Archivos VIH/sida: historias y voces de una pandemia

Controversial documentary about gay men purposely contracting the AIDS virus.

Deconstructs the representation of AIDS in the popular media where distortion and misrepresentation amount to a "snow job" promoting increased homophobia, sexual discrimination and repression of gays.

An exposé on the public health impact of factory farming across the United States, told through the eyes of residents in five rural communities. When pushed to their limit, these citizens turned activists band together to demand justice.

In a decadent flea market there are rumors of a legend that inhabits the place. However, he is confined to his post until Carlos Gardel appears to him and gives him a mission in order to restore the shine of the Market.

In the 2000s, Vicente Viloni and La Masa became legendary wrestling rivals and idols for kids across the country. The hit television show "100% Lucha" brought a spectacle of skill and drama to every home, forging a famous rivalry that transcended the screen, leaving a mark on national culture. After the conflict that separated them for ten years, they face each other in the ring and relive great moments from their careers.

Honorable Ronald V. Dellums, winner of the San Francisco Foundation 2005 Community Leadership Awards (Robert C. Kirkwood Award) - for his decades of courage, leadership, and vision in championing peace, justice, diversity, and economic equality, both locally and globally, and for his impact in moving the AIDS pandemic and its solutions to the top of the global agenda.

With his soaring falsetto and magnetic yet understated stage presence, Jimmy Somerville burst onto the 1980s new wave scene, making the world dance to songs rooted in struggle and resilience. From the harsh realities of Glasgow’s working-class neighborhoods to the challenges of growing up gay in a hostile world, and the devastating impact of the AIDS crisis, Somerville transformed pain into anthems of freedom. First with Bronski Beat, then The Communards, and later as a solo artist, he became both rebel and diva—the unmistakable voice of a generation fighting for equality. Through intimate stories from those who have stood by him for four decades, this portrait reveals a rare artist who has never wavered in his convictions.

Tribal Strands is about two self-made Brooklyn hair artists, who create authentic hairstyles, leading the anti-hair discrimination movement. In addition, they inspire Black people to embrace their natural hair worldwide while exploring the intersections between modern and ancient African indigenous hairstyles.

A celebration of music and rallying cry that takes viewers on a journey across generations, eras, and genres, anchored by a female chorus of musical icons, whose songs, voices, and activism provided inspiration for the past and current fight for equality for all.

In '90s Argentina, the murder of a high school student sparks widespread protests. Retold by her loved ones, this documentary shows their fight for justice.

Gabriel Drolet-Maguire, a designer living in Montreal, takes us into their artistic world to discuss their HIV diagnosis. This is a timely and hopeful look at past and present day HIV/AIDS activism in Quebec.

A conversation between an older, HIV positive woman and her niece. The women talk about what it means to be a woman, mother, elderly and HIV positive in Lesotho. They speak about love, marriage, motherhood, inter-generational sex and health systems in the context of HIV in Lesotho.

After their mother's femicide, three siblings are separated and forced to live in different places. Years later they gather to raise their voices and fight to be made visible in a country where orphans for femicide are ignored by the state and invisible to society. It's up to them to tell their story.

Living in an ancient redwood tree for more than two years to prevent the tree from being clear-cut, Julia Butterfly Hill captured our hearts and minds by showing us that one person can make a difference. Through interviews with Hill, filmmaker Doug Wolens paints a portrait of an intensely spiritual and articulate woman who encountered both beauty and horror (she was assaulted by lumber company helicopters at one point) during her time above ground.

Leticia was 17 years old when she was kidnapped from school. She had arrived in Cipolletti a year earlier from the Vicente López National School in Buenos Aires. This letter was found while searching for photos and testimonies from those days.

At the heart of the HIV/AIDS crisis and widespread hysteria, a single number and letter designated a ward on the fifth floor of San Francisco General Hospital, the first in the country designed specifically to deal with AIDS patients. The unit's nurses' emphasis on humanity and consideration of holistic well-being was a small miracle amidst a devastating crisis and the ensuing panic about risk and infection.

Abrazando la Patagonia

A portrait of Argentine libertarian politician Javier Milei.

The Dawn is Too Far: Stories of Iranian-American Life poetically narrates the story of a community of Iranian Americans who have made the San Francisco Bay Area their home over the past five decades. The film explores Iranian immigration through turbulent histories of dissent, revolution, war, and separation, and the reinvention of identity in a new land and culture. The Dawn is Too Far highlights how Iranian students, activists, and artists have navigated displacement while drawing on and influencing Bay Area culture. This community offers a more nuanced story of the Iranian diaspora—the ways that this community enriches the region where they live, work, and build families. The Dawn is Too Far undermines the tired and overplayed news headlines that are dominated by narratives of enmity and mistrust between the government of Iran and the U.S., to offer a more humane understanding of the how people's lives and the sacrifices they make are part of the larger story of immigration.

Under pressure from activist groups, art is increasingly being cancelled for ideological reasons, because of 'cultural appropriation' or because of the desire for a 'safe space'. The colour and gender of the artist seem to be all-determining in this. How do you relate to this as an artist? Is this a disturbing development or a sign of emancipation? And what does it mean for freedom of expression? Director Karin Junger investigates this with Anne-Fay Kops, Ted van Lieshout, Angel-Rose Oedit Doebé, Raymi Sambo, Boris van Berkum, Marian Markelo, Stephan Sanders and Thomas Chatterton Williams.