Lights, camera and sand

Smara is the city of dust, kingdom of sirocco, a surviving ruin of a suffocating region… Thousands of Sahrawis who fled Western Sahara after the war against Morocco (36 years ago) live in this refugee camp, located in the Sahara’s inhospitable north, in the middle of the Algerian hamada. They live here, under poor human conditions, thanks to international help. A small film cooperative fights, with barely any means, to elevate the voices of young Saharawis. It is one of the many Nollywoods (Hollywood of emptiness) found in Africa.

Those who do not know the Sahara think there is only sand in the desert. But in the desert there are children who play and draw and make movies, and who would like to not have to think about the war. In the desert there's a European colony, an occupied country called Western Sahara, where there are thousands of Sahrawi refugees living a hard life in exile. "Little Sahara" tells their story, the story of a supportive, resilient people who try to thrive and grow in the Hamada, where everything has a hard time growing.

A Palestinian grain miller in a Jordanian refugee camp safeguards her culture and shares her people’s history through food prepared with love, longing, and sumud—the Palestinian spirit of steadfastness.

Successful model Samira Hashi makes an emotional return to Somalia, one of the most dangerous places in the world and the place she was born. Civil war broke out in 1991, 10 days after Samira's birth, but two years later her family managed to flee the country and she grew up in the UK.Now, as Samira and the war both turn 21, she's going back for the first time to visit the people and places she left behind. The contrast with her safe and glamorous life in London could not be starker as she experiences firsthand the war's effect on a generation of young people growing up in conflict.

This film, with an autobiographical flavor, was shot in part on the very premises where Father Proulx grew up and highlights the importance of agriculture and the very special attention given to rural youth in the from the Government of Quebec. The farm and its little world are presented during the four seasons: the introduction of children to agricultural work, the holidays, the return to school. From November to the end of April, the older ones take courses in the various agricultural schools scattered across Quebec. In addition to studying the methods of cultivation and breeding, they receive notions of carpentry, blacksmithing and other lessons likely to be useful in their future work as farmers. In the spring, the young girls go to secondary schools of agriculture to learn domestic art, beekeeping, weaving, sewing, etc.

Keenly aware that his niece is going through a particularly rough time at home, Uncle James teaches Ava Dee how to use the Blackmagic Pocket Cinema Camera. As an experiment, he tells her to shoot whatever she wants and he'll edit it into a film.

Has the time of women finally come? Have their everyday lives truly changed over the past sixty years? Guided by Agnès Jaoui, women—famous and unknown—share their stories across generations. From childhood to retirement, the documentary traces shared experiences shaped by prejudice, but also by hope, strength, and humor. Blending personal archives, historic moments, and social media footage, the film places women at the center of their own story. Welcome to the Time of Women.

This film takes a candid, inside look at the world of juvenile delinquency. We are shown the tough existence on the streets of Montreal, but it could be any city in North America. Some boys as young as ten years of age talk about their lives of crime, the things that are important to them, and the hopes they hold for the future.

In May 1974, the Israeli Air Force carried out an extermination operation against the Palestinian refugee camp Nabatiyeh. With this as a starting point, it is reviewed how the last 50 years of Zionist colonization of Palestine have partly led to the establishment of the state of Israel, partly to the expulsion of a people, the Palestinians, from their land. The film shows scenes of daily life in Palestinian refugee camps. We hear various of the inhabitants talk about their desire to return to their country, and we follow how the resistance movement works to free women from their traditional backward role. At the same time, the emergence of the armed resistance struggle is analysed, and the significance of the latest military technological developments for guerilla wars in the 3rd world is explained.

Eleni is 16 and has just moved from California to Virginia, where she must adapt to a new school. This comes easily to her thanks to her intense passion, which she instills in her peers. She becomes president of the school's rocket club and aims to build the perfect model for a competition attended by hundreds of teams from across the United States.

Perspectiva (Versão da Diretora)

Over many years, the director’s father filmed his family life almost obsessively. His daughter’s birth, his son’s first steps, and always Valérie, the young mother. An impressive fund of material which their now grown-up daughter Faustine appropriates to tell quite a different story: that of a woman who sees her role as a mother and its demands take away her freedom step by step.

Over a dozen students at this school in Quebec were radicalised. To tackle the issue, a pilot project was launched to heal divides within the student body. It's a hybrid cultural model, made up of the many cultures of its students.

A group of young architects, confined to a forest in Barcelona during the COVID crisis, explore the problems generated by the ambition of wanting to be completely self-sufficient.

Rafaela, an 80-year-old woman, has a long conversation with her grandson, going over his path from childhood to old age. Now that she has been diagnosed with chronic breast cancer, faith is more present in her life than ever, which coexists with Rafaela's fear of death, and her grandson's fear of dying.

The Wonder Commission is a new music commission of The Well, composed by Dr. Brian Raphael Nabors and performed by the Antigone Music Collective. Inspiration for the new music emerges from Nabors' conversation with writer, physicist, and professor at MIT, Alan Lightman. The music also integrates the voices of youth from UpSpring's Summer 360 camp for unhoused youth and their questions about science, wonder, and hope.

A story about children and adults who migrated from eastern Ukraine because of the war and found themselves far from home in a hostel for displaced people. This is a film about the everyday life and pain of refugees, about the search for small details that give strength to live and about adults who are tired of war. It is a self-reflection of refugees who believe that they will soon return home, without a clear understanding of when this will be possible and what awaits them there.

On June 12, 2019, the Committee to Investigate Violence in Youth Care presented its final report. The conclusions were startling. Kim Feenstra set out to find out what progress has been made within the Youth Care system since then and ended up in a circle of grief and pain dominated by money, power and powerlessness. In her search, Kim Feenstra spoke to many people involved. The stories can be described as downright shocking. In many cases Youth Care appears to act as a revenue model that is exploiting parents and children. The complex system has only one entrance, but the exit is obstructed by all stakeholders who want to maintain their revenue model. The people who really matter, the parents and children, encounter a power block of inhuman proportions. A system dominated by money, power and powerlessness.

This documentary follows two long-lost Ukrainian friends, Arsalan and Nastya, as they reconnect in Germany after russia's full-scale invasion against Ukraine. Arsalan, an actor now in Frankfurt after time in a refugee camp, and Nastya, journalist and producer who stayed in Kyiv, reflect on the divergent paths their lives have taken due to the war. Through their conversations and therapy sessions, the film explores themes of displacement, identity, and the emotional impact of war on youth.

Today in France, one in five young people suffers from severe depressive symptoms, and the number of minors visiting psychiatric emergency rooms has tripled in the last five years. Despite the political will that has been demonstrated, child psychiatry is nevertheless faced with a severe lack of resources. The interminable waiting times for treatment are causing a surge in prescriptions for psychotropic drugs.