The Prisoners of the Walls of Le Lilas

At 16, the young samurai Maki Bunshirou is in love with Fuku, a daughter of another good family. He spends his year working in the court as a page, and also training in sword-work in the dojo. Then one day his father is caught up in a failed rebellion against the lord and disgraced. After his father commits ritual suicide to atone, Bunshirou's life becomes much darker as his family lives in shame. He is separated from Fuku, who is sent to the capital, Edo. Slowly, Bunshirou begins to regain an honorable position. Then he begins to hear rumors that Fuku has become a concubine of a lord in Edo...

Moon Troupe's stage play.

Moon Troupe's stage play.

On Crescent Island, off the coast of England, a new archaeological site is being excavated: the Lunar Palace. The tycho of Uranus Net Company, Brian Keyes, is sponsoring a beauty contest on the island to choose "a companion for the moon prince", based on local legends. Rock star Alex is invited out to judge the contest. While there he stumbles upon a necklace on the site. The female archaeologist Eileen demands the return of an important artifact, and sparks fly between their two stubborn personalities. Meanwhile we learn that Brian Keyes is not what he seems — he is actually working on mind-control and genetic alterations with the help of his mad scientist. While fleeing from Brian, who wants Alex's genius DNA, Alex, Eileen and their friends stumble across a hidden chamber belonging to the ancient Lunar Palace. (Takawiki)

On the 10th anniversary of the assassination of the King, his reclusive widow, the Queen, arrives to spend the night at the castle of Krantz. Stanislas, a young anarchist poet who seeks to assassinate her, enters her room, wounded; he looks exactly like the dead king, and the Queen shelters him instead of handing him over to the police. She sees him as the welcome embodiment of her own death, calling him Azraël. An ambiguous love develops between them, uniting them in a bid to outwit the machinations of the court politicians, represented by the Comte de Foëhn, the chief of police, and Édith de Berg, the Queen's companion. In order to remain true to their ideals and to each other, the Queen and Stanislas have to play their parts in a bizarre private tragedy, which the world will never understand.

Star Troupe's stage play about Edgar Allan Poe.

19th-century Paris. At a certain aristocrat's home, the theft of a necklace occurs. Because of this a maid and her son Raoul are turned out of the house; ten years later, he has become a prodigy at Sorbonne University and is popular around the city. The nanny who has been looking after him, Victoire, is an author; her novel The Gentleman Thief becomes a best-seller and the protagonist Arsène Lupin is loved as an idol by the people. But the book is prohibited from sale, and in order to save his aunt and to have his revenge on those responsible for the earlier incident, Raoul hits upon the idea of becoming Arsène Lupin. He once again meets Agnes, whom he served in the aristocrat's home, and together they realize their love for each other.

Moon Troupe's stage play.

When Miyuki unexpectedly comes across a dying puppy, she trusts the words her grandmother taught her, "When you make a wish upon the wasureyuki (the last snow of spring), it will definitely come true" and she prays for the puppy's recovery. Sakuragi, who is studying to be a veterinarian, passes by and heals it. These two who were drawn together by a mysterious power, are immediately attracted to each other. When the time comes for them to say goodbye at Miyuki's house, they promise to meet again in seven years' time, in the same place. And the two do accomplish the reunion that they spoke of so inevitably. However, when the memories of their younger days return to the space between them, Miyuki disappears. This is a fleeting, pure love story of the two who loved each other, and yet passed by each other...

A former officer. A belle of high society. In the past they shared a love that could not be fulfilled; now the two of them are reunited. The man went into reserve and visited his hometown in southern Europe. There he unexpectedly met a girl. Upon meeting the two were strongly drawn to each other. However, the girl has noble blood in her veins and had no reason to even acknowledge his existence. They had no choice but to part ways, without either of them expressing their feelings...

Cosmos Troupe's stage play.

Based on The Tale of Genji.

It is the year 1775, and England and France are undergoing a period of social upheaval and turmoil. The forces that are leading to revolution in France are colliding with a circle of people in England, causing their destinies to be irrevocably intertwined.

Count Monteiro, the master of one of the many large, prosperous coffee plantations which ringed São Paulo, had decided to make his son, Antonio, the head of the plantation and return home to Portugal. Antonio was too young to manage the plantation so the Count intended to appoint two trustees of the estate: Julio as manager and Altoul as the family representative.

Taking shelter in the tavern is Sydney Carton and Lucie Manette. This is their first meeting. Lucie Manette, a young woman who has been raised as an orphan and a ward of Tellson's bank, has learned that her father is alive and has recently been released from prison after eighteen years of unjust incarceration. She is traveling to the French suburb of Saint Antoine with Mr. Jarvis Lorry, a longtime Tellson's employee who had managed her father's affairs before his imprisonment. They find her father at the home of Ernest Defarge, a former domestic of Dr. Manette's who has housed the doctor since his release. Though her father is teetering on the brink of insanity, she solemnly vows that she will be true to him and devote her life to helping him recover himself.

Based on the life of James Dean.

Takarazuka Revue's stage play based on Shakespeare's Romeo and Juliet.

Based on the life of James Dean.

Based on the 2021 German musical Goethe!, which is based on the 2010 German film of the same title,

In the face of executives insisting on selling UFA, producer Kaufmann, infused with the same spirit as President Klitzsch, declares that they will make a low-budget entertainment film that the public is sure to love. Who will take on such an audacious task? When Kaufmann himself is shuttered, one man takes up the challenge—Theo Wegmann, an assistant director at UFA. Foreseeing the end of the age of silent films, Theo suggests making a talking movie with singing. If Hollywood can do it, so can we here in Berlin! With the condition that he gets to choose his cast and staff, Theo promises Kaufmann that he will produce a low-budget movie that will entertain everyone and be a major hit.