The Parallel Coast

Olympiacos: The Legend is the epic story of a season that defied all expectations and rewrote European football history. In 2023/24, Olympiacos shattered barriers by becoming the first Greek club to win a European trophy-and didn't stop there. In a feat never before accomplished, they claimed not one but two major continental titles: the UEFA Europa Conference League and the UEFA Youth League.

Just outside of Paris, there is a community of Benedictine nuns. They come from diverse backgrounds and do not all speak the same language. In between prayers, they work to sustain their religious community. They sell handmade rosaries and operate guest rooms where they also accommodate refugees in need of shelter, such as Halyna, who fled from Ukraine. The older nuns teach the younger ones, transcending cultural boundaries. Every day, the sisters learn to live together a little better, always following the rules of Saint Benedict, whom they have followed into this cloistered life.

The personal stories lived by the Uncle, the Father and the Son, respectively, form a tragic experience that is drawn along a line in time. This line is comparable to a crease in the pages of the family album, but also to a crack in the walls of the paternal house. It resembles the open wound created when drilling into a mountain, but also a scar in the collective imaginary of a society, where the idea of salvation finds its tragic destiny in the political struggle. What is at the end of that line? Will old war songs be enough to circumvent that destiny?

A gradual immersion into Greece and its stories.

Concorde was the epitome of elegance, speed and glamour, linking London and New York in little over three hours. But on the 25th of July 2000 tragedy struck which meant the end of supersonic flight.

The Nakba across generations

It’s Just Business, Baby is also part of the trilogy of the same name. The film captures an encounter between a client and a working girl where the lines of care are blurred following a session. The film repeats this encounter with the same actors switching parts to trouble the relationship of power that exists between that dynamic. (Ayanna Dozier)

Three women engage with the medical system to confront strange dreams that may not belong to them. Early one morning, I regained consciousness in a hospital bed as the sun was coming up. I was sixteen. First thing I heard was the news: Princess Diana had died in a car accident. Two hours earlier, I was hitchhiking home from a party with friends. We were picked up by a Toyota hatchback; the driver was drunk, but we were desperate. At the bottom of the twisted mountain road we crashed into the wall surrounding my town’s cemetery. As I watched updates on Diana from my hospital bed, images of her smashed-up car crept into my mind and imprinted as my own. (Yuula Benivolski)

Using footage from socialist era Mongolia, Nomadtitude deals with the transition of the traditionally nomadic people to a lifestyle of urbanization. A changing of roads throughout the years and the movement of people from all across the country to the cities. A timeline of changing physical and spiritual paths. Primary instincts of the nomads, such as having a deep respect for natural surroundings, were forcefully replaced by socialist dogma and, later, capitalist machinations. This work presents the roads taken and not taken by the Mongolian nomads up until now. (Zulaa Urchuud)

In a world where freedom is constantly under threat, democratic societies are always on the lookout to ensure that the hard-won conquests of the historically recent past are not rolled back, but rather evolve towards individual and collective freedoms of expression and coexistence. (Khalil Charif)

Bounded Intimacy (part of the trilogy of Super 8mm shorts It’s Just Business, Baby) examines the histories of various forms of body labor across the Chelsea and Tribeca districts, renowned as a sites for sex work, sex clubs and illicit sexual activity. Bounded Intimacy explores the seduction of a nameless woman and the camera. The relationship between the two remains unknown and ambivalent as to whether or not the encounter is “authentic.” The nature of their relationship is irrelevant as the camera captures the authenticity of the desire in the encounter between the two. (Ayanna Dozier)

Real testimonials from five Latin American immigrants who share their experiences and challenges, recounting what it has been like to build a new life in Brazil from their different perspectives in the city of Foz do Iguaçu. Individual experiences are revealed and reflect on belonging, identity, and the constant reinvention of those who cross territories in search of new opportunities.

Starting with a long and lyrical overture, evoking the origins of the Olympic Games in ancient Greece, Riefenstahl covers twenty-one athletic events in the first half of this two-part love letter to the human body and spirit, culminating with the marathon, where Jesse Owens became the first track and field athlete to win four gold medals in a single Olympics.

Part two of Leni Riefenstahl's monumental examination of the 1938 Olympic Games, the cameras leave the main stadium and venture into the many halls and fields deployed for such sports as fencing, polo, cycling, and the modern pentathlon, which was won by American Glenn Morris.

Sol de Mayo

Six million tons, suspended by the slightest gesture. Mother of the World presents a series of brief vignettes of Cairo just prior to the 2011 Egyptian Revolution. These fragmented scenes choreograph class structure and foreign influence into an intimate, poetic view of a nation about to change.

GIRI CHIT tells a tale of the subtle trace of irreconcilable worlds. A worker driving a mobile sweeper in hypnotic circles across an already immaculate surface. The high drama of cosplay aficionados clamoring to be seen. A cast of thousands toiling hundreds of feet above the street. Giri translates as ‘duty’ in Japanese, but the concept is in fact far more complicated. Giri is a sort of interpersonal political capital that informs careers, family relations, and much more. Its presence and flow is palpable in Japan, where this film was shot. A “giri chit” then may be a hypothetical voucher for this intangible flow (with a tip of the cap to Thomas Pynchon’s “Vineland”). Selected Screenings and Awards: DaVinci Film Festival (Best Experimental Film), Chicago Underground Film Festival, Athens International Film and Video Festival, Dallas Videofest, ICDOCS Film Festival, NewFilmmakers at Anthology Film Archives, Oxford Film Festival, Director’s Lounge Berlin

Ivy Bairley and Chance Conerly return as a duo to showcase the tragic downfall of Eugine Mulvihil's Action Park.

This documentary explores how Indian women are taught to conceal something as ordinary as their inner wear while drying it, hiding it under towels or behind doors. Through everyday moments and personal reflections, the film reveals how this small act of shame mirrors a much larger culture of policing women’s bodies and visibility.

A documentary about the sea and memory. Its movement is its form. Its strength.