Gealtra

Emerging from the depths of the film industry, the Mad Max saga became an instant cult classic after the release of the first film in 1979. These five critically acclaimed films have continued to captivate audiences. They shaped the identity of Australian cinema, launched a movie star – Mel Gibson – and propelled George Miller as one of the greatest directors of his generation. Above all, Mad Max has left an indelible mark on our collective unconscious, redefining our vision of the apocalypse and human civilization. This documentary tells the story of this phenomenon, from the small production of the first film to the monumental later installments, drawing on interviews and rare archives.

"The Jersey Sound" is a love letter to New Jersey's diverse music scene. It captures its rich history through untold stories and intimate interviews while paying homage to legendary icons who have called Jersey home. It's an attitude.

Viktor, who was born deaf, worships the figure of the samurai warrior. When bombs start falling on his countryside home in Kharkiv, his quasi-romantic obsession with war is put to the test.

In 2011 Jon Kenny & Pat Shortt decided to reunite for a national tour of the award winning hit show 'One Hell of a Do'. This hilarious comedy celebrates the unique talent of Ireland's most famous wedding/pub band - Tom & Gerry (D'Unbelievables) - who, on receiving an award entitled the 'Golden Microphone of the Year Award for the best wedding/pub band in Ireland' recall the hilarious happenings during the day of the Donoghue Wedding. Filmed in front of a live audience at The Royal Theatre, Castlebar in 2011

A vacuum repairman moonlights as a street musician and hopes for his big break. One day a Czech immigrant, who earns a living selling flowers, approaches him with the news that she is also an aspiring singer-songwriter. The pair decide to collaborate, and the songs that they compose reflect the story of their blossoming love.

The 25-minute long documentary details the entirety of the artistic process from Ralph Ziman’s inspiration for the project and acquisition of the MiG-21, to the international collaboration to create the beadwork and assemble the art piece, leading up to the project’s unveiling at The Museum of Flight. Also covered in the film is background on the MiG-21, including details about the plane used (decommissioned tail number 8971) and how MiGs’ presence in the Angolan Civil War ultimately hastened the end of white rule in South Africa. See historical footage and personal interviews, including the Polish pilot who flew tail number 8971 in the 1980s, a South African Border War pilot and the team of artists and craftspeople in Southern Africa and the United States who took on the huge task of covering the aircraft in tens of millions of glass beads.

The voices of the 2013 Generation of the now extinct CUEC, talk about issues such as loneliness, growing up and decisions about the uncertain future they face when leaving to study Cinematography.

Shot over the course of 30 days at sea, filmmaker Alizé Jireh documents the group’s voyage across the North Atlantic—from moments of stillness and calm to the chaos of storms and setbacks. With an observational approach and an eye for the emotional and physical rhythms of life at sea, Jireh captures not just the external landscape, but the internal shifts that come with navigating the vast unknown.

An experimental true crime documentary based on the unsolved murder of Raonaid Murray, a 17-year-old Irish girl, which achieved nationwide attention during the 2000s.

In Ireland in the mid 1960s, two feuding brothers and their respective Ceilidh bands compete at a music festival.

To help Francis Hallé in his fight to save the last tropical forests, a documentary filmmaker with a passion for nature decides to make his first film: "The Botanist", an ecological thriller with Leonardo DiCaprio. He traces his path with malice, obstinacy, and discovers, with candor, the arcana of the seventh art. Even if he never gives up, will his film ever exist?

The director Andrés Kaiser combines hundreds of amateur films and photographs from the treasure trove of images belonging to his migrant grandparents creating a cinematic firework of analogies.

The international success of the film Das Boot by Wolfgang Petersen made U-96 one of the most famous submarines in cinematic history. But the true story of one of Hitler's most fearsome U-boats and its crew goes far beyond fiction. For the first time, this documentary sheds light on the reality behind the fiction through exclusive interviews with the makers and actors of Das Boot, as well as the last survivors of the time. In doing so, this documentary explores how Hitler's propaganda images may have influenced the visual and narrative force of Das Boot.

Family Affairs is an Israeli documentary film directed by Gil Golan, which was released in 2013. The film tells the story of Gil, a treacherous man who came from a family where infidelity has always been an integral part of the relationship. Gil embarks on a documentary journey into the depths of family history on the question of whether it is possible to break the pattern that is passed down from generation to generation.

As Australian cinema broke through to international audiences in the 1970s through respected art house films like Peter Weir's "Picnic At Hanging Rock," a new underground of low-budget exploitation filmmakers were turning out considerably less highbrow fare. Documentary filmmaker Mark Hartley explores this unbridled era of sex and violence, complete with clips from some of the scene's most outrageous flicks and interviews with the renegade filmmakers themselves.

Daniel Francis O'Toole, singing maestro in a New York restaurant, finds himself the unexpected heir to an estate in Ireland. He doesn't have money enough for the passage to Ireland, but the band members decide to incorporate him, advancing him the fare for equal shares in the estate. In Ireland, Danny finds that his is only a half-share, and the other half belongs to Mavourneen Kerrigan and she has the exclusive right to sell or keep the property...which, despite his pleas, she refuses to do. She also declares him an undesired guest, objects to his presence and insists that he prepare his own meals. He does so in a large main hall, but can only make hamburgers.

A hilarious introduction, using as examples some of the best films ever made, to some of Slovenian philosopher and psychoanalyst Slavoj Žižek's most exciting ideas on personal subjectivity, fantasy and reality, desire and sexuality.

Essie Coffey gives the children lessons on Aboriginal culture. She speaks of the importance of teaching these kids about their traditions. Aboriginal kids are forgetting about their Aboriginal heritage because they are being taught white culture instead.

Homo Cinematographicus is a human species whose unit of measurement and point of reference is the cinema and its derivative, television. Filmed at the 1998 Cannes Film Festival, the film offers an unspecified number of statements, talking about memories and a thousand fragments of stories, titles and film scenes, the warp of a gigantic collective Chanson de geste.

Documentary showing one day of work of over 90 actors and filmmakers from French cinema on the same day. On 27 March 2002, 27 teams filmed actors, directors, producers and technicians at work, from Hawaii to Paris and from New York to Lisbon.