Iron Whispers

Mit mívelt Isten

Inside a computer a space-time is revealed in which image and sound become numbers and motion manifests as rhythm, flow and chaos. This tracking and integration experiment removes the superficial identity of video to detect kinetic disturbances in everyday environment.

Le crash

Forming part of a film constellation that stretches from Chile across the Pacific, in which Malena Szlam trains her camera on far-flung volcanic landscapes — by turns barren and verdant — the dazzling in-camera multiple exposures of Archipelago of Earthen Bones — To Bunya evoke the layered histories of the titular Bunya Mountains in eastern Australia’s Beerwah region, further deepened by sonified atmospheres from artist Lawrence English.

A trans Vietnamese woman's deadname being repeated over and over again.

In a record of images and sounds, a young HIV-positive man recounts his experience on the border between Argentina, Brazil and Paraguay.

"The Pig and the Society," symbolizes the stark contrast between the excesses of wealth and the plight of those left behind. It invites viewers to reflect on their perceptions and prejudices, challenging them to see beyond the surface and understand the systemic issues perpetuating homelessness.

Filmed in Berlin, July 1990. Images of workers taking down the wall and street peddlers selling pieces of it to make a living.

Why wouldn't you? Is there any reason not to? We've got so much at our disposal, so, why don't you? Won't you tell me? Won't you please tell me? To have you down is simply unacceptable. Just look at this; or this; at all these hallmarks to guide you and convey to you the prime ways to feel lovely. Just follow them and you'll be set. So, I ask you again... Don't you feel lovely today?

He's hungry, and chances are you're also hungry, so tag along. Who knows, you might learn a thing or two.

A misty afternoon returns a Mapuche couple to their wedding video. In their civil ceremony, they are noted as one of only two couples married in the indigenous language of Mapudungun.

An experimental short film about wind and sunlight sweeping across tree leaves.

In the Moroccan desert night dilutes forms and silence slides through sand. Dawn starts then to draw silhouettes of dunes while motionless figures punctuate landscape. From night´s abstraction, light returns its dimension to space and their volume to bodies. Stillness concentrates gaze and duration densify it. The adhan -muslim call to pray- sounds and immobility, that was condensing, begins to irradiate. And now the bodies are those which dissolves into the desert.

An exploration of memory after death.

Fragments from Brussels, about the flow of the city, A cinema, A body, A film, and a wind that blows through the town. The film is a Schizomentry experience that blends real stories and fiction. After all, where is the border?

A series of suburban skies and the feeling of there being something else, intangibly out of reach.

An experimental documentary looking at the transgender experience around the world over two hemispheres, three continents and with four interviewees. The film employs limited B roll shots or edits during the interviews, instead opting to have the interviews mostly uncut, with the goal of creating both a level of sincerity and a conversational narrative between any one of the interviewees and the audience.

Bounded Intimacy (part of the trilogy of Super 8mm shorts It’s Just Business, Baby) examines the histories of various forms of body labor across the Chelsea and Tribeca districts, renowned as a sites for sex work, sex clubs and illicit sexual activity. Bounded Intimacy explores the seduction of a nameless woman and the camera. The relationship between the two remains unknown and ambivalent as to whether or not the encounter is “authentic.” The nature of their relationship is irrelevant as the camera captures the authenticity of the desire in the encounter between the two. (Ayanna Dozier)

Unconventional portrayal of mining in the Swedish Lapland ore fields, a powerful image and sound symphony that can be experienced both as a documentary and symbolic work.

In 1995, an astronomer proposed a peculiar project. It was to use the Hubble Telescope to capture a small part of the universe that was then known to be a void. In 1447 in Chosun Dynasty, Prince Anpyeong had a dream of walking through a peach blossom forest shrouded in clouds and mist, and he asked the painter, Ahn Gyeon, to capture it in a painting. Through the juxtaposition of the two historical anecdotes, the film examines the images of ‘the far and near’ through printing, transforming, and distorting the photos from the NASA Image and Video Library.