Antonio García-Trevijano: Transición e historia política de España en primera persona

El Rock de Nuestra Transición

A documentary covering 3 decades of Clerks films

On the occasion of awarding the Cervantes Prize to the Catalan writer Juan Marsé on 23 April 2009, family members, friends and writers offer a sincere portrait of the best chronicler of life in Barcelona, Catalonia, during the post-war period and the worst days of the General Franco dictatorship, in the forties and fifties, and during the economic development and the hard conquest of freedom, in the sixties and seventies.

Illusion

After a fateful encounter in the summer of 1966, the lives of two brothers from a middle-class Roman family take different directions, intersecting with some of the most significant events of postwar Italian history in the following decades.

On June 3, 1973, a man was murdered in a busy intersection of San Francisco’s Chinatown as part of an ongoing gang war. Chol Soo Lee, a 20-year-old Korean immigrant who had previous run-ins with the law, was arrested and convicted based on flimsy evidence and the eyewitness accounts of white tourists who couldn’t distinguish between Asian features. Sentenced to life in prison, Chol Soo Lee would spend years fighting to survive behind bars before journalist K.W. Lee took an interest in his case. The intrepid reporter’s investigation would galvanize a first-of-its-kind pan-Asian American grassroots movement to fight for Chol Soo Lee’s freedom, ultimately inspiring a new generation of social justice activists.

Since the beginning of her career, Sinéad O’Connor has used her powerful voice to challenge the narratives she was surrounded by while growing up in predominantly Roman Catholic Ireland. Despite her agency, depth and perspective, O’Connor’s unflinching refusal to conform means that she has often been patronized and unfairly dismissed as an attention-seeking pop star.

This is a documentary about an honest search for the truth about the Federal Reserve Bank and the legality of the Internal Revenue System. Through extensive interviews with recognised experts and authority, the director shows an astonishing revelation of how the Federal Government and the Bankers have fooled the American public by taking thier wages and putting it in the pockets of the super-rich.

An attempt to create a bridge between the different political positions that coexist, sometimes violently, in the Basque Country, in northern Spain.

Spanish Civil War, May, 1938. Four villages in Castellón, Benassal, Albocàsser, Ares del Maestrat and Vilar de Canes, were bombed from the sky and ravaged. 38 people died. Inhabitants never knew for sure who piloted the planes responsible for such atrocity, although the rebel propaganda attributed the act to the republican side. Now, 80 years later, the truth is finally exposed.

An exclusive interview with Prince Harry, the Duke of Sussex, in which he talks in-depth to Tom Bradby, journalist and ITV News at Ten presenter, covering a range of subjects including his personal relationships, never-before-heard details surrounding the death of his mother, Diana, and a look ahead at his future. The 90-minute programme was broadcast two days before Prince Harry’s autobiography ‘Spare’ was published on 10 January.

Pilot chapter of the film series 'Ikuska', a compilation of shorts on the Basque Country’s culture and politics. A documentary about the referendum on the Spanish constitution.

Born in 1932, Keiko Kishi has been one of the first Japanese actresses known worldwide. Her decision to move to France and to marry director Yves Ciampi in 1957 – after he filmed her in Typhoon Over Nagasaki starring Jean Marais and Danielle Darrieux – caused a huge scandal in Japan. Despite this transgression, Keiko Kishi continued acting in her home country with Kon Ichikawa, Yasujiro Ozu, Masaki Kobayashi… building unique bridges between Japanese and European cultures. Free and rebellious, she emancipated herself from the many obstacles she encountered in the film industry, and created her own production company in her early twenties. Let’s look back at the story of a pioneer, an inspiration for many generations.

This documentary, filmed clandestinely, is based on several interviews with the executioners who worked in Spain during the early 1970s, as well as families of people executed by them.

A look at the different masculinities portrayed in Spanish cinema through time. (A sequel to “Barefoot in the Kitchen,” 2013.)

The film documents the creation of Kelly’s monumental artwork “Peace or War/The Big Picture”. It is a tapestry of history and art, drawn from major artworks and photos from the defining conflicts of their times. This immense visual collage allows the audience to navigate through time and place, meeting survivors of these horrific moments in history and the artists who have created work commenting on these periods, some of which have become iconic. Through Kelly’s drawings, the audience is transported to the concentration camps of the Third Reich, the bombing of Hiroshima, “the troubles” in Ireland, the race riots in the US and Pol Pot’s Year Zero. Interwoven with archival footage of these cataclysmic events, the audience is invited to visit anti-war and anti-gun demonstrations today, events that call for similar injustices to be stopped. The film is a parallel work to Kelly’s masterpiece, unfolding to create the ‘Big Picture’ in documentary form.

Steal This Film focuses on Pirate Bay founders Gottfrid Svartholm, Fredrik Neij and Peter Sunde, prominent members of the Swedish filesharing community. The makers claimed that 'Old Media' documentary crews couldn't understand the internet culture that filesharers took part in, and that they saw peer-to-peer organization as a threat to their livelihoods. Because of that, they were determined to accurately represent the filesharing community from within. Notably, Steal This Film was released and distributed, free of charge, through the same filesharing networks that the film documents.

Following fateful scientific reports, protestors pose the argument for a better future against the vested interest of industry. Small to large, individual to collective, where do I fit into this?

Oproerkraaiers

In the sixties, Peter Handke was one of the first to show how the business works: the writer as angry young man and pop star of the literary scene. As soon as he was on the bestseller lists, he turned his back on the hype. For many years, he has lived and worked in his house in a Parisian suburb, more quietly and more hospitably. Peter Handke's precise, free gaze becomes perceptible in his texts, his conversations, the cosmos of his notebooks.