火藥, burn my eyes

Then, now, where? how?

The story focuses on the resilience of a girl in the face of the loss of her grandfather.

The horses in Denys Colomb Daunant’s dream poem are the white beasts of the marshlands of the Camargue in South West France. Daunant was haunted by these creatures. His obsession was first visualized when he wrote the autobiographical script for Albert Lamorisse’s award-winning 1953 film White Mane. In this short the beauty of the horses is captured with a variety of film techniques and by Jacques Lasry’s beautiful electronic score.

OBAIDA, a short film by Matthew Cassel, explores a Palestinian child’s experience of Israeli military arrest. Each year, some 700 Palestinian children undergo military detention in a system where ill-treatment is widespread and institutionalized. For these young detainees, few rights are guaranteed, even on paper. After release, the experience of detention continues to shape and mark former child prisoners’ path forward.

Recuerdos de Extremadura is a film essay about memory and the act of filming, where reality and fiction mingle in a sea of memories. In 2018, the director attempted to shoot his first film, The Third Woman, in Cáceres, with his friend Amanda Toro as the main character. However, the project remained unfinished. Years later, this experimental medium-length film returns to those images, confronting the filmed material with the distance of the present. What emerges is a reflection on cinema and memories, on cinema as trace and absence.

In 150 years, twice marked by total destruction —a terrible earthquake in 1923 and incendiary bombings in 1945— followed by a spectacular rebirth, Tokyo, the old city of Edo, has become the largest and most futuristic capital in the world in a transformation process fueled by the exceptional resilience of its inhabitants, and nourished by a unique phenomenon of cultural hybridization.

L'énigme Céline Dion

Jo; or The Act of Riding a Bike is Zefier's third film.

Las Preguntas que Perdimos

An exploration of entering and leaving consciousness from the perspective of non-human bodies trapped in everlasting cycles of abuse.

The film follows five people who lost their sight in armed conflicts, gathering fragments of their present-day lives. Through an enveloping sound composition, veiled archival material, footage shot by the protagonists themselves, and a sensitive visual approach, the film explores memory, perception, and our relationship to the visible. Steering away from spectacle, it invites us to hear what often goes unheard, and to feel differently. In an age saturated with images, this documentary offers a sensory experience where listening becomes a gesture of resistance and human reconnection.

Memory is a collaboration with musician Noah Lennox (Panda Bear), exploring the relationship between a musician and filmmaker and their personal reflection on memories. From Super 8 home movies and entirely handmade, this film explores familiar memories, the present moment combined with past experiences and how it all seems to evade from our present memory.

A poetic documentation of the Long Beach Island, NJ community as they battle local politics, cope with personal tragedy, and band together after Hurricane Sandy.

Light Pharmacy: 4.1 is part of a series of 'film haiku' concerned primarily with the reflection and refraction of sunlight, and dream representation.---AGN "A surreal fantasy - almost a homage to Maya Deren. Nigrin has a fine feeling for imagery and pacing."---William Sloan, Museum of Modern Art, New York City, 1988.

A film about peace, love and war. Dedicated to the 100th anniversary of the end of the Civil War in Russia. The film takes place at the end of the summer of 1917, when Russia and the whole world were at a crossroads between two eras. None of the people could even imagine how much his life would change in the very near future. In a strange way, the atmosphere of the film echoes our current reality and what is happening in Russia today. According to the form of visualization, the film belongs to experimental mockumentary cinema. To give greater authenticity to what is happening on the screen, the shooting was carried out on black-and-white negatives of 16 and 35 mm, hand-operated cameras were used and the material was developed in manual spiral tanks. The documentary chronicle of the Kolchak army of 1919 and the White army in the Far East of 1922 is embedded in the finale of the film.

Hercules travels by bicycle from Krefeld on the Lower Rhine to Olympus, the throne of ancient deities. The Hercules myth, as a primal myth of male power, is questioned through biographical reflections and the staging of mythological echoes. The dramaturgical structure of the hero's journey disintegrates in a multi-material perspective into questions about male identity, ideals and remorse.

A documentary about the sea and memory. Its movement is its form. Its strength.

Chronicles the powerful friendship between two young Black teenagers navigating the harrowing trials of reform school together in Florida.

A young woman lives with her sleeping husband. Prisoner of her loneliness, she refuses to accept that this man is only a memory.

Images from 2000s music videos are transferred onto the film strip, torn and abstracted until the visuals convulse and shift—a tactile, poetic exploration of materiality, memory, and medium.