All of Me

Using home videos recorded by her voice coach, Diana takes us through the story of her life.

Twenty-five films from twenty-five European countries by twenty-five European directors.

Directed by Peter Casaer and narrated by Daniel Day-Lewis, this documentary provides a harrowing look at the challenges of delivering humanitarian aid in armed conflicts. “Access to the Danger Zone” explores the strategies that Doctors Without Borders has employed to save lives in the world’s worst war zones, including Afghanistan, Somalia, and eastern Democratic Republic of Congo—strategies that are tested each and every day. Interviews with key experts from Doctors Without Borders, the International Committee of the Red Cross, and the United Nations are accompanied by dramatic footage shot in these countries in 2011 and 2012.

Using film footage shot by the Genevese film director, Fernand Reymond, in Bangladesh in 1972, this documentary film describes the cyclone prevention programme drawn up by the governmental authorities and the League of Red Cross Societies. It particularly depicts the cyclone warning system set up to protect the population. (League Film Library Catalogue Supplement No. 2, p. 39)

HOMME-RELAIS spotlights Juan Manuel, a doctor turned community leader who, amid migration grief and integration challenges, guides immigrant men through a life-changing program: forging resilience, belonging, solidarity, and hope.

Young, inexperienced members of the Dutch Boarder Patrol undergo an intensive training on escorting refused asylum seekers to their homeland.

A computer screen, images from the four corners of the world. We cross borders in one-click while another trip’s story reach us in bits, through text messages, chats, phone conversations, and an immigration office’s questionnaire. It’s the journey of Shahin, a 20-year-old Iranian boy who, fleeing his country alone, lands in Greece, then winds his way to England where he claims asylum.

A Liberian refugee SAM REAYAH and his family have been separated for five years and live in uncertainty waiting for family reunion. While Sam and his younger daughter Ruth continue their lives in Buduburam Refugee camp in Ghana, his wife Decontee and his older daughter Joyce have already started a life in Rochester, USA. The film explores the idea of home. Sam's family had a home in Liberia, but they had to give it up. They were forced to build homes elsewhere. They built a home in Ghana. They build a home in The United States. They built homes together, they build homes separate of each other. But which home does the heart want?

On May 8, 1989, Sports Illustrated ran an article about Ultimate frisbee… about a team with no name hailing from New York City that was about to change the sport forever. From its 1968 New Jersey birth to its unanimous 2015 recognition by the International Olympic Committee, FLATBALL circles the globe to showcase four decades of world-class Ultimate and goes even further: to a set of fields in the Middle East to understand and demystify the unique spirit of the game.

Fearing for their lives, Afshin, Alain and Patricia fled their country, without their parents, when they were only children. They had to start all over here in Canada in the hope of a better life. Combining real shooting and animated cinema, "Alone" bears the imprint of hope: how does a child manage to rebuild himself in a new country, when he has left everything behind?

Filmmaker Arturo Perez Torres follows in the footsteps of two friends traveling on an extraordinary and extremely dangerous journey from Central America to North America. On their journey they encounter gangs and vigilantes as well as border patrol. But these immigrants navigate real-life nightmares with uncanny calm, grace and even humor in their perilous pursuit of the a better life.

Targeted for several failed redevelopment plans dating back to the days of Robert Moses, Willets Point, a gritty area in New York City known as the “Iron Triangle,” is the home of hundreds of immigrant-run, auto repair shops that thrive despite a lack of municipal infrastructure support. During the last year of the Bloomberg Administration, NYC’s government advanced plans for a “dynamic” high-end entertainment district that would completely wipe out this historic industrial core. The year is 2013, and the workers of Willets Point are racing against the clock to forestall their impending eviction. Their story launches an investigation into New York City’s history as the front line of deindustrialization, urban renewal, and gentrification.

Récits d'une jeunesse exilée - J'ai marché jusqu'à vous

Over the course of two centuries, seven million men, women and children abandoned their homeland for America's shores. In just one horrifying decade, two million left to escape a famine that left another million dead. This is the moving chronicle of the Irish immigrant experience.

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It is winter at an emergency shelter for the homeless in Lausanne. Every night at the door of this little-known basement facility the same entry ritual takes place, resulting in confrontations which can sometimes turn violent. Those on duty at the shelter have the difficult task of “triaging the poor”: the women and children first, then the men. Although the total capacity at the shelter is 100, only 50 “chosen ones” will be admitted inside and granted a warm meal and a bed. The others know it will be a long night.

Bobbing around on Mediterranean waters aboard the Ocean Viking, aid workers from the French relief service SOS Méditerranée gaze at the horizon. Is that a rubber dinghy in the distance, or is it garbage? The organization sails up and down the Libyan coast looking to pick up refugees in boats. On board is a 30-strong team ready to offer help and support refugees with their asylum applications.

A surprising look at the past of movie star Jackie Chan and the difficulties of Chinese families during the Culture Revolution.

This documentary focuses on immigrant teens between the ages of 12 and 17 who share the story of their migration and their adaption to life in Canada through theatre. Young but wise, these children describe their experiences with emotion and authenticity.

As queer trans and gender non-conforming children of the Vietnamese diaspora, we are fragmented at the crossroads of being displaced from not only a sense of belonging to our ancestral land, but also our own bodies which are conditioned by society to stray away from our most authentic existence. Yet these bodies of ours are the vessels we sail to embark on a lifetime voyage of return to our original selves. It is our bodies that navigate the treacherous tides of normative systems that impose themselves on our very being. And it is our bodies that act as community lighthouses for collective liberation. Ultimately, the landscape of our bodies is our blueprint to remembering, to healing, to blooming.