This film documents the youth groups personalities, interests and what they like to do for fun. It also highlights important and relevant issues facing young travellers and their peers in East Cork and Cork City. A film the by the Connect Youth Project. Directed and filmed by the members of the Connect Youth Project in East Cork.
Plató
A boy has a dream of traveling to the world, especially to Paris where his uncle lives, but a wall built on his land divides his country and does not allow him to travel or cross to the other side of his land.
The documentary tells the story of Anke, Birgit and Katrin, who are training to become cattle breeders and graduate from high school. During this time, they live in a boarding school. The three girls talk about their everyday lives and reflect on their future.
Beautiful Lennard Island
La vie devant elle is the diary of the exile of Elaha, a 14 year old Afghan girl, who films herself with a small camera to tell her story. Through her story, the film portrays the reality of children growing up on the road, tossed from place to place to flee conflicts in the hope of finding a normal life.
Documentary on gymnasiums in Philadelphia, Pa. specializing in training kids to box. By learning boxing and competing in tournaments, kids are helped in staying out of trouble
Having suffered incest from her father from the age of eight to the age of twelve, at forty-five, Beatrice filmed, with two cameras, a long meeting with her mother to try, with the viewer, to understand their story.
Shâd Bâsh
This film offers a picture of the tense situation in which the Sahrawi people have lived for more than 30 years. The yearly celebration of a marathon in the Sahrawi refugee camps serves as the central focus of the story.
Lebanon today. The traces of the civil war are all too tangible as government corruption becomes unbearable. In a country where conflict and peace are caught in an endless cycle, musicians from different backgrounds pool their talents to create an underground music scene. Each evokes his or her representation of Lebanon: its shifting geographical, political, historical and social borders, its painful passage through conflict and instability. A touching portrait of a young generation trying to build an oasis in a hostile environment where the forces of destruction continue to wreak havoc.
Documentary about the arduous early years of the Sahrawi cause (1977)
Two planes take off at the same time headed in opposite directions. Fatimetu and Ejehla. Two distinct lives destined to follow similar paths. One past desired, but fuzzy, and a future. One inheritance, becoming more and more fragile. “Heirs” gathers the testimony of different generations of women who live within and outside of the camps and paints a profile of the present situation in which these Sahrawi women live and the future they've inherited, living in an orphan-like territory separated from their homeland for more than 33 years…
In 1996 I took the conservatory exam. I missed it. A year ago I was asked to do a masterclass on acting in cinema. I went there. I met a lively, joyful and passionate youth. Among my students there was Clémence. The following year, she asked me to film their last show. I felt her urgency and the fear she had of leaving this mythical place. So I accepted. By filming this youth, I revisited mine.
The moving story of Carlo Acutis, a young British-Italian amateur computer programmer who died in 2006, aged 15, as a result of leukemia. However, even though he is no longer here, to this day Carlo continues to be a great symbol of strength among young people. The documentary brings together a series of reports from people who entrusted themselves to the intercession of the boy, beatified by the Catholic Church in 2020, and had their lives transformed.
Love transcends time and people.
Known for her intimate films, director Kim O’Bomsawin (Call Me Human) invites viewers into the lives of Indigenous youth in this absorbing new documentary. Shot over six years, the film brings us the moving stories, dreams, and experiences of three groups of children and teens from different Indigenous nations: Atikamekw, Eeyou Cree, and Innu. In following these young people through the formative years of their childhood and right through their high school years, we witness their daily lives, their ideas, and aspirations for themselves and their communities, as well as some of the challenges they face.
Straddling a 2,400-kilometer-long wall constructed by the Moroccan army, the Western Sahara is today divided into two sections — one occupied by Morocco, the other under the control of the Sahrawi National Liberation Movement’s Polisario Front. Drawing from stories of flight, exile, interminable waiting and the arrested, persecuted lives on both sides of that wall, this film bears witness to the Sahrawi people, their land, their entrapment in other people’s dreams. In an esthetic that sublimates the real, Lost Land resonates like a score that juxtaposes sonorous landscapes, black-and-white portraits and nomadic poetics.
Overlooking the sea, two young men contemplate what is beyond the horizon as their friends and family leave for the allure of a new life.
Today in France, one in five young people suffers from severe depressive symptoms, and the number of minors visiting psychiatric emergency rooms has tripled in the last five years. Despite the political will that has been demonstrated, child psychiatry is nevertheless faced with a severe lack of resources. The interminable waiting times for treatment are causing a surge in prescriptions for psychotropic drugs.