A Warrior's Flute

The 40th and final "Tengu Kurama" feature starring Kanjuro Arashi.

Japan, 1860. The men of the Mito clan, victims of the Ansei purge, anxiously prowl around the Sakurada Gate of Edo Castle with the intention of assassinating Naosuke Ii of Hikone, tairō of the Tokugawa shogunate and responsible for their misfortune.

The famous showdown at Kagiya corner has been told many times, but never before with the realism and intensity of this version scripted by Kurosawa Akira and starring Mifune Toshiro as the famed swordsman who must face his best friend as they are forced to take opposite sides in a vendetta caused by the murder of a family member. Told mostly in flashback as the avengers await the arrival of their quarry, this film displays true heroism in the face of fear as most of the combatants, while of the samurai class are not skilled swordsmen. They contrast sharply with the true warriors involved in this battle. Araki Mataemon (Mifune), who was not only a direct student of Yagyu Munenori, but the founder of his own sword style under the Yagyu name is a powerful force ready to assist his brother-in-law against the murderer's allies that include not only another noted sword teacher, but the deadly spear of Katsumi no Hanbei.

Tragicomic road movie set during the Edo period. It follows a samurai, his two servants – including spear-carrier Genpachi – and the various people they meet on their journey, including a policeman in pursuit of a thief, a young child and a woman who is to be sold into prostitution.

A traveling gambler becomes duty-bound to the wife and child of the yakuza he had slain and desires to leave the criminal life for good. However, with no other skills but his sword, he is forced to hire himself out in the midst of a gang war.

A rare grouping of the three Tamura brothers, Masakazu, Takahiro, and Ryu highlight this exciting tale of a series of attempts on the life of Shogun Yoshimune. The Owari have longed for the post of shogun, and are willing to do anything, including murder, in order to achieve their goal. Directed by master filmmaker Inoue Akira, this action packed movie, based on a manga by Koike Kazuo who created the Baby Cart (Lone Wolf) series, is loaded with splendid swordplay and an intelligent story line. It all starts when poison is discovered in the shogun’s food. Can the brilliant swordsman Mondo (Tamura Masakazu) manage to save Japan’s leader from certain death?!

Tells the story of the samurai Gengobe, who seeks revenge after falling prey to the schemes of a geisha and her husband.

In the year 1868, three young men join the elite Shogitai division of the Shogunate. The Shogitai fights to the end and opposes the dismantling of the feudal military dictatorship known as the Bakufu system.

First part of the famous Dai-bosatsu toge trilogy, based on Kaizan Nakazato’s unfinished long series of novels (41 books, written from 1913 to 1941). Set in the last period of the Tokugawa Shogunate, Daibosatsu Toge tells the story of Tsuke Ryunosuke, a nihilistic swordmaster who doesnt hesitate to kill anyone, bad or good. Despite the authors explicit refusal, the series were later made into plays and movies several times.

Story of the last three days in the life of Sakamoto Ryoma (1836-1867), the imperial loyalist who tried to unite the Choshu and Satsuma clans and prepared the way for the Meiji Restoration (1868).

The tragic story of Gonza, a handsome ladies man, set in the Tokugawa Period, a time in which appearances are very important. Gonza competes with Bannojō for the honor to perform the tea ceremony to celebrate the birth of an heir to the lord of their clan. To see the sacred tea scrolls Gonza promises to marry the daughter of the family which possesses them, even though he is unofficially engaged to another. When studying the scrolls with Osai, the mother of the house, Bannojō sneaks into the house and steals their obis and runs through the town proclaiming the two as adulterers.

The third part of the series of films based on the Japanese epic novel Nanso Satomi Hakkenden by Kyokutei Bakin.

When Mio was young, she lost her parents in a great flood and also became separated from her best friend Noe. Afterwards, Mio found her talent in cooking and eventually became a cook. Meanwhile, Noe has become an oiran (high-ranking courtesan).

In Kyoto, a samurai named Boredom Otoko, Saotome Mondonosuke , appears and helps a woman being chased by a spy named Genshichi. Unfortunately, the woman is shot and killed. Later, Genshichi explains that the woman was a member of a band of thieves, and because she was let go once, the police officer, Genjuro Mazaki, was demoted to a desk job. Consumed by guilt, Boredom Otoko...

The second part of an entertaining historical drama depicting the eventful story of the revenge of an actor with a strange fate, with a variety of characters and exciting developments.

The final, third part of an entertaining historical drama depicting the eventful story of the revenge of an actor with a strange fate, with a variety of characters and exciting developments.

Two rogue vagrants make their living as "manure men", turning the waste from the tenement toilets into fertiliser sold to local farmers. Enter Okiku, the only daughter of a fallen samurai, and amongst the overflowing piles of excrement, a well-nourished love story unfolds.

16 years after the fateful "revenge of the Forty-seven Ronin," involving samurais from the Ako domain who avenged their leader and then commited seppuku (ritual suicide), the sole survivor of that incident, Kichiemon Terasaka (Koichi Sato) traverses the country on a mission. His purpose is to find the families of the fallen samurais and spread the truth of the ronin uprising.

A man is brutally murdered and his famed shamisen (a three-stringed musical instrument) called the "Yamabiko" stolen. Prince Kogenta swears to avenge his father-in-law's death and retrieve the family heirloom.

Japan's greatest jidaigeki star, Mifune Toshiro is Shogun's Advisor Okubo Hikozaemon who must be coaxed out of retirement to save Shogun Iemitsu from danger. The elderly Hikozaemon has been belittled of late and has seemingly lost the will to live, much less the desire to assert himself and make Iemitsu listen to reason. The plot thickens when a lovely young woman enters the picture. Can she change Hikozaemon's mind, and thus alter the path of Japanese history? No longer a young man, can Hikozaemon gain the shogun's ear, and succeed in warning him of the evil plot to overthrow him?