Objetivo - Sáhara

The future Edward VIII enjoys a stately procession and visits the Taj Mahal before meeting senior Indian royalty.

The future Edward VIII enjoys receptions, playing polo and hunting tigers on his royal tour.

The Moroccan Labyrinth

A documentary about the history of settler groups that came to New Zealand from Europe.

A chronicle of the violence that occurred in much of the African continent throughout the 1960s. As many African countries were transitioning from colonial rule to other forms of government, violent political upheavals were frequent. Revolutions in Zanzibar and Kenya in which thousands were killed are shown, the violence not only political; there is also extensive footage of hunters and poachers slaughtering different types of wild animals.

In the fifties, when the future Democratic Republic of Congo was still a Belgian colony, an entire generation of musicians fused traditional African tunes with Afro-Cuban music to create the electrifying Congolese rumba, a style that conquered the entire continent thanks to an infectious rhythm, captivating guitar sounds and smooth vocals.

Cao Bang, les soldats sacrifiés d'Indochine

This excellent feature-length documentary - the story of the imperialist colonization of Africa - is a film about death. Its most shocking sequences derive from the captured French film archives in Algeria containing - unbelievably - masses of French-shot documentary footage of their tortures, massacres and executions of Algerians. The real death of children, passers-by, resistance fighters, one after the other, becomes unbearable. Rather than be blatant propaganda, the film convinces entirely by its visual evidence, constituting an object lesson for revolutionary cinema.

Carrie Davis was part of the child removal system near the end of the Sixties Scoop. With guidance from her uncle Emmett Sack and the community, Carrie reconnects to their land, language, and culture.

Commissioned by the journal Présence Africaine, this short documentary examines how African art is devalued and alienated through colonial and museum contexts. Beginning with the question of why African works are confined to ethnographic displays while Greek or Egyptian art is celebrated, the film became a landmark of anti-colonial cinema and was banned in France for eight years.

Hacking at Leaves documents artist and hazmat-suit aficionado Johannes Grenzfurthner as he attempts to come to terms with the United States' colonial past, Navajo tribal history, and the hacker movement. The story hones in on a small tinker space in Durango, Colorado, that made significant contributions to worldwide COVID relief efforts. But things go awry when Uncle Sam interferes with the film's production.

In Inukjuak, an Inuit community in the Eastern Arctic, a baby boy has come into the world and they call him Timuti, a name that recurs across generations of his people, evoking other Timutis, alive and dead, who will nourish his spirit and shape his destiny.

Ka Hoʻina documents members of Hui Mālama I Nā Kūpuna O Hawaiʻi Nei's final repatriation of over 140 sets of iwi kupuna and provides an intimate look into the legacy forged by these committed and passionate few, ensuring that Hawaiians will mālama or care for kupuna for generations to come.

PsiQuis: Un Giro Decolonial is a documentary that presents and discusses the psychological impact that colonialism has had on the Puerto Rican people. The director analyzes the traumas generated in Puerto Rican society by that colonial experience.

Under Dorchester Square in Montreal lies the cemetery where 55,000 people were buried in the 19th century. The square is still at the heart of social conflicts in Quebec, 150 years later.

Afrique-France : le divorce ?

What threads of history bind Manhattan's Ground Zero to those of Nagasaki and Hiroshima? Or connect sight to truth, games to war, or the silkworm to the drone? What does the United States hold to be the role of science in warfare? How has war historically been waged in Buddhist traditions? These are some of the topics addressed in Eyewar: 80 minutes of found footage which traces the development of the digital image from the maps of the second century to the screens of the twenty-first, and the uses of the field of cybernetics from Japan in the 1940s to Chile in the 1970s and Iraq in the 1990s.

Atikamekw elder Cézar Néwashish continues to recount the history of the community of Manawan that first began in The History of Manawan: Part One. As Christianity and European customs take deeper root in the community – abetted by residential schools and aggressive assimilationist government policies – seemingly irreversible changes to significant customs begin to unfold. Despite these struggles, the people carry on. This short is part of the Manawan series directed by Alanis Obomsawin.

In Portugal, during the night of April 24-25, 1974, a peaceful uprising put an end to the last government of the Estado Novo, the authoritarian regime established in 1933 by dictator António de Oliveira Salazar (1889-1970), paving the way for full democracy: a chronicle of the Carnation Revolution.

The ocean contains the history of all humanity. The sea holds all the voices of the earth and those that come from outer space. Water receives impetus from the stars and transmits it to living creatures. Water, the longest border in Chile, also holds the secret of two mysterious buttons which were found on its ocean floor. Chile, with its 2,670 miles of coastline and the largest archipelago in the world, presents a supernatural landscape. In it are volcanoes, mountains and glaciers. In it are the voices of the Patagonian Indigenous people, the first English sailors and also those of its political prisoners. Some say that water has memory. This film shows that it also has a voice.