Keeping Company

The surreal, experimental story of an unseen serial killer.

The short is presented as a long-lost documentary from 1928, one that details the disappearance of a commercial steamship, The S.S. Willie.

A short film, set two years after the main event of the horror novel of the same name, written by Sepia Gore.

Proyecciones del Limbo

A distraught mother suspects her teenage son is a psychopath who may shoot up his high school, but when he outsmarts the mental healthcare system she is forced to take matters into her own hands.

X-ray images were invented in 1895, the same year in which the Lumière brothers presented their respective invention in what today is considered to be the first cinema screening. Thus, both cinema and radiography fall within the scopic regime inaugurated by modernity. The use of X-rays on two sculptures from the Bilbao Fine Arts Museum generates images that reveal certain elements of them that would otherwise be invisible to our eyes. These images, despite being generally created for technical or scientific purposes, seem to produce a certain form of 'photogénie': they lend the radiographed objects a new appearance that lies somewhere between the material and the ethereal, endowing them with a vaporous and spectral quality. It is not by chance that physics and phantasmagoria share the term 'spectrum' in their vocabulary.

What could possibly be more important than feeding your daughter?

Valarie sets up a photo shoot.

Pandemonium

Under the relentless sun, a killer stalks through the mountains, where the innocence of a young couple becomes prey. With no shadows to hide their fate, the hunt is a macabre game in broad daylight, where fear is not hidden in the darkness, but burns with the rawness of the unperturbed noon.

The most important event in the history of the Christian religion occurs beyond the physical plane, when God himself touches humankind for the first time. This event will bring light and shadow together in one place.

Des vertes et des pas mûres

As he falls down the spiral of personal obsession; a delusional mycologist finds himself in the midst of seeking the unattainable. Morals won't play a role in his relentless pursuit of transforming his being into fungus.

Paralyzed by post-grad anxiety, a burned-out Jake spends his last summer beneath Boulder, Colorado's Flatirons. When a mysterious discovery threatens to consume him entirely and plunges him into a surreal nightmare.

A phone sex operator loses her grip on reality, caught in a hypnotic relationship with a caller making disturbing confessions.

'Is it a plaisir' is an experimental short film that explores femininity and the body as a sharp territory, crossed by the tension between desire and imposition. Through symbolic, sound and visual saturation, the film acts from pleasure (plaisir), revealing a liberation that emerges in the midst of excess, where intensity and lightness, dark and light, intertwine, collide and converge.

Filmmaker and artist Jack Smith described his own film as a “comedy set in a haunted movie studio.” Flaming Creatures begins humorously enough with several men and women, mostly of indeterminate gender, vamping it up in front of the camera and participating in a mock advertisement for an indelible, heart-shaped brand of lipstick. However, things take a dark, nightmarish turn when a transvestite chases, catches and begins molesting a woman. Soon, all of the titular “creatures” participate in a (mostly clothed) orgy that causes a massive earthquake. After the creatures are killed in the resulting chaos, a vampire dressed like an old Hollywood starlet rises from her coffin to resurrect the dead. All ends happily enough when the now undead creatures dance with each other, even though another orgy and earthquake loom over the end title card.

In January 1999, a group of five disappeared after they went into the woods of York, South Carolina for a camping trip. Their story is being told 25 years later.

Shot on 16mm film in New York and composed in Berlin, the work explores polarizing themes of the metropolis. Audibly and visually, the viewer is put in a flicker between serenity and intensity; harrowing ambience cut with sharp beeps, vulnerable steps mashed in high velocity.

Neyasno