La Revuelta accounts for the tension experienced by those who, as of October 2019, came out to express their social discontent. The work has as its main stage, renamed by the people, as "Plaza de la Dignidad". It is a choral story, woven with the reflections of the protesters under the protection of the contextualization of a story in off that is unraveling the causes and effects of the outbreak. Thus, more than three years after the social demonstration, La Revuelta, is presented as a critical and contestative reflection, around the popular protest maintained by a people that took 30 years to awaken.
One and a half years before the begin of the Second World War during the annexation of Austria in March of 1938, Hitler conceived the megalomaniac idea of creating the largest European art center in his home town of Linz. At the beginning of the war on the 1st of September 1939, not only did his armies advance but also his art thieves began to fan out in their great foray of art plundering; an expedition on a previously unheard of scale began. Not only did the task forces of diverse National Socialist organizations pillage the occupied countries; Nazi bigwigs like Goering also took whatever they felt was valuable. This documentary includes the long and eventful journey of an exceptional masterpiece of European art: the Ghent Altar, created by van Eyck.
Yekaterinburg, Russia, July 17th, 1917. Czar Nicholas II Romanov and his entire family are brutally murdered by the Bolsheviks. This tragic event puts an end to the long dynasty that had ruled the country with an iron hand since the coronation of Michael I Romanov in 1613.
Documentary style presentation of the work of RAF Coastal Command. Shows their work in protecting convoys and attacking enemy aircraft, ships and U-boats, all done by the actual men & women of the RAF.
Thirty years after his film JFK, filmmaker Oliver Stone takes viewers on a journey through recently declassified evidence in the assassination of President Kennedy - the most consequential American murder mystery of the twentieth century. Joined by Oscar-winning narrators Whoopi Goldberg and Donald Sutherland, as well as a distinguished team of forensics, medical and ballistics experts, historians, and witnesses, Stone presents compelling evidence that in the Kennedy case “conspiracy theory” is now “conspiracy fact.”
Like the best USIA films, The Wall distills political events into an emotionally clear and compelling ideological "story". In 1962 Walter de Hoog gathered footage from U.S. and German newsreel sources and crafted this taut short film about the first year of the Berlin Wall. Straightforward, keenly balanced narration portrays Berliners as "accepting the wall but never resigned to it". The extraordinary footage of the first escapes was propaganda enough-- His challenge was to make the politics human.
Ecos de Junho
A historical account of military policy regarding homosexuality during World War II. The documentary includes interviews with several homosexual WWII veterans.
A fascinating insight into the role of the bicycle in the First World War - from reconnaissance to transporting ammunition, historian and cycling enthusiast Jeremy Banning explores stories from the battlefield. Ollie Bridgewood discovers the role cycle scouts played in the Army Cycling Corp and rides the original bikes used in the conflict. Mark Beaumont meets the grandson of a WW1 soldier who rode for the Highland Cyclist Battalion and survived brutal combat on the front line.
This film shows how far we have come since the cold-war days of the 50s and 60s. Back then the Russians were our "enemies". And to them the Americans were their "enemies" who couldn't be trusted. Somewhere in all this a young girl in Oklahoma named Shannon set her sights on becoming one of those space explorers, even though she was told "girls can't do that." But she did.
The film is set to bring forward once again the well-worn images of the summit talks between Reagan and Gorbachev in Geneva. It is a reproduction of the days during the summit. On the one hand, pictures are gathered from the perspective as an onlooker in Geneva, on the other hand, the old television footage is processed.
This film records the Japanese military's efforts to capture the Burma Road,one of the major supply lines to China, from the British beginning in December 1941. The film ends with the fall of Mandalay in May 1942.
Documentary to mark the WI's centenary. Lucy Worsley goes beyond the stereotypes of jam and Jerusalem to reveal the surprisingly radical side of this Great British institution.
Produced by the Fox Movietone News arm of Fox Film Corporation and based on the book by Lawrence Stallings, this expanded newsreel, using stock-and-archive footage, tells the story of World War I from inception to conclusion. Alternating with scenes of trench warfare and intimate glimpses of European royalty at home, and scenes of conflict at sea combined with sequences of films from the secret archives of many of the involved nations.
Brigadistas
A chronicle of the Russian Revolution of 1917, from the bourgeois democratic February Revolution to the great socialist October Revolution and the final triumph.
From 1940, around 25,000 Dutch people served in the Waffen-SS. In spite of their large number, they did not make much public disclosure after the war. Eight Dutch former SS men tell their story in this documentary. Never before have former SS men talked so openly about their motives, their (wrong) acts, their experiences on the (Eastern) front and their struggle with the memories of the past.
One famous day. Five heroes. Five key turning points that changed the course of World War Two during the D Day landings, told through the eyes of the people who made a difference. Using rarely seen archive, dramatic reconstruction and written accounts from eye witnesses and personal testimony from our five heroes, this is D Day as never seen before.
Die Legende vom Einzeltäter: Rechter Terror in Europa
Two women, one house. An intimate story about a Pole and a German placed by war on enemy sides and their parallel lives accidentally brought together. The film reflects on the concepts of invaders, victim, guilt and forgiveness. It confronts different experiences and their paradoxical similarities. It deals with the controversial subject of the post-war accountings. The visual narration is flowing, guided by memories and archives. Traditional documentation confronts experimental use of archival footage in the cinematic impression about displacement.