More than anyone in the cynical film industry, legendary artist Robert Redford embodies the United States' brightest side: perseverance, independence, idealism, and integrity. A champion of active environmentalism and the right to openly criticize any institutional abuse, he has put his artistic work at the service of his political commitments, whether as an actor, director, producer, or founder of the Sundance Festival, a formidable forum for his struggles since 1985.
For more than 40 years Kathryn Bigelow has been making films that explore male violence. With movies like Blue Steel, Point Break, The Hurt Locker and Zero Dark Thirty, the Oscar winning American filmmaker has impressed with hard-hitting moviemaking that holds a mirror up to contemporary America and the world.
The story of how Norma Jeane Mortenson became Marilyn Monroe (1926-62), a lucid path of self-discovery, from anonymity to stardom: the painful birth of a myth.
Hawaii, May 1977. After the success of Star Wars, George Lucas and Steven Spielberg meet to find a new project to work on together, the former as producer, the latter as director. The story of how the charismatic archaeologist Indiana Jones was born and how his first adventure, released in 1981, triumphed at box offices around the world.
A two parts making of documentary, following José Augusto Silva and his film crew during the shooting of a university short film called Castelo.
Alternating Philippines and Saudi Arabia as her home, the filmmaker uses personal home videos and present footage to tell the story of her family.
Documentary about the making of Alfred Hitchcock's 'Frenzy'.
Documentary about the life and work of film director Preston Sturges.
Documentary about the making of the 1983 thriller "Cujo"
Visconti: La verdad del melodrama
Documentary - After starting his career producing religious film shorts, J. Arthur Rank went on to become Britain's first and only movie mogul with his establishment of the legendary Pinewood Studios. Narrated by Michael Caine, THE GOLDEN GONG chronicles Pinewood's rise to success. - Richard Attenborough, Dirk Bogarde, Betty E. Box
1976, Brian de Palma directs Carrie, the first novel by Stephen King. Since, more than 50 directors adapted the master of horror's books, in more than 80 films and series, making him now, the most adapted author still alive in the world.
A documentary about the rise and fall of the Cannon Film Group, the legendary independent film company helmed by Israeli cousins Menahem Golan and Yoram Globus.
Behind the scenes of shooting in various notoriously difficult locations, including interviews with producers and lead actors.
A retrospective documentary about the groundbreaking horror series, Friday the 13th, featuring interviews with cast and crew from the twelve films spanning 3 decades.
Eva Ebner is a Berliner who gives the appearance of being rather eccentric. She knows the film business inside out – regardless of whether she’s work- ing behind the camera as an assistant director or in front of it as an actor. Her name is closely associated with a series of now-legendary adaptations of Edgar Wallace’s crime novels which were made in Germany during the 1960s. Upcoming young directors from local film schools have also profited from Ms. Ebner’s unbroken enthusiasm and passion for film. However, this eighty-year-old has a more than broken relationship to the events of her childhood and youth in Gdansk – a time when her life was characterised by an anti-Semitic step-mother and the dangers posed by the Nazi regime. This film portrait does not eschew any of the long dark shadows of that era, nor does it sidestep any friction between portrayer and his subject. (Lothar Lambert)
Omnibus: François Truffaut
A fragmented collection of independent closed cinemas, in London during lockdown, captured on Super 8mm film.
Tucumán, Argentina, 1965. Three years before George A. Romero's Night of the Living Dead was released, director Ofelio Linares Montt shot Zombies in the Sugar Cane Field, which turned out to be both a horror film and a political statement. It was a success in the US, but could not be shown in Argentina due to Juan Carlos Onganía's dictatorship, and was eventually lost. Writer and researcher Luciano Saracino embarks on the search for the origins of this cursed work.
The short piece includes statements from Forster, Kurylenko, Powell, and Craig. This one focuses on the new Bond girl and her stunt work.