Merian C. Cooper, le dernier conquérant

A prominent Russian ballet dancer and teacher Alexander Shiryaev had another talent hidden for almost a century. Archive materials that date back to 1906 reveal his bold experiments at stop-motion and paper animation.

Samuel Fuller discusses his career as a filmmaker, illustrated by plenty of clips.

A young woman rediscovers a letter from an old friend, forcing her to reconcile with the past.

A film that describes the love-hate relationship between Werner Herzog and Klaus Kinski, the deep trust between the director and the actor, and their independently and simultaneously hatched plans to murder one another.

For more than 40 years Kathryn Bigelow has been making films that explore male violence. With movies like Blue Steel, Point Break, The Hurt Locker and Zero Dark Thirty, the Oscar winning American filmmaker has impressed with hard-hitting moviemaking that holds a mirror up to contemporary America and the world.

Cinéma Express : Le train au cinéma

BRICKS IN MOTION is a feature length documentary that explores the lives of individuals involved in the hobby of creating stop-motion animated films with LEGO® bricks and other building toys. Filmed in five countries around the world, the film is a journey through the creative life and struggles of a diverse community of storytellers as they bring their spectacular visions to life.

Filmmakers stay at a haunted lodge and find themselves in over their heads when they encounter something otherworldly.

A patient camera glides over the everyday objects: still lives on the wall, flowers in the vase, a swaying drop light. The sun enters the cosy home where Noëlla sits smoking at her laptop, playing Solitaire. The situation is hopeless. She’s going to lose against the computer once again. All the while her son-in-law, Pierre, is organising everything she needs, pragmatic and friendly: breakfast, the (last) doctor’s visit – and then the transfer.

La Galère des Étoiles follows the making of Les Aventures du Nexus VI, directed by the Fensch Toast collective. From the creators' early beginnings to the challenges of independent production, the documentary highlights limited resources, demanding visual effects, and long hours of work - but also the solidarity and creativity that kept the project alive. It concludes with the realization of an ambitious sci-fi film driven by passion and audience anticipation.

Poland, 1970. When popular protests erupt in the streets due to rising prices, the communist government organizes a crisis team. Soon after, the police use their truncheons and then their firearms. The story of a rebellion from the point of view of the oppressors.

The Broken Brothers Brass Band visits the Andrés Muñoz Garde public special education school in Pamplona. And through their interaction with the workers, the volunteers and even the beneficiaries, the work that is done there is revealed, the universe that is hidden there.

Caos do Sodré

Monte Hellman was born in 1932. By 1986 he made eight features, but had not directed for six years. I had made as many documentaries, but had not turned a foot of film through a camera for two years. I decided to break the silence by spending a day with him. Nine rolls were loaded into the camera. We talked until either we or the camera ran out.

Documentary about Japanese film director Shohei Imamura.

The Executive Empress explores the entrepreneurial lives of several Florida women, who have turned their unique passions into successful businesses.

"Everything In Between" follows a group of filmmakers that are passionate about their work. An intimate portrait of film making and the deep trust that develops in these exceptional circumstances.

The Purdue men's basketball team enjoyed a record-breaking season in 2023-24, reaching the National Championship game and winning a school-record 34 games. This is its story of its journey to Phoenix.

An abstract perspective into two young South African workers in the heart of Johannesburg's industrial sector during Covid-19

A 60-minute salute to American International Pictures. Entertainment lawyer Samuel Z. Arkoff founded AIP (then called American Releasing Corporation) on a $3000 loan in 1954 with his partner, James H. Nicholson, a former West Coast exhibitor and distributor. The company made its mark by targeting teenagers with quickly produced films that exploited subjects mainstream films were reluctant to tackle.