Mucho de Nada

Shot in long, contemplative takes, Madrona Marsh lingers on the last remaining vernal freshwater wetland in Los Angeles’s South Bay. Amid Torrance’s dense urban sprawl, the film observes the marsh as an unlikely oasis—home to birds, fish, insects, reptiles, and moments of quiet human presence. Influenced by the rhythms of slow cinema’s great masters, Devereaux shapes stillness and habitat into a meditative portrait of fragile ecology and the persistence of life within an urban environment.

Martin (Joe Newton) is a casualty of society. He is under appreciated and overworked as a salary man in the city. With mounting pressure on his shoulders, he experiences a breakdown at work and loses his job. After visiting his childhood home to collect some possessions, he opts not to go home but instead chooses to live off grid in the vast woodland. Here he attempts to survive, to try and find himself again, through being amongst nature and his love of writing poetry.

Concerns a young boy's mystical experiences during his Confirmation. As the ceremony unfolds, figures from religion and mythology appear and impress on him the need to become a soldier of Christ.

A film killing itself.

During Childbirth, a mother is told the child is stillborn, and she struggles to finish the birth in order to survive.

A photographer girl enters a street to take street photographs as usual and takes a few photos that she thinks are normal. When she washes the photos and hangs them, she sees that she is actually in one of the photos and goes in search of that person.

Oblio

An inventor spurns his city life and moves his family into the jungles of Central America to make a utopia.

Natur

Clara (Karin Viard) is a stripper with a high-strung, jealous boyfriend with the curious name of Loockeed (Antoine Chappey). The couple are friends with the even-temperred, almost saintly Max (Gerald Laroche), an auto mechanic. The three of them set out from their home in the north to journey to the Alpine mountains near Switzerland and Italy, where they will help a fourth friend take care of his pleasure boat business at Lake Annecy while he is in military service. As the trio attempt to establish some sort of equilibrium in their new lives, Max must constantly deal with Loockeed's testy, jealous barbs. Despite this, the three of them remain friends.

Upon realizing there's not much time left, a teenager stuck in their bedroom, with only a window to the outside world, reflects on their life and tries to find a way out of their prison.

The wild and wanton Francisca, known as "The Tigress," is the eldest of three sisters, who are bosses of a farm in Ecuador. A medicine man tells Francisca and Juliana that their youngest sister Sara must remain a virgin to protect their land. A travelling salesman, engaged to Sara, tells the police that she is being kept locked up by her older sisters.

tVision

On the South Pacific island of Bora Bora, a young couple's love is threatened when the tribal chief declares the girl a sacred virgin.

Just another love story. The difference is Gerson.

A chronicle of the lives of a couple and the gradual dissolution of their relationship.

The inner mind of Aaliyah Petra, a young black dancer fighting to withstand the immense pressure of being her family and community's “Moneybaby.” Aaliyah battles through the overwhelming pressure to succeed, discovers her own resilience, and realizes the true meaning of Black Excellence.

Alinur, a student filmmaker, tries to make a film about the apocalypse for his capstone project. The movie itself happens to be about a mercenary named M who inadvertently causes an apocalypse. As he tries to “create” the destruction of this supposed apocalypse through utilizing technical gimmicks that he has enforced onto the production of the film, this supposed effort also creeps in as a force that starts to “destroy” him, piece by piece. The outcome of it tests the sincerity of not only the film itself but also of the performative efforts that Alinur has made as a filmmaker—even this test might not be as sincere as it seems.

A reframing of the classic tale of Narcissus, the director draws on snippets of conversation with a trusted friend to muse on gender and identity. Just as shimmers are difficult to grasp as knowable entities, so does the concept of a gendered self feel unknowable except through reflection. Is it Narcissus that Echo truly longs for, or simply the Knowing he possesses when gazing upon himself?

A grieving couple retreats to their cabin 'Eden' in the woods, hoping to repair their broken hearts and troubled marriage. But nature takes its course and things go from bad to worse.