Antonio García-Trevijano: Transición e historia política de España en primera persona

Oproerkraaiers

An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time. (Silent short, voiced in 1937 and 1996.)

A retrospective look at the anarcho-syndicalist and anarcho-communist experience in Spain from 1930 until the end of the Civil War in 1939.

Jeunes, Militants et Sarkozystes

A look at the different masculinities portrayed in Spanish cinema through time. (A sequel to “Barefoot in the Kitchen,” 2013.)

In his time of greatest splendor, the singer Miguel 'Bambino' Vargas Jiménez (1940-99) was the last frontier of flamenco, an immense musical genre that he developed and brought closer to large audiences: an artist of artists, the idol of the roadside bars, whose inimitable style, scenic magnetism and heartbreaking personality made of his figure a myth, a king without a kingdom, a giant of the popular music of the 20th century.

Frantz Fanon alone embodies all the issues of French colonial history. Martinican resistance fighter, he enlisted, like millions of colonial soldiers, in the Free Army out of loyalty to France and the idea of freedom that it embodies for him. A writer, he participated in the bubbling life of Saint-Germain with Césaire, Senghor and Sartre, debating tirelessly on the destiny of colonized peoples. As a doctor, he revolutionized the practice of psychiatry, seeking in the relations of domination of colonial societies the foundations of the pathologies of his patients in Blida. Activist, he brings together through his action and his history of him, the anger of peoples crushed by centuries of colonial oppression. But beyond this exceptional journey which makes sensitive the permanence of French colonialism in the Lesser Antilles at the gates of the Algerian desert, he leaves an incomparable body of work which has made him today one of the most studied French authors across the Atlantic.

An attempt to create a bridge between the different political positions that coexist, sometimes violently, in the Basque Country, in northern Spain.

Susan Blackwell breaks bread with the four leads of Broadway's FALSETTOS: Christian Borle, Stephanie J. Block, Andrew Rannells & Brandon Uranowitz.

The story of journalist Edward R. Murrow's stand against Senator Joseph McCarthy's anti-communist witch-hunts in the early 1950s.

A comic, biting and revelatory documentary following a small group of prankster activists as they gain worldwide notoriety for impersonating the World Trade Organization (WTO) on television and at business conferences around the world.

A documentary on the six-decades long career of a muckraking journalist, who was involved with the radical 196os magazine Ramparts, with the Los Angeles Times newspaper, and later with the Internet website Truthdig.

In 2024, Abdelkrim Baba Aissa, aged 75, engages in a series of filmed interviews with Algerian journalist Thoria Smati. They address the chronology of the rich and committed career of this self-taught Algerian actor, director, producer and screenwriter, who made his debut on Algerian television as an assistant director then at ONCIC as a director in the years 70.

Olly Alexander is preparing to fulfil one of his biggest life ambitions - to represent the United Kingdom in the much-loved Eurovision Song Contest. Ahead of the grand final in May, Olly joins fellow Eurovision lover and commentator Graham Norton to talk candidly about competing in Sweden. As an extra treat for Eurovision fans, Olly reveals the first full play of the music video on TV for his Eurovision song Dizzy.

The film documents the creation of Kelly’s monumental artwork “Peace or War/The Big Picture”. It is a tapestry of history and art, drawn from major artworks and photos from the defining conflicts of their times. This immense visual collage allows the audience to navigate through time and place, meeting survivors of these horrific moments in history and the artists who have created work commenting on these periods, some of which have become iconic. Through Kelly’s drawings, the audience is transported to the concentration camps of the Third Reich, the bombing of Hiroshima, “the troubles” in Ireland, the race riots in the US and Pol Pot’s Year Zero. Interwoven with archival footage of these cataclysmic events, the audience is invited to visit anti-war and anti-gun demonstrations today, events that call for similar injustices to be stopped. The film is a parallel work to Kelly’s masterpiece, unfolding to create the ‘Big Picture’ in documentary form.

As the crucial question arises of the future succession of the Dalai Lama, we take a look back at the tormented history of the "Land of Snows" which lives under Chinese domination and which remains a geopolitical issue of the first order. A valuable documentary that gives voice to a people that China is trying to permanently silence.

Las Crónicas de la Pepa

Ich bin die Leander - das muss reichen…

The personal stories lived by the Uncle, the Father and the Son, respectively, form a tragic experience that is drawn along a line in time. This line is comparable to a crease in the pages of the family album, but also to a crack in the walls of the paternal house. It resembles the open wound created when drilling into a mountain, but also a scar in the collective imaginary of a society, where the idea of salvation finds its tragic destiny in the political struggle. What is at the end of that line? Will old war songs be enough to circumvent that destiny?

This is a documentary about an honest search for the truth about the Federal Reserve Bank and the legality of the Internal Revenue System. Through extensive interviews with recognised experts and authority, the director shows an astonishing revelation of how the Federal Government and the Bankers have fooled the American public by taking thier wages and putting it in the pockets of the super-rich.