Reflextion

In 1948, French singer Charles Aznavour (1924-2018) receives a Paillard Bolex, his first camera. Until 1982, he will shoot hours of footage, his filmed diary. Wherever he goes, he carries his camera with him. He films his life and lives as he films: places, moments, friends, loves, misfortunes.

Trance dances and out of body projection. In front of the camera, Parvaneh Navaï becomes a mediator who enters in contact with and immerses into the energies of Nature, while her own energy radiates and echos in the forest ("selva"). The camera amplifies and expands her presence, transforming the forest into an imaginary space. The camera becomes a painter's brush.

A young girl’s fiery dance, accidentally caught on 16 mm film in the street. The viewer is confronted by the sacrificial and the passionate, the strong and the fragile, the fleeting and the eternal. These are the faces of femininity.

Served as the inspiration for Jerry O'Sullivan's 'Gut Pile'.

A skin flick

As the world begins to end, two children run away from home and meet an adult who betrays them. Later, one of them remembers the future that was possible.

A journey into the bodily emotions conveyed by nature. Contemplation in dialogue with intimacy and vastness. Projected on Super 8 film with three projectors.

A young filmmaker undertakes the task of filming and editing a movie in Super 8 millimeter format.

Film about protests, demonstrations and commemorative actions one year after the events of December 19 and 20, 2001. It documents a protest in front of the IMF headquarters, the placement of memorials to the fallen (Street Art Group, Popular Screen Printing Workshop and other collectives) and the march to Plaza de Mayo by the piquetero movements and popular assemblies.

Urban symphonies are a genre within experimental and documentary cinema: architectural recordings, everyday actions, travel diaries. This film-performance shares scenes of Los Angeles filmed in 2022. Geometric forms, human movement, glazes, reflections, the interplay of filters, and the transition from black and white to color expand the image, opening multiple windows. A pulse-pounding depiction of this great metropolis.

A visual essay in expanded cinema constructed from found footage: fragments of home movies from trips to Mar del Plata, found on the street and in flea markets, alongside a kind of remake filmed three or four decades later in the same locations. The piece reflects on the use of the format, the perspective of the first amateur cameramen who went on vacation with their cameras, and the beginnings of home video recording.

The first film by Chantal Akerman, a short silent 8mm film shot during the Brussels summer Midi Fair, that was one of four short films she made as a short of entrance exam at INSAS were she studied for just a couple of months.

Served as the inspiration for Jerry O'Sullivan's 'Gut Pile".

This Super 8 short film was discovered on May 22, 2024, at the Paraguayan-German Cultural Institute in Asunción. The film is the result of a workshop produced by the ICPA's film department in 1987, led by filmmaker Marie Louise Alemann, a pioneer of experimental cinema in Argentina.

EHHHH! is a Super 8 film edited in-camera and projected with a tape delay from two projectors onto a screen, which travels through the parking signs of Buenos Aires, where the letter E dialogues with a sound composition / phonetic poetry of voices saying "eh", a typical Argentine filler word

Analía and Andrés are neighbors but barely know each other. On the night of December 31, 1999, both are forced, for different reasons, to spend New Year's Eve alone.

The hands of Narcisa Hirsch, a nonagenarian, open another Super 8 film cartridge to load a camera. In what seems like a ritual of passing on a legacy, the grandmother and her grandson, Tomás Rautenstrauch, watch a film of a meadow that gradually fills the frame.

A woman plays with three creatures in a mysterious world. As she breathes life into them, they feed on her life essence. What began as a game transforms into a total surrender, where each being she creates drains her elixir, leaving her with a rush of pleasure in return.

It looks like it's going to rain. Yes, no doubt about it. Let's ask the horizon... over there, behind us, where the sun sets. The sun in the city hides in the concrete. The sun in nature, like consciousness, dwells in the darkness of our complex being. There will be no perpetual peace on earth or in heaven. To sleep in peace, to rise at dawn.

Based on home movies shot on Super 8mm film, A Family Film places the mother at its center as the narrator while tracing the memories of a family living in Istanbul in the 70s.