La Esmeralda, historia de una vida

Spanish jurist and republican thinker Antonio García-Trevijano (1927-2018) expounds his political thought and reflects on the recent political history of Spain.

A history of the Spanish Transition told in first person by the main protagonists: on the one hand, the politicians, idealistic or merely opportunistic, who brought it to a successful conclusion in the tribunes and offices; on the other hand, the citizens who, in the streets, supported it sincerely or fought it with ferocity.

A history of the Spanish Transition told in first person by the main protagonists: on the one hand, the politicians, idealistic or merely opportunistic, who brought it to a successful conclusion in the tribunes and offices; on the other hand, the citizens who, in the streets, supported it sincerely or fought it with ferocity.

The story of iconic Spanish artist Susana Estrada's struggle against censorship and sexual repression during the turbulent years following the death of dictator Francisco Franco.

Forty years later, Guillermo Montesinos, the actor who played José María el Cepa in The Cuenca Crime (1980), directed by Pilar Miró, returns to the various locations where the shooting of the mythical film, narrating the infamous Grimaldos case (1910), took place.

Spain, 1975. Franco's death opens the door to the possibility of uncensored cinema. After two years of relaxed censorship, it is abolished in 1977, and the “S” rating is created to protect viewers from films that may “offend their sensibilities.”

San Sebastián de los Reyes Bullring, Madrid, Spain, March 27, 1977. In response to the strange political alliances that were taking place between antagonistic forces in search of a self-serving consensus, the anarcho-syndicalist union CNT organizes a rally to denounce the reprehensible machinations of its adversaries. (Documentary shot in 1977; edited and released in 2011).

Spain. 1978. Year of the first democratic elections following the dictatorship, and of the birth cine quinqui (delinquent movies): films that rapidly became a big commercial success, showing things that were banned by the censorship not too long before.

Historias de la Teleprisión

A walk through the golden age of Spanish exploitation cinema, from the sixties to the eighties; a low-budget cinema and great popular acceptance that exploited cinematographic fashions: westerns, horror movies, erotic comedies and thrillers about petty criminals.

A look at the different masculinities portrayed in Spanish cinema through time. (A sequel to “Barefoot in the Kitchen,” 2013.)

Barcelona, Spain, June 1977. A chronicle of a demonstration held to demand the repeal of a 1970 Francoist law criminalizing homeless, prostitutes and homosexuals.

What was the role of women in Spanish cinema from the 1930s to the present explained through fragments of different films, both fiction and non-fiction. (Followed by “Manda huevos,” 2016.)

El Rock de Nuestra Transición

Pilot chapter of the film series 'Ikuska', a compilation of shorts on the Basque Country’s culture and politics. A documentary about the referendum on the Spanish constitution.

One of the first (and perhaps therefore ambiguous) approaches to homosexuality in Spain at the time. The film narrates in cinematographic form the problem of the third sex, its justification and its existence within a real environment that is society itself. Two parallel worlds are shown to us; one, the hard and professional life of some artists who try to put on a 'music-hall' show. The other world is independent but it shows us what the life of an old glory was like, of an old man who was an artist in his time. Comparing one era with another is the intention of the film and ultimately its plot.

Seville, 1977. At a time when homosexuality is a crime, Reme, a traditional mother moved by the love of her son, an adolescent aspiring artist, will become involved in the Andalusian LGBTQ+ movement, paradoxically born in the bosom of the Church.

A former Francoist becomes a democrat after the Spanish Transition

Two high-school students — a nerd and a rebel — have gotten into a fight during recess. Their principal calls them into his office, but neither will say what happened or how. To get it out of them, he turns to a decidedly unorthodox method.

This satirical comedy follows the strict older generation pitting themselves against the pleasure-seeking youths, both in 1947 and in 1978.