Orphans and Other Children: Live

Aspiring director Corky St. Clair and the marginally talented amateur cast of his hokey small-town musical production go overboard when they learn that Broadway theater agent Mort Guffman will be in attendance.

Several comic greats pay tribute to the legendary stand-up stage founded by Budd Friedman in 1963.

Toshio and Shizuko Omiro, both over seventy years old, have lived in Kawasaki, Japan since 1981. With their free-spirited lifestyle, the improvisaton duo continues to pursue their vision of changing the world into a more peaceful one in an inappropriate and unseemly way.

With noise-canceling headphones, they communicate with an inaudible counterpart. Decoupled, they move around the room and meet their surroundings. Intimate stories and needs are discussed. The personal blends into a shared portrait.

At an orphanage, the children are sad because they received used defective toys as gifts. Professor Grampy sees the children while passing by in his sled and has an idea on how to give them a merry Christmas.

Unknown comedians Alex Dolezal and Aidan Fealy attempt to launch the national tour of their absurdist late-night talk show parody but a combination of ADHD and poor choices threaten to derail them before they can even start.

In 1989, a collective of young hip hop artists gathered at a health food café in South Central Los Angeles. Their mandate? To reject gang culture and expand the musical boundaries of hip hop. DuVernay's documentary chronicles the historic legacy of the Good Life Cafe — the open mic nights that became an L.A. institution, the eclectic array of talented young MCs that emerged there, the alternative hip hop movement they developed, and their worldwide influence on the artform.

Liberté, égalité, improvisez !

An indie film crew throw caution to the wind when they attempt to shoot a completely improvised drama where the film's big twist is being kept secret from their lead actress, while also navigating on-set mishaps, bizarre twists of fate, and the first year of a global pandemic.

Five years into performing as renowned filmmaker George Lucas in the cult comedy show "The George Lucas Talk Show", comedian Connor Ratliff questions the need for its continuation and his own drive for success and fulfillment in show business.

Between Fences

1. Just One Drink 2. Temporary Ground 3. Love Interruption 4. Machine Gun Silhouette 5. Offend In Every Way 6. The Same Boy You've Always Known 7. Alone In My Home 8. You Know That I Know 9. We're Going To Be Friends 10. Entitlement 11. Carolina Drama 12. You've Got Her In Your Pocket 13. A Martyr For My Love For You 14. Goodnight, Irene Jack’s performance from the Wendy Williamson Auditorium in Anchorage, Alaska is a gem in its own right. With the ethereal setting adding to the mystique of the circumstance, the show was one of the most thrilling in White’s twenty-plus-year career, and those who were there to enjoy it (who had waited all day in the snow), bore witness to a once-in-a-lifetime performance. We present that memorable show here, in its entirety, on DVD, with expertly engineered sound and editing by TMR’s in-house film guru Brad Holland. Acoustic in Alaska is truly spectacular.

There's No Business... is a 1994 British partially improvised comedy film directed by Kevin Molony and produced by Claudia Lloyd for Prospect Pictures. It stars Raw Sex (Simon Brint and Rowland Rivron) as Ken Bishop and his stepson Duane, and Lee Cornes as their musical agent Dickie Valentino, in their attempt to remake a track by Ken's old band, 'The Nice Twelve' for a TV advert for 'Pinkies', a brand of kitchen gloves made by Mort Clayton (Mac McDonald). Alexander Armstrong (Tim) and Sam Graham (Fergus) work for the fictional advertising agency Sprote and Sprote. The film takes its name from the 1954 film There's No Business Like Show Business which itself borrowed the 1946 song of the same name by Irving Berlin, written for the musical Annie Get Your Gun.

Chelsea Bledsoe and her husband Graig throw a surprise intervention for her old high school boyfriend, Henry, with a mismatched group of acquaintances from back in the day to fill out the guest list.

From radical turntablism (Otomo Yoshihide) to laptop music innovation (Numb), via classical instrument hijacking (Sakamoto Hiromichi), Tokyo's avant-garde music scene is internationally known for its boldness. While introducing some of the greatest musicians of this scene, "We Don't Care About Music Anyway..." offers a kaleidoscopic view of Tokyo, confronting music and noise, sound and image, reality and representation, documentary and fiction.

The life and times of artist Richard Ellis

Two college students set out to capture a ghost on film to make millions instead of doing their finals.

Artist, showman, and robe-clad raconteur Marc Rebillet embarks on one of the first live music tours after COVID-19 lockdown.

Orson Welles pitches to potential investors his vision of a largely improvised bullfighter movie about an existential, James Dean type troubadour who sets himself apart from other matadors. In front of an audience of wealthy arts patrons, Welles pontificates on the state of cinema, the filmmaking process, and the art of bullfighting.

Grateful Dead - The Broadcast Archives