Márcia Antonelli: Das Palavras à Sobrevivência

A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.

Cine Dunas

A documentary of insect life in meadows and ponds, using incredible close-ups, slow motion, and time-lapse photography. It includes bees collecting nectar, ladybugs eating mites, snails mating, spiders wrapping their catch, a scarab beetle relentlessly pushing its ball of dung uphill, endless lines of caterpillars, an underwater spider creating an air bubble to live in, and a mosquito hatching.

Bosom buddies BeV StroganoV, Ovo Maltine, Ichgola Androgyn and Tima die Göttliche are four Berlin drag queens who met in the mid 1980s. These four queens became Germany’s most popular drag performers and have been busy fertilizing the German cultural scene. Besides being performers, they are also political activists – in AIDS awareness, anti-gay violence, the sex workers movement and the struggle against the extreme right and racism. The film tells their story.

Starting with a long and lyrical overture, evoking the origins of the Olympic Games in ancient Greece, Riefenstahl covers twenty-one athletic events in the first half of this two-part love letter to the human body and spirit, culminating with the marathon, where Jesse Owens became the first track and field athlete to win four gold medals in a single Olympics.

A woman narrates the thoughts of a world traveler, meditations on time and memory expressed in words and images from places as far-flung as Japan, Guinea-Bissau, Iceland, and San Francisco.

The study of the artistic work and its relationship with the author generates reflections on the connection between the material and the spiritual. The Dance of Icarus is a poetic documentary that offers an open space for reflection, like a tribal dance. Through the effort, passion and imagination of the artist José Benítez, the pictorial process becomes a profound relationship between the artist and the canvas, raising unanswered questions about creation. This documentary, loaded with symbolism, invites a total immersion in the creative process. Directed by Jesús Jiménez, this debut film is presented as an expressionist work that celebrates art in its purest and most visceral form, exploring the dimensions of artistic creation and its impact on the viewer.

A generational trauma through the lens of an Asian American teenager through food and poetry.

El abogado

Part two of Leni Riefenstahl's monumental examination of the 1938 Olympic Games, the cameras leave the main stadium and venture into the many halls and fields deployed for such sports as fencing, polo, cycling, and the modern pentathlon, which was won by American Glenn Morris.

"The Boy Of The Fish" follows Noon, a young boy living in a Syrian refugee camp, who finds solace and a sense of freedom in a whale-shaped doll he names "Bahr." Set against the challenging realities of camp life, Noon’s journey is both a story of resilience and a testament to the boundless imagination of childhood. Through vivid symbolism and a unique soundscape, the film explores themes of loss, hope, and the longing for freedom amidst confinement. Shot entirely on an iPhone due to restrictions in the conflict zone, the film combines raw authenticity with poetic depth to capture the emotional landscape of a young soul navigating adversity.

WINHANGANHA (Wiradjuri language: Remember, know, think) - is a lyrical journey of archival footage and sound, poetry and original composition. It is an examination of how archives and the legacies of collection affect First Nations people and wider Australia, told through the lens of acclaimed Wiradjuri artist, Jazz Money.

Kang Aries and Kang Oca are two cultural observers of Kujang who try to provide a justification perspective on the Kujang Philosophy made by one of the blacksmiths named Abah Jajang, where the general public often considers that Kujang is a sharp weapon. The two of them "Kang Aris & Kang Oca" entered the realm of the trial to defend the essence of Kujang, so as not to be considered misunderstood by the general public.

Sol de Mayo

The second half of Gustav Deutsch's experimental Film ist. series, constructing new narratives and moods out of existing footage, mostly from early silent era films.

Choreography of familiar gestures that the author was able to spice up with a peculiar and original perspective.

Pictures taken between France and Mexico running at 8 frames per second.

In an age of chaos, destruction, and decay, the resurrection of nature was the last ray of vitality and a testament to survival. The film ventures into the haunting remnants of humanity, the silent witness of its collective collapse, and the ethereal rebirth of nature in the absence of mankind. The intriguing scenes are experienced through an omnipresent and atemporal perspective.

Shot under extreme conditions and inspired by Mayan creation theory, the film contemplates the illusion of reality and the possibility of capturing for the camera something which is not there. It is about the mirages of nature—and the nature of mirage.

The animated corpse of Moscow goes on after its inhabitants left. Filled with weeps and whispers of the mourning ghosts, torn apart with phone calls from distant countries and unfamiliar sounds, emotionally devastated and deserted, the city attempts to reconcile with its own voice.