One of the five-part documentary series by Belarusian writer and director Viktor Dashuk, which recounts the horrors experienced by the Belarusian people during World War II, through firsthand accounts of survivors and newsreel footage.
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
The Habsburg Dynasty had ruled large parts of Europe and the world for 650 years. During World War I, however, the mighty Austro-Hungarian Empire sowed the seeds of its own demise. At the height of World War I, the world of the Habsburgs was on the brink of collapse. Almost exactly 100 years ago to the day, in April 1918, the most sensitive diplomatic mission of the First World War became a Europe-wide scandal: the so-called "Sixtus Affair". Secret negotiations between the Austrian imperial family and France were supposed to bring peace to the Danube monarchy – and their failure caused the war to escalate and the Habsburgs to fall.
Nicknamed "The Black Beverly Hills," View Park, Baldwin Hills, and Ladera Heights, are unarguably the three most wealthiest black neighborhoods in the world. Residences from the neighborhoods tell stories of their personal upbringings, past and present history of their neighborhoods, and their own views and opinions of the changing demographics.
Black Panther, the Avengers, Hulk, Fantastic Four, The X-Men, Thor, Iron Man - to name only some of the best known super-heroes created in the 1960s by comic book artist Jack Kirby, the super heroes which today, dominate the world wide blockbuster box office cinema. This documentary mixed with CGI form his work examines Jack Kirby’s comics through his experience as a young American soldier in WWII France. How did this terrifying experience inspire him to create Captain America, and so many others characters as the war came to a close?
'Veterans', focuses on WW2 veterans, once fighters in the Red Army and now uprooted immigrants, fighting for their place in society. These people, who experienced the twentieth century's bloodiest war as Soviet soldiers, immigrated to Israel after the collapse of the Soviet Union and found themselves in a society that is totally indifferent to their glorious past. The film offers a close and compassionate look at the veterans' lives, fueled by complexity, pain, and an almost silent insult, alongside joy and self-deprecating humor. The feeling of living on borrowed time drives the veterans to embark on what may be their last adventure.
Recruits of Lord Kitchener's 'New Army' parade on Christmas morning.
With the young Friedrich Engel’s letters and drawings from the years between 1838 and 1842, a unique cinematic portrait is created. The viewer thus gets to know the young Engels personally, learning about the significant moments of his development from a bourgeois-liberal upbringing to the theoretical partner of Karl Marx. Later be awarded the Gold Dove at the International Leipzig Documentary and Short Film Week.
Talented and obedient Red Cross dogs prepare to rescue Berlin's wounded from the Front.
This early public information film puts out an appeal for more women to take up munitions work - showing training centres, opportunities for work in the aircraft industry as well as the tempting prospect of a fun social life. (source: British Film Institute)
Martin Weill - Voyages dans l'Europe Identitaire
On June 4, 1944 Captain Daniel Gallery and his men of the U.S. Naval Task Force 22.3 did the nearly impossible - they captured a German U-boat. It was the first enemy vessel-of-war captured in battle on the high seas by the U.S. Navy since 1815. Climb aboard the historic U-505 and relive its journey from a powerhouse of the German fleet to a display at the Museum of Science and Industry in Chicago. Witness archival footage and rare interviews with both German and American crew members involved in the capture of the U-505. And view even rarer footage of Captains Daniel Gallery and Harold Lange, captain of the 505 at the time of its capture..
The Atom And Us
Cesta k barikádám
An epic family saga told by the women around the famous architect Ludwig Mies van der Rohe.
After the anti-corruption protests, Arvind Kejriwal along with his team members forms a new political party to fight the Delhi elections.
How does one trigger a revolution? In the Romanian uprising in 1989, everything seemed to happen by itself. The people were fed up and were plagued by poverty and terror. There comes a time when action must be taken! But, it turns out that history is not that simple, as this investigative documentary proves. The film is a thorough and revealing reconstruction of the events leading up to Ceaucescu’s downfall and execution. In actual fact, the Romanian revolution was a strictly managed operation, controlled from the outside. Hungary, Germany and especially America had big fingers in the pie.
A new film made from more than a hundred fragments of archive film, Echoes of the North transports you back to Northern England a century ago, taking its audiences down the highways and byways of northern life in the early 20th century - its industries and rural life, its wartimes and festivals, its transport, holidays, family excursions and huge, city-wide occasions.
The AfD, founded in 2013, is a right-wing party that has become increasingly radicalized in recent years. To illustrate this, only those who enthusiastically joined the party in its early years are heard. They describe what they looked for and found in the party, but also how and why they left, disillusioned and frightened by the AfD's developments. How did they experience the party's radicalization process? How did friends and family react? When and why did they decide to turn their back on the party? How difficult was the exit process? The documentary provides an illuminating inside view of this party, which has been driving the established parties and the political establishment ahead of it for over ten years, gives viewers a unique look into the AfD's chronicle and world of thought and is at the same time a film about the mechanisms of political radicalization.
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