“An Untitled Film” by George Alshevskij-Jones is a short documentary/visual essay about the struggles of moving to seek a better future in a different country. The research for the film was done by observing and talking to people who have left their home country. It doesn’t matter what country a person has left and in which country he has found himself, the general experiences and emotions stay the same. The most important message that I want the film to convey is that everything is possible and home is not a place on a map, but a place in the soul of each person that I spoke to. The unconventional way of showing many people as one is not just a way of making the film more convenient to create, but a way to fit a much information into one consistent image, that the audience is more likely to understand and perceive as the author intended it. My own experience blended in with the experiences of others.
In the center of the story is the life of the indigenous people of the village Bakhtia at the river Yenisei in the Siberian Taiga. The camera follows the protagonists in the village over a period of a year. The natives, whose daily routines have barely changed over the last centuries, keep living their lives according to their own cultural traditions.
Moscow, January 1996. Boris Yeltsin gets ready to run for a second mandate of the presidency of the young Russian Federation. Polls are in the single digits. A painful economic transition, war in Chechnya, and the rise of criminal groups have left the majority of Russians dissatisfied with Yeltsin… and willing to vote for the communist leader Gennady Zyuganov. Yet six months later, Yeltsin won the election with nearly 54% of the vote. How did that happen?
Journalist Émilie Tran Nguyen invites the viewer to follow her in her quest and discover, at the same time as her, the historical origins of this anti-Asian racism. Told in the first person, alternating archive images, interviews with historians, sociologists and field sequences, this film traces the making of prejudices in the French imagination and pop culture, to twist the neck of stereotypes, deconstruct and act.
Over the course of two centuries, seven million men, women and children abandoned their homeland for America's shores. In just one horrifying decade, two million left to escape a famine that left another million dead. This is the moving chronicle of the Irish immigrant experience.
After twenty years in power, Vladimir Putin continues to implement his geopolitical strategy with Russia’s comeback on the big stage of world politics. He already announced his ambitions in 2007 – and still, it seems like the western governments were hit completely unprepared. What is behind this repeat of the Cold War?
A documentary film account of the Russian Revolution, based on archival footage.
Robert Kongaika runs from his family to join the military and becomes the first Tongan US Air Force Colonel. This is the true story of the island traditions, faith, and family that made him into the father he is today.
Football is both the place, the crystallization of sporting passion and the witness of identity imaginations. It is also an interesting and relevant area for discussing the migration issue. From the 1930s to the present day, football, notably with the composition of the French team, has reflected the plurality of the French population. Raymond Kopa, Michel Platini, Zinedine Zidane, Basile Boli... these four footballers alone illustrate the four major waves of immigration that France has experienced.
How could Hitler and Stalin, sworn ideological enemies, come to a secret pact in 1939? The captivating and detailed story of the diplomatic fiasco that led to the signing of the Nazi-Soviet pact and its devastating consequences.
Four film-makers embark on a cinematic survey of Austria, documenting the political and social state of the nation and its people. An eye-opening experience. In the wake of the 1999 elections, four filmmakers decided to go out with cameras in hand and gauge the mood of their countrymen, who had made Jörg Haider's FPO party the second most powerful in Austria. What they found was a country apparently "like any other" , filled with nice ordinary people. Who feel perfectly comfortable dreaming of a possible future without foreigners, or speaking with equanimity about the old days of the Third Reich.
Portrait of a troubled peasant family. The film tells the story of two times widow Anna Belova who lives together with her brother Mikhail. Blending the two personalities, Kosakovsky characterizes the true Russian soul: she is the rational worker, honest and strong - he is the drunken poet, the idealist, his philosophy fades into radical nonsense time after time.
Hang Sou and his family, preliterate tribal farmers, await resettlement in a refugee camp in Thailand after fleeing their war-consumed native Laos. "Becoming American" records their odyssey as they travel to and resettle in the United States. As they face nine months of intense culture shock, prejudice, and gradual adaptation to their new home in Seattle, the family provides a rare insight into refugee resettlement and cultural diversity issues.
From 1989 to 1991 a string of unpredictable events happened that brought to light the rivalry between two men: Gorbachev, hindered by the economic results of his perestroika, and Yeltsin, embodying the hopes of the Russian people. Illustrated with interviews of top protagonists such as Mikhail Gobachev himself, the documentary recounts the critical last two years of the former USSR.
After the insurrection erupted in Libya in the spring of 2012, more than a million people flocked to neighboring Tunisia in search of a safe haven from the escalating violence. When a massive refugee camp was hastily constructed near the Ras Jdir border checkpoint in Tunisia, a trio of filmmakers carried their cameras in and began filming with no agenda. This on-the-fly chronicle of the camp's installation, operation, and dismantling captures a postmodern Babel complete with a multinational population of displaced folk, a regime of humanitarian aid workers, and international media that broadcasts its “image” to the world. Visually stunning and refreshingly undogmatic, Babylon reveals a rarely seen aspect of the Arab Spring.
In defiance of Russia’s anti-LGBTQ laws, a queer, 21-year-old artist risks her life performing in surreal costumes throughout Moscow. Jenna Marvin’s radical public performances blend artistry and activism in this SXSW documentary.
At the turn of the century, Sephardic Jews fled the turmoil of their homeland to start a new life in America. Filled with interviews, archival photos and dozens of Ladino phrases, this slice of Northwest history captures their story as they arrived in Seattle and found work at the Pike Place Market.
Narratives of Modern Genocide challenges the audience to experience first-person accounts of survivors of genocide. Sichan Siv and Gilbert Tuhabonye share how they escaped the killing fields of Cambodia, and the massacre of school children in Burundi. Mixing haunting animation, and expert context the film confronts our notion that the holocaust was the last genocide.
And When They Shall Ask
A deeply human portrait of the chaotic reality of the US - Mexico border. Full of stunnig images and crafted like a classic city-symphony where the sum of the pieces add up to a larger whole, Purgatorio, a Journey Into the Heart of the Border brings together a universe of small stories to create a compelling and visceral cinematic experience that takes audiences into the very soul of life on the border.