O 9 d’Abril

Marta Cardoso, a young dancer from northern Portugal, moves through Lisbon with restless energy, between precarious routines, affections, and a daily life in constant imbalance. Dance becomes her refuge and her cry: a space where the body finds freedom and instinct, and where gesture replaces words. When dancing, she feels close to her inner animal.

A love letter from an American soul to the city of Lisbon.

Tired of my city, I imagine the arrival of a cowboy in Lisbon.

From our window one can see a set of the film The Green Years, directed by Paulo Rocha in 1963. This was our starting point: guided by Rocha's gaze, we look back at the places of that film. The successive geological, urbanistic and social strata of Lisbon, besieged by the pandemic that interrupted the shooting, are drawn out in front of our camera, like a contemporary jazz impro from a score written in 1963.

This quick look at Lisbon begins with aerial footage of the port city as the off-screen narrator provides some history of a seafaring, colonizing nation, of destructive earthquakes, and of contemporary construction. Then it's on to famous buildings and monuments, a look at female fishmongers who ply neighborhoods with baskets of fish on their heads, a survey of two nearby resort areas, watching a town's annual running of the bulls, and a visit to a bullfight, where the bulls are not killed.

In the 1950s, Victor Palla and Manuel Costa, two architect friends, portrayed the city of Lisbon in more than 6,000 photographs. These were published in an eponymous book circulated in fascicles during the fascist regime, but forgotten for the next half-century. After their deaths, it became the photo book with the greatest international projection of all time and this film is a tribute to the work of these two figures, which is now 100 years old.

Day after day, men and women occupy downtown Lisbon and use it as their stage. People call them "street performers" but nobody knows who they are or why they do what they do...

After being stuck at home for two months, she finally goes out for a walk. In a short form documentary, she photographically explores this deserted Lisbon, never ever seen, through a passionate look. The city breathes, stripped of human beings.

The city during the beginning of cinema. The typical city at the time of the dictatorship. The New Lisbon of the New Cinema. Lisbon after the Revolution. The white city of foreigners. A geographical and moviegoer screenplay of Lisbon through the images of films and testimonies of several filmmakers who filmed in Lisbon.

Caos do Sodré

A new look at the public and private life of one of the most important statesmen in the history of Europe: Winston Churchill (1874-1965), soldier, politician, writer, painter, leader of his country in the darkest hours, winner of the Nobel Prize in Literature, a myth, a giant of the 20th century.

De Gaulle, le commencement

"Graphic City" explores Lisbon's vibrant urban art scene through the unique eyes of artist Mariana Duarte Santos. Between murals and interventions that transform public space, the film delves into the streets of the Portuguese capital to reveal the artistic expression that arises from the city's walls. This documentary captures the creative spirit of Lisbon, where every corner becomes an open canvas for the imagination.

Black Is the Color highlights key moments in the history of Black visual art, from Edmonds Lewis’s 1867 sculpture Forever Free, to the work of contemporary artists such as Whitfield Lovell, Kerry James Marshall, Ellen Gallagher, and Jean-Michel Basquiat. Art historians and gallery owners place the works in context, setting them against the larger social contexts of Jim Crow, WWI, the civil rights movement and the racism of the Reagan era, while contemporary artists discuss individual works by their forerunners and their ongoing influence.

Filmed over a period of 3 years, this video work is a meditation on the borderline of the river Tejo, between Marvila and Barreiro. A psychogeographic piece that seeks out a feeling of doubt, inertia, and waiting. "Two sides, along the boundary line All the weight of the water above Metal arms extended to the heavens As if the sky was tilting to meet them And those giants again; Four by four . . . . all in a line, up against the tide."

A lisbon story of cats

Brought back to life by an unorthodox scientist, a young woman runs off with a lawyer on a whirlwind adventure across the continents. Free from the prejudices of her times, she grows steadfast in her purpose to stand for equality and liberation.

A boy in Lisbon, in this Lisbon in permanent renovation.

Besieged by writer’s block and the crushing breakup with Tessa, Hardin travels to Portugal in search of a woman he wronged in the past – and to find himself. Hoping to win back Tessa, he realizes he needs to change his ways before he can make the ultimate commitment.

Les poilus de la revanche