The Realms Beyond the Screen

An experimental media installation of three windows exploring fragments of liminality. Three unique re-constructions of experiential instances volumising the cataclysms of thresholds. Experience the absence of definition, the absence of boundaries set and the absence of rationale. A myth is not to be understood, a myth is passed on, like a game of Chinese whispers, it takes its course and ages with time, suiting the demography and tale, it warps and distorts

A woman on the run from the mob is reluctantly accepted in a small Colorado community in exchange for labor, but when a search visits the town, she learns that their support has a price.

After escaping from her homeland and now abandoned by the man she loves, Medea must find strength from within to fight against growing injustice - how far is she willing to go?

Cinema clerks Silva and Felix work the final night before their beloved cinema is demolished by private investors. An empty final screening allows them to reflect on the meaning of cinema in an age wherein art no longer occupies physical space.

Under the relentless sun, a killer stalks through the mountains, where the innocence of a young couple becomes prey. With no shadows to hide their fate, the hunt is a macabre game in broad daylight, where fear is not hidden in the darkness, but burns with the rawness of the unperturbed noon.

A teenage skateboarder becomes suspected of being connected with a security guard who suffered a brutal death in a skate park called "Paranoid Park".

The wind carries an aspiring healer into a chaotic, virulent parallel world. Paralyzed by a familiar universe that is gradually becoming distorted, she discovers she has the power to stop time.

“Belladonna Museum” is a short film that portrays a personal experience of a transgender woman in a tragic love relationship: it is a visual poetry that reinterprets iconic paintings from surrealism and post-impressionism to address themes such as emotional dependence, loneliness, objectification, the attachment and the abuse both emotional and physical.

When actress Nikki Grace gets the lead role in a cursed film, her world becomes more and more surreal, blending realities and ideas of infidelity, reincarnation, and supernatural forces.

'Afloat' is an experimental film that paints a portrait of Japanese performance artist: Ayumi Lanoire. The film opens as a telephone call between Ayumi and Person X, which meanders the audience through the various layers that make up her personas leading one to wonder whether she is in fact a myth or reality.

Two young adults venture into a storm sewer in search of something interesting. They succeed.

Martina and Sonja, cross-dress in vampire capes and werewolf claws, re-enacting familiar horror tropes. A corresponding soundtrack of stock screams and "scary" music suggests that the girls' toying with gender roles and power dynamics may have dire consequences.

As the Earth nears its final days, a few brave survivors seek a way to survive. The answer: Red Earth, a new world that could save what's left of humanity.

Human, Tears, Art

Along the silver stream

Narrated by Tim Curry and based on the book by Russell Hoban and Quentin Blake, a lonely, lost marzipan pig reaches out with love, in a strange chain of events, to an owl, a mouse and a hibiscus flower.

The Boardwalk is the Bridge Because Everything is Water is an experimental film that says, "thank you, water" and also serves as an environmental portrait of New Hampshire.

A small group of French students are studying Mao, trying to find out their position in the world and how to change the world to a Maoistic community using terrorism.

Watch drug-addled friends through the eyes of a kaleidoscope. See coloured shapes dance and flail around. Witness people clubbing, getting beaten up, dancing and being used as human guinea pigs – all these in segments held together by two French teenagers finding themselves waiting for Godot. Experiment Three is another trip into the disturbing and bizarre world of public service announcements, contorted into something confronting and colourful.

A dying man in his forties recalls his childhood, his mother, the war and personal moments that tell of and juxtapose pivotal moments in Soviet history with daily life.