains: the power of friendship.

OBAIDA, a short film by Matthew Cassel, explores a Palestinian child’s experience of Israeli military arrest. Each year, some 700 Palestinian children undergo military detention in a system where ill-treatment is widespread and institutionalized. For these young detainees, few rights are guaranteed, even on paper. After release, the experience of detention continues to shape and mark former child prisoners’ path forward.

Jasim and Alsaleh are underage refugees in a Greek prison. Coming from Syria and Iraq, they were arrested and accused of smuggling illegal immigrants. With unique access in the juvenile prison and court room, the film follows the two friends closely while in custody, during the trial and after the verdict, through a narrative of suspense which reveals how youngsters are forced to transport migrants across the border to Greece while the smugglers stay behind and continue their job uninterrupted. If Jasim and Alsaleh are found guilty, they will face extremely long prison sentences. Phone conversations between the imprisoned young boys and their mothers at their war-stricken countries accentuate the double enclosure that these families experience. No one knows how and when their long run will end.

Recounted mostly through animation to protect his identity, Amin looks back over his past as a child refugee from Afghanistan as he grapples with a secret he’s kept hidden for 20 years.

A homeless man living in a encampment in Minneapolis tells his perspective on the ongoing crisis of homelessness.

A cinematic portrait of the homeless population who live permanently in the underground tunnels of New York City.

Follows Mas and Saha, two young Iranian asylum seeker musicians, navigating a frightening new world of immigration detention - where they discover the power of music.