A documentary about the legendary Japanese filmmaker.
The fascinating inside story of Apple Corps, The Beatles' very own multimedia corporation that became one of the most colourful, outlandish and chaotic companies that ever existed.
Damiano David's short film for the presentation of his first somo album: Funny Little Fears. He speaks and sings about his fears.
Uganda has one the youngest populations in the world and one of its most flagrantly anti-democratic governments. These are ingredients for revolution, and Bobi Wine and his wife Barbie Kyagulanyi are stirring the pot. When the charismatic Bobi, a musician and member of parliament, announces his campaign for president, Uganda’s youth are ecstatic, filling parks and streets for every speech, and singing Bobi’s anthems of peace and freedom. But then comes the crackdown, orchestrated by Yoweri Museveni, a brutal dictator who has ruled Uganda for 36 years. Bobi and his crew survive arrests, beatings, torture, riots and raids.
An intimate portrait of Victoria Chorale — a Singaporean, alumni community choir led by Nelson Kwei, as he prepares them for a return to the international competition stage in Tokyo for the first time in 18 years. And possibly also their last ever. CODA is an observation of the relationship between the music and its Singaporean makers.
A biographical film featuring the music and times of Bill Evans with interviews from Tony Bennett, Jack Dejohnette, Billy Taylor, Paul Motian, Jon Hendricks, Orin Keepnews, Bobby Brookmeyer, Pat Evans and more, including family and friends who knew Bill Evans well.
Moments of a group of high school students at a party, before the college admission tests start.
Documentary about the Chicago jazz scene.
A documentary about the band "The Fearless Flyers", filmed on tour in August of 2025. A behind the scenes look of the making of the "Live in Italy" record and the story of the bands creation.
The discovery of a series of unreleased tapes leads Juan Carlos Pérez, leader of the iconic group Itoiz, to reflect on the dissolution of the band at its peak, after a clear change of style towards pop that he still denies today. Juan Carlos will thus begin a cathartic journey to the essence of the group, reliving the beginnings of the band as a progressive rock group in Mutriku in the 70's, which will serve him to reconcile with the past.
During a decade rife with paranoia, in the middle of the McCarthy era, Music Inn was a bold experiment. Halfway between the Second World War and The Civil Rights Movement, Phil and Stephanie Barber created an oasis in the Berkshire Hills in Western Massachusetts where aspiring musicians came to learn from the very best. Students and faculty, young and old, rich and poor, white, black, and brown convened together and learned from each other. Defying the surrounding environment, Music Inn harbored a racial and cultural harmony where music was all that mattered.
The Road Forward is an electrifying musical documentary that connects a pivotal moment in Canada’s civil rights history—the beginnings of Indian Nationalism in the 1930s—with the powerful momentum of First Nations activism today. Interviews and musical sequences describe how a tiny movement, the Native Brotherhood and Sisterhood, grew to become a successful voice for change across the country. Visually stunning, The Road Forward seamlessly connects past and present through superbly produced story-songs with soaring vocals, blues, rock, and traditional beats.
Pop sensations the Lovin' Spoonful perform their biggest hits in this collection of television appearances from the 1960s and '70s. Lead singer and songwriter John Sebastian discusses the band, their music and their legacy. Songs include "Summer in the City," "She's Still a Mystery," "Nashville Cats," the hit theme to the sitcom "Welcome Back, Kotter," "Did You Ever Have to Make Up Your Mind?" and "Do You Believe in Magic?"
Brüder Kühn: Zwei Musiker spielen sich frei
Russia's most skilled streetball players unleash a whole arsenal of unique tricks, incredible dunks, and defenders-destroying dribbling moves. Spotlighting the burgeoning streetball culture of the largest country in the World, documents first streetball challenges and tournaments including performances from the biggest names in hip-hop industry.
A documentary originally released in 1995 by Polydor Japan to the Japanese market. The documentary features members of The Cadigans discussing their early formation, daily life, touring, and more. It also features several music videos and a live performance.
SOUND OF THE SOUL is a compelling portrait of an Arab country where Muslims, Christians, and Jews have lived together in relative peace for centuries. Beautifully photographed during the Fez Festival of World Sacred Music, the film presents unforgettable performances from groups from Morocco, Ireland, Russia, Afghanistan, Mauritania, the USA, Portugal and France, which carry viewers into what the film's Moroccan sufi guide calls "the hearing of the heart": the essential Oneness at the core of all religions and faiths.
Chet Baker silently wanders through an Antonioniesque landscape in a Felliniesque state of wonderment as his improvised trumpet solos alternate between earnestly offering the obvious and mocking the artiness of the whole affair.
When looking for a gift for his kid, Jon Heder (Napoleon Dynamite) is introduced to the world of Grimdark. In that moment he starts down a journey that will take him all over the world and through interviews with prominent Grimdark authors, game developers, and dedicated fans, he delves into the themes that define the genre—all in an effort to find the man who started it all: John Blanche.
Armando Iannucci presents a personal argument in praise of the genius of Charles Dickens. Through the prism of the author's most autobiographical novel, David Copperfield, Armando looks beyond Dickens - the national institution - and instead explores the qualities of Dickens's work that still make him one of the best British writers. While Dickens is often celebrated for his powerful depictions of Victorian England and his role as a social reformer, this programme foregrounds the elements of his writing which make him worth reading, as much for what he tells us about ourselves in the twenty-first century as our ancestors in the nineteenth. Armando argues that Dickens's remarkable use of language and his extraordinary gift for creating characters make him a startlingly experimental and psychologically penetrating writer who demands not just to be adapted for television but to be read and read again.