Tito

Filled with vitality, humor and unexpected situations, Hamada paints an unusual portrait of a group of young friends living in a refugee camp in the middle of nowhere. Western Sahara is known as “the last colony in Africa” and this conflict is the longest and one of the least known ongoing disputes in the continent, but the Sahrawi people refuse to become invisible.

This is the true story of Fetim Salam, a Saharawi refugee falsely portrayed as a slave in the Australian documentary 'Stolen'. Australian filmmakers, Violeta Ayala and Daniel Fallshaw, travel to the Saharawi refugee camps in Tindouf, Algeria in 2007 and claim to discover 20,000 slaves in the camps run by the independence movement Polisario Front. Refugees are outraged for being portrayed as slaves, and humanitarian aid workers are incredulous about these allegations as they know the camps intimately. Filmmaker Carlos Gonzalez retraces their steps in search of the truth and finds a web of lies, misinformation and Moroccan operatives reshaping the truth.

Straddling a 2,400-kilometer-long wall constructed by the Moroccan army, the Western Sahara is today divided into two sections — one occupied by Morocco, the other under the control of the Sahrawi National Liberation Movement’s Polisario Front. Drawing from stories of flight, exile, interminable waiting and the arrested, persecuted lives on both sides of that wall, this film bears witness to the Sahrawi people, their land, their entrapment in other people’s dreams. In an esthetic that sublimates the real, Lost Land resonates like a score that juxtaposes sonorous landscapes, black-and-white portraits and nomadic poetics.

The political upheaval in North Africa is responsibility of the Western powers —especially of the United States and France— due to the exercise of a foreign policy based on practical and economic interests instead of ethical and theoretical principles, essential for their international politic strategies, which have generated a great instability that causes chaos and violence, as occurs in Western Sahara, the last African colony according to the UN, a region on the brink of war.

Spanish actor Pepe Viyuela embarks on a personal journey on the trail of his grandfather Gervasio, a soldier in the Republican Army during the Spanish Civil War.

A Crew of Mexican filmmakers decide to cross the world to go in search of a nomad who would guide them in the sea of sand, to find the cave of the djina (a devil) but on the way they find an exiled country, that asks for help them to spread there existence and find a way to prevent that the organizations of United Nations and NGOS do not forget them. It is a history full of magic and feeling, wrapped in the colouring landscapes of the great desert of the Sahara. Among the liberated territories there are 10 million mines, temperatures of up to 60 ° c and little food to testify the wealths of a great people there culture, traditions, tragedy and there similarities with the rest of us.

The film offers an insight into a nearly forgotten world. The times when the Sahrawi war of independence was on the international agenda seem to be long forgotten. The fate of hundreds of thousands Sahrawis living in refugee camps since the 1970s seems not to be spectacular enough for further attention. Inthe film the women get a chance to speak. It is a film about their experiences and hopes. It is mainly a film about life in surroundings where seemingly normal things are real challenges. The film is a simple and impressive portrait of women, who have been fighting against their fate to help their people. They have never lost their drive, no matter how unfavourable the circumstances have been. It reminds us of the fate of the Sahrawi people. The film is realistic, without any kitsch elements. It shows impressive pictures of the real lives of strong women, who have never stopped fighting for independence.

In Hassaniya, the mother tongue of the Sahrawi people "Chabiba" means youth. In the Sahrawi tradition conversations, revolves around a good tea. According to the usual three Sahrawi teas.El take first tea is bitter as life, the history, the life of this people is bitter, because they were first colonized, abandoned, busy and eventually went to war with a neighboring country. The second sweet tea like love, the sweetest part of this conflict is the international status because all international law states that the solution to the conflict goes through a referendum. The third area is soft as death, remained behind war, armed struggle, we are in a part of the struggle of the people much smoother, as the third tea.

Selma Mohamed Brahim, known as Belgha, lives in the Dajla Saharaui refugee camp in Southern Algeria. He has dedicated his life to preserving the Saharaui culture and identity, because he knows that a nation without culture is a lost nation, and he is making every effort to convey to younger generations all the things they haven't experienced.

Tebraa is the song of the women of the Sahara desert. Songs of love or lamentation that they sing when they are alone. This collective documentary made by a group of Andalusian women tells the life and injustices that Sahrawi women experience in the adverse conditions of exile and in the occupied territories of Western Sahara.

Documentary about the arduous early years of the Sahrawi cause (1977)

Dadah, a Sahrawi boy living in the Dakhla refugee camp, knows nothing beyond life in the desert, the sand-filled air, the ever-present dunes on the horizon, school, games, the sullen world of the conversations that adults have while they make tea… Through film, he will discover very different worlds.

Filmed in the camps of Sahrawi refugees living in West-Algeria and Tifaritti (the liberated territory). The narrator, in his multiple interviews, examines the reality of these people who have been condemned to silence in exile. This is a direct and concise documentary that gives the refugees the opportunity to express themselves, as well as hearing from other people implicated in the conflict.

This film offers a picture of the tense situation in which the Sahrawi people have lived for more than 30 years. The yearly celebration of a marathon in the Sahrawi refugee camps serves as the central focus of the story.

Through images and testimonies of Sahrawi women, this film introduces us to the situation and the living conditions the Sahrawi people have been subjected to since, in 1975, Western Sahara was occupied by Morocco and thousands of men, women and children were forced to flee and look for refuge in Algerian territory, in the inhumane "hamada" (rocky desert) of Tindouf. Sahrawi women, exiled to the refugee camps of Tindouf since 1975, have been the driving force behind a genuine revolution in all areas of Sahara society. They have carried out the miracle of reviving the spirit of a devastated community in the middle of a hostile, rocky desert.

28-year-old Azman, a student in the film school Abidin Kaid Saleh, explains how he discovered film in the Sahrawi refugee camps, the difficulties he had explaining his choice of study to his family, and how his society views this career.

A nine-year old girl, Naha, who in day-to-day life studies primary education en Wilaya de Smara is the point of departure for this documentary. Through the her family life, teachers, those responsible for Sahrawi education and NGOS, we understand the education system in the camps causing us to be in awe of the patience of the Sahrawi people, refugees for 35 years, holding out hope for a definitive solution to the conflict. This documentary intends to introduce the viewer to the situation of the Sahrawi people in the camps through one of the most basic needs for the development of a community: chidren's education. Education in the Sahrawi refugee camps is supported by women being those that develop and strengthen the task of educating in schools.

A boy has a dream of traveling to the world, especially to Paris where his uncle lives, but a wall built on his land divides his country and does not allow him to travel or cross to the other side of his land.

The Nomad Garden is an ode to the impossible. A young Sahrawi refugee shows how he grows organic vegetables and herbs in one of the most inhospitable places on Earth, overcoming challenges like the lack of water, extreme temperatures and a barren soil.

Forty years after its people were promised freedom by departing Spanish rulers, Western Sahara remains Africa's last colony. This film chronicles the everyday violence experienced by Sahrawis living under Moroccan occupation and voices the aspirations of a desert people for whom the era of colonialist never ended.