Desilusión

365 jours

Set in an alternate, post-apocalyptic 1976, a filmmaker follows a worn and disillusioned photographer who, despite the circumstances, continues to make pictures.

Oliver, an elderly gardener with Alzheimer's, discovers a Super 8 film reel he recorded decades ago, during the early days of his relationship with Julia, his late wife. As he watches the images from the past, his memories blur with the present, and he finds himself torn between reality and the recollections of a love that still blooms in his mind. While searching for answers that never come, Oliver confronts the fleeting nature of life and the beauty of memories that withstand the passage of time.

When teenage siblings shelter in their grandmother’s abandoned house from an exterior contamination, Opaline slips into her interior self. Shot in gritty black-and-white Super 8, the film takes us into a grungy spiral of dreams and paranoia. 

West Germany, Christmas Eve, 1971. 7-year-old Kimîa captures her family’s celebration through the lens of her Super 8 camera. But the mood changes when her mother, Hanna, discovers her husband’s plans.

A Cine-Poem. A journey through Paris. A memory film. Three stories, dedicated to one pioneer of cinema.

Mr. Lobster visits a long-lost friend.

First in “Film Letter” series, which explores unspoken emotions through a combination of archival visuals and personal letters that has been never sent.

Our host Dr. Dramaminex Dante seeks to answer the question: Who knows what the devil looks like? For no one really knows.

O COCO

In 1975, soon after the end of the Vietnam War, Hoa Thi Le and Hue Nguyen Che fled the country on a small boat. After nine days at sea, they docked in the Philippines, where they were utilized as background extras for “Apocalypse Now.”

Skip Liberty enlisted in the Army in 1968. During his tour in Vietnam he shot 3,100 feet of Super 8 film, over 3 hours worth. Upon returning to the states the film was placed in storage, Skip had never seen the footage he shot. Until now.

This is the story of Roger, a former pork butcher, who worked for 40 years in the beautiful town of Beaune in Burgundy. Since he retired, he has started a new life as a filmmaker: Roger films only on Super 8. Insects, birds, everything he can find in the countryside are his favorite subjects. His short films have won prizes all over the world, some of them have been shown during the Cannes Film Festival. Josette, his wife and number one fan, happens to work for him from time to time.

An island is a refuge. Within the forest dwell ancient trees, stones, animals of all sizes, and a few branches found along the way. Childhood and discoveries. Knowledge lost in the mist, aboard a ship. A field of attraction where past, present, and future dance in the fire without temporal order; the children are all ages. We have arrived at the strange land of Gombaut.

A journey into memories we didn't experience. An abstract documentary about memories that still remain within us, fragmented and sometimes expressed in colors, sounds, and sensations.

Rosagante is an erotic poetry collection written by Lola Navaja. From its pages springs this short film: images that breathe to the rhythm of its verses, bodies that speak the language of their desire.

The scissor dance is a 16th-century magical-religious dance and ritual in which the dancers act as mediators between humans and deities. It originated in the Ayacucho, Apurimac, and Huancavelica regions and began to gain popularity in Lima in the 1980s, during the waves of migration from rural areas to the city.

This film is a secret and also an offering. When we add our initials we are the closest thing to love, to teaching and to a certain greatness. We met in the worst year of our lives and somehow you chose to save me and I to adore you.

A painter with artist's block is sent on a disorienting journey after a mysterious painting appears in his home.

This Super 8 short film was discovered on May 22, 2024, at the Paraguayan-German Cultural Institute in Asunción. The film is the result of a workshop produced by the ICPA's film department in 1987, led by filmmaker Marie Louise Alemann, a pioneer of experimental cinema in Argentina.