Camionneuse

Narratives of Modern Genocide challenges the audience to experience first-person accounts of survivors of genocide. Sichan Siv and Gilbert Tuhabonye share how they escaped the killing fields of Cambodia, and the massacre of school children in Burundi. Mixing haunting animation, and expert context the film confronts our notion that the holocaust was the last genocide.

This new intimate documentary looks at the extraordinary journey of the 75-year-old American rocker, who has come back from everything, and especially from the worst, but with his capacity for wonder intact.

Twenty-five films from twenty-five European countries by twenty-five European directors.

A portrait of the American artist Ray Johnson (1927-1995), based on a personal interpretation of Johnson’s avant-garde strategies, using the telephone and the internet as primary sources for sound and image.

In 1996 I took the conservatory exam. I missed it. A year ago I was asked to do a masterclass on acting in cinema. I went there. I met a lively, joyful and passionate youth. Among my students there was Clémence. The following year, she asked me to film their last show. I felt her urgency and the fear she had of leaving this mythical place. So I accepted.  By filming this youth, I revisited mine.

Academy Award®-winning filmmaker Errol Morris confronts one of the darkest chapters in recent American history: family separations. Based on NBC News Political and National Correspondent Jacob Soboroff’s book, Separated: Inside an American Tragedy, Morris merges bombshell interviews with government officials and artful narrative vignettes tracing one migrant family’s plight. Together they show that the cruelty at the heart of this policy was its very purpose. Against this backdrop, audiences can begin to absorb the U.S. government’s role in developing and implementing policies that have kept over 1300 children without confirmed reunifications years later, according to the Department of Homeland Security.

Whether famous or anonymous, stars or prisoners, models or sex workers, women have always been at the center of Bettina Rheims' photographic work since her debut in 1978. Both subversive and glamorous, trashy and sophisticated, her photographs mark and bear witness to the upheavals of the era, which this leading photographer both anticipated and accompanied.

In the French music world, the beginning of the 2000s was marked by the arrival of a young rapper, Diam's. Over the course of three albums, she has become a phenomenon in France, as well as in many countries around the world. Diam's has won some of the most prestigious awards in French music, graced the covers of countless magazines, and sold millions of records. However, in 2010, at the height of her fame, Diam's made a life choice that shocked the French: she converted to Islam. How did a tortured and suicidal artist find her way to peace? For the first time Diam's, known to her family as Mélanie, tells us the real story.

In 1892, Ellis Island, in New York Bay, became the main gateway to the United States for immigrants arriving increasingly from Europe. The story of immigration to the United States from 1892 to 1954, an enthralling polyphonic narrative that embraces both small and great history.

Mike Tyson escaped a life of poverty and petty crime to make a name for himself, becoming the youngest Heavyweight Champion of the World and a household name—but his rise was followed by a very public fall. In this remarkably candid portrait, the boxer addresses his controversial past, including the rape charge that sent him to prison and his struggles with substance abuse, while also detailing his ultimate recovery and comeback.

Dieu peut se défendre tout seul

Sylvia Kristel – Paris is a portrait of Sylvia Kristel , best known for her role in the 1970’s erotic cult classic Emmanuelle, as well as a film about the impossibility of memory in relation to biography. Between November 2000 and June 2002 Manon de Boer recorded the stories and memories of Kristel. At each recording session she asked her to speak about a city where Kristel has lived: Paris, Los Angeles, Brussels or Amsterdam; over the two years she spoke on several occasions about the same city. At first glance the collection of stories appears to make up a sort of biography, but over time it shows the impossibility of biography: the impossibility of ‘plotting’ somebody’s life as a coherent narrative.

Nino Ferrer has had several lives: hits that made him famous; a dark but artistically fruitful period; a hidden life -of his own making- breaking away from showbiz. All these facets are concentrated in a brilliant, complex, skinned character. "It looks like Nino Ferrer" is a film rich in international archives (TSR, RTSI, Rai...), rare documents (Super 8 films of the Ferrer family) and even unpublished films (Nino Ferrer as an actor in an advertisement for Italian cheese). The film is also punctuated by the memories of famous musicians such as Manu Dibango as well as by the singer's successes and his live performances (L'Olympia, L'Arche de Noé).

Laurent Ruquier, on ne demande qu'à le connaître

De Charles de Gaulle à Emmanuel Macron, les gardiens de l'empire

A moving portrait of one of the most loved and read Danish poets, Halfdan Rasmussen. The film covers both the early years with poverty and wartime on to success and the humorous nonsense verses that has made Rasmussen one of the most read authors in Denmark.

You've seen him interview Mikhail Gorbachev, Angelina Jolie, Robbie Williams, Mariah Carey, Brad Pitt, Jane Fonda, Robert De Niro... You know him, but you don't really know him. Everyone has talked about Ardisson without ever getting close to the truth about him. My ambition: to reveal the man behind the costume of "The Man in Black." I thought to myself: if anyone can figure him out, it's me, a journalist and portraitist who has lived with him for 15 years. Who is the private Thierry behind the spectacular Ardisson? What we discover is how much Ardisson's personal history reflects the eras he has lived through, their contradictions, their utopias, their excesses, their violence. Like so many facets of a man and of society at the turn of the century.

Rosa is a Mexican woman who, at the age of 17, migrated illegally to Austin, Texas. Some years later, she was jailed under suspicion of murder and then taken to trial. This film demonstrates how the judicial process, the verdict, the separation from her family, and the helplessness of being imprisoned in a foreign country make Rosa’s story an example of the hard life of Mexican migrants in the United States.

A portrait of Rosa von Praunheim's neighbor, who worked for decades as a professional dominatrix in Berlin's Wilmersdorf district. While the real Lady MacLaine reflects authentically and wittily on her life and work, her life is retold in dramatized scenes.

"Take my love" is a documentary film about "Las Patronas", a group of women who daily cook, pack and throw food to the migrants riding the "Beast" train.