Home Movie: A Diary for my American-Born Son

A childhood story is narrated while home movie footage is displayed. The narrator recounts her assimilation experience: moving to America, learning English, giving up your culture and a part of yourself.

During a camping weekend, Indian filmmaker Poorva Bhat tries to find the right way to discuss consent with her two children. In the intimacy of the tent, the three find the safe space needed to explore together the innocence or otherwise of looks and gestures, both in everyday life and in the cinema.

When an extraordinary new resident – Balakrishna, an Indian elephant – arrived in the town of East River, Nova Scotia, in 1967, no one was more in awe of the creature than young Winton Cook, who became inseparable from his mammoth new friend. Using painterly animation, photographs and home-movie treasures, Balakrishna transmits the wistfulness of childhood memories, while evoking themes of friendship and loss, and issues of immigration and elephant conservation.

In the 90s, Stasya and his dad were spending their summer holidays in Odesa with their grandmother. Their relatives from different cities of Russia were also coming there to enjoy the warm sea. 30 years later they meet again. This time in Moscow.

Portrait of Mrs. B., a tough charismatic North Korean woman who smuggles between North Korea, China and South Korea. With the money she gets, she plans to reunite with her two North Korean sons after years of separation.

When the Tanana River bridge was installed in Salcha, Alaska, the community worried about the levee's effects on fish wildlife. Salcha Elementary School, along with the help of Tanana Valley Watershed Association, conducted a 10-year scientific project with students to study the effects the levee had on Piledriver Slough. Tori Brannan - the filmmaker's mother - is a retired principal at Salcha Elementary and was the project's centerpiece. She shares her experiences with the project, the community, and how her daughter's involvement strengthened their relationship.

A short documentary on a grandson returning home to visit his aging grandmother who was crying to see him on the phone.

Supper club restaurants were the hot dinning trend in the mid twentieth century. They provided a place for people to spend their evenings enjoying cocktails, home cooked, high quality food and entertainment. The supper club scene slowly faded from the rest of the country, but kept a strong hold in Wisconsin due to a culture that allowed it to thrive. Around for decades, supper clubs in Wisconsin have been able to hold their own style and traditions. While chain restaurants continue to expand and threaten their future, supper clubs are fighting to survive while continuing to offer the same exceptional dinning experience and a personal touch that is not seen in the modern lifestyle of dine and dash. Old Fashioned: The Story of the Wisconsin Supper Club takes you into this uniquely Wisconsin institution.

The documentary follows the life of a blind couple who, despite social prejudice, decided to have a child. Ferike has a dream: when he grows up, he will collect the money for his parents’ surgery so that they can regain their eyesight and be able to see just like him. For the time being, he accompanies them in their daily life. He assists them everywhere: in a shop, on the way to work, in a museum or the zoo. The parents do their best to have the son enjoy his childhood just like his peers and, at the same time, not move too far away from them.

Tótem

After the insurrection erupted in Libya in the spring of 2012, more than a million people flocked to neighboring Tunisia in search of a safe haven from the escalating violence. When a massive refugee camp was hastily constructed near the Ras Jdir border checkpoint in Tunisia, a trio of filmmakers carried their cameras in and began filming with no agenda. This on-the-fly chronicle of the camp's installation, operation, and dismantling captures a postmodern Babel complete with a multinational population of displaced folk, a regime of humanitarian aid workers, and international media that broadcasts its “image” to the world. Visually stunning and refreshingly undogmatic, Babylon reveals a rarely seen aspect of the Arab Spring.

Brussels, Béguinage church. Migrants organize a hunger strike to obtain papers. A man dies. Tunisia, Libya. A border camp of Choucha refugees tell the horror of crossing the Sahara to the north. Liège. In a refugee center, a man narrates his Mediterranean crossing in a chamber of air. Three moments of a battle for survival.

As queer trans and gender non-conforming children of the Vietnamese diaspora, we are fragmented at the crossroads of being displaced from not only a sense of belonging to our ancestral land, but also our own bodies which are conditioned by society to stray away from our most authentic existence. Yet these bodies of ours are the vessels we sail to embark on a lifetime voyage of return to our original selves. It is our bodies that navigate the treacherous tides of normative systems that impose themselves on our very being. And it is our bodies that act as community lighthouses for collective liberation. Ultimately, the landscape of our bodies is our blueprint to remembering, to healing, to blooming.

Observation of the asylum procedure in the Federal Republic of Germany, not limited to depicting an individual case, but rather tracing a basic fate. The film captivates with unpretentious black-and-white images that are emotionally moving and show camp life as an agonizing wait for a decision by bureaucrats.

Former World’s Strongest Man, Eddie Hall, takes on rival ‘Thor’ in one of the heaviest boxing matches in history. With exclusive and intimate access to Eddie and his family in the months leading up to the fight and at the main event itself, Eddie Hall: The Beast vs. The Mountain follows the highs and lows, and all the laughs and tears, as Eddie balances a young family with a punishing and obsessively strict training regime, all the while battling to keep his mental health in check.

In buildings where foreign workers lived in Germany, there were strict rules of conduct, defined by the house rules and supervised by the building superintendents. Many rights regarding the freedom of movement, communication and behavior were abused. Interviews with the tenants and with the "orderlies" which point out absurd situations and clashes caused by these restrictions.

A Latinx immigrant mother makes waves with a historic campaign to end the sharing of the Philadelphia police database with ICE.

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Shifting his lens from Cantonese opera to Japanese Noh drama, documentary filmmaker Cheuk Cheung continues his exploration of complex gender issues ingrained in traditional theatres. For seven centuries, only the male body has been granted the privilege to inhabit this highly stylised art form that embraces spirituality in subtle movements. The film traces the journey of third-generation Noh performer Uzawa Hikaru, a young woman who makes her presence in the male-dominated space; yet behind the mask lies a daughter yearning to seek a resolution beyond her mother’s path – a quest to fuse body and soul in pursuit of the profoundly mysterious aesthetic.

Cut off from his loved ones due to the strict COVID-19 lockdown at the long-term care facility where he lives, a quadriplegic rabbi is filmed by his daughter while reflecting on love, mortality and longing.