三屋清左衛門残日録 完結篇

Four people recount different versions of the story of a man's murder and the rape of his wife.

Sen no Rikyu (Ebizo Ichikawa) is the son of a fish shop owner. Sen no Rikyu then studies tea and eventually becomes one of the primary influences upon the Japanese tea ceremony. With his elegant esthetics, Sen no Rikyu is favored by the most powerful man in Japan Toyotomi Hideyoshi (Nao Omori) and becomes one of his closest advisors. Due to conflicts, Toyotomi Hideyoshi then orders Sen no Rikyu to commit seppuku (suicide). Director Mitsutoshi Tanaka's adaptation of Kenichi Yamamoto's award-winning novel of the same name received the Best Artistic Contribution Award at the 37th Montréal World Film Festival, the Best Director Award at the 2014 Osaka Cinema Festival, the 30th Fumiko Yamaji Cultural Award and the 37th Japan Academy Film Prize in nine categories, including Best Art Direction, Excellent Film and Excellent Actor.

A samurai answers a village's request for protection after he falls on hard times. The town needs protection from bandits, so the samurai gathers six others to help him teach the people how to defend themselves, and the villagers provide the soldiers with food.

Blind traveler Zatoichi is a master swordsman and a masseur with a fondness for gambling on dice games. When he arrives in a village torn apart by warring gangs, he sets out to protect the townspeople.

In the late 16th century, after the death of Nobunaga Oda, Hideyoshi Toyotomi takes power. The age of war is about to end, but Hideyoshi Toyotomi's rule makes life difficult for the people. Monk Senko Ikenobo is a master of flower arrangement. He prays for peace in the world and tries to give hope to the people with flower arrangement. He becomes good friends with Rikyu. Rikyu is a monk and a politician. He has the most profound influence on chanoyu. Rikyu is forced to commit hara-kiri by Hideyoshi Toyotomi’s order. Monk Senko Ikenobo challenges Hideyoshi Toyotomi.

This historical film depicts the life of a man who was at the mercy of the waves during transition from the end of the Edo period to the Meiji Restoration, and therefore, shows audience the dynamic change from Edo to Meiji. Before the war, the director, Eisuke Takizawa, together with the writers, formed a scenario writer group "Narutaki-gumi and they shot many historical masterpieces.

In feudal Japan, during a bloody war between clans, two cowardly and greedy peasants, soldiers of a defeated army, stumble upon a mysterious man who guides them to a fortress hidden in the mountains.

Ichibei, a thief known as "Yami no Kiba," and his daughter Oasa are caught by members of a street performer family with a nationwide organization when the kite they are riding falls deep into the mountains of Owari. Nitayu, the key person in the clan, learns of Ichibei's obsession to avenge his father's murder by the Tokugawas and promises to help him. When Ichibei learns of Shogun Ienari's plan to transport a pure gold statue of Prince Ieyasu from Sunpu to Edo Castle, he joins forces with the bandit Kojiro to steal it. ......

In the 15th year of the Genroku era (1688), the world praised the 47 ronin who avenged the death of their master Asano Takumi-no-kami. Shogun Tsunayoshi, who ruled at that time, experienced difficulties in what punishment to impose on the soldiers. As a result, it was decided to sentence them to seppuk (ritual suicide).

Yasube Nakayama left the clan and lives in Edo. One day, Yasubei visits his uncle Rokuroemon Kanno to borrow money from a moneylender in the amount of 13 ryo in order to save Oteru, the daughter of a merchant. However, the next day, Rokuroemon was killed in a fight by the Murakami brothers. Yasubei rushed to the scene, took revenge and became the husband of Miya, the daughter of Horibe Yahei.

Seppuku Day 17 Ako ronins, including Kuranosuke Oishi, who were entrusted to the Hosokawa family, and the events of the two days before are depicted as a tragic romance between one of the ronins, Jurozaemon Isogai, and Omino. An adaptation of Seika Mayama play "Genroku Chusingura, the Last Day of Oishi", which tells about the torments of life and death of samurai living in feudal times.

In the third entry into this mega-hit series, Isshin Tasuke, a spirited fishmonger in Edo who looks just like Shogun Iemitsu undergoes a series of unforeseen troubles in his newly wedded life.

Returning to their lord's castle, samurai warriors Washizu and Miki are waylaid by a spirit who predicts their futures. When the first part of the spirit's prophecy comes true, Washizu's scheming wife, Asaji, presses him to speed up the rest of the spirit's prophecy by murdering his lord and usurping his place. Director Akira Kurosawa's resetting of William Shakespeare's "Macbeth" in feudal Japan is one of his most acclaimed films.

Aspiring to an easy job as personal physician to a wealthy family, Noboru Yasumoto is disappointed when his first post after medical school takes him to a small country clinic under the gruff doctor Red Beard. Yasumoto rebels in numerous ways, but Red Beard proves a wise and patient teacher. He gradually introduces his student to the unglamorous side of the profession, ultimately assigning him to care for a prostitute rescued from a local brothel.

Tatsuya Nakadai, the world’s greatest living actor, returns to the screen in a brilliant adaptation of a story by novelist Shuhei Fujisawa. A traveling gambler known as “Funeral Uno” he is now 86 years old and returning to his hometown for the first time in 30 years. Partly told in flashbacks, he is forced to face his lifelong nemesis, Boss Kyuzo, a vile yakuza portrayed by another superstar of samurai cinema, Atsuo Nakamura! Before the two old gamblers can settle a 30-year-old score they must put their lives on the line in a game of dice that can only lead to a bloody sword duel the likes of which has never before been seen! Superb performances all around in a film loaded with surprises and exciting swordplay!

A daughter is constantly overshadowed by her famous father, but she is determined to make her own mark in the world.

Having put down his sword and given up the will to fight, the masterless samurai Iemon lives in solitude while being haunted by his violent enigmatic past...

During the reign of Hidetada, the second shogun of the Tokugawa dynasty, the advisor Okubo Hikozaemon (Ganjiro Nakamura) entrusts the young Takechiyo (Hiroshi Kawaguchi) to the fishmonger Isshin Tasuke (Kazuo Hasegawa) to help him understand the world. Tasuke, who does not know that Takechiyo is the shogun's heir, trains him harshly. Tasuke's wife Naka (Michiko Ai) is concerned about his harsh teaching style, but Takechiyo gains strength day by day and adapts to his new life. Soon, Takechiyo begins secretly talking about love with a city girl named Otoyo (Hitomi Nozoe), but...

From birth Hideyoshi was a restless, defiant spirit--a child of the poorest of the poor. Cast out of his peasant cottage, he would live by his wits, driven by his burning ambition to become a samurai and to find a warlord worth pledging his sword to. This is the story of his rise, and the thunderous battle he pinned his hopes on. The challenge that had already ruined and bloodied the armies of higher-ranking samurai than Hiyoshi. The battle that brought him rank, fame and fortune and transformed him into Hashiba Hideyoshi, right-hand man to the ruthless Lord Oda Nobunaga, and would drive him on to conquer Japan.

The Color Print of Edo is a 1939 black and white Japanese silent film with benshi accompaniment directed by Kazuo Mori. It is a cheerful period drama, sprinkled with comical scenes and tells the story of a loyal and handsome Edo period servant who fights to help his older brother marry the woman he loves. The star of this film, Utaemon Ichikawa, gained enormous popularity for his portrayal of a cheerful and chivalrous man.