No Substitute for Victory

It was the biggest escape in the history of the Berlin Wall: in one historic night of October 1964, 57 East-Berliners try their luck through a tunnel into West Berlin. Just before the last few reach the other side, the East German border guards notice the escape and open fire. Remarkably, all the refugees and their escape agents make it out of the tunnel unscathed, but one border guard is dead: 21-year-old officer Egon Schultz.

A horse and cart carrying two nuns is stopped by two men with fixed bayonets.

Robert Mitchum narrates an anti drug propaganda film.

When this propaganda film begins the narrator states that before the beginning of World War II, Japan was the only one of thirty-five nations to refuse to sign an anti-narcotics treaty and alleges that this was because the country's leaders planned to use drugs as a weapon of war.

The true story of the massacre of a small Czech village by the Nazis is retold as if it happened in Wales.

Data—arguably the world’s most valuable asset—is being weaponized to wage cultural and political wars. The dark world of data exploitation is uncovered through the unpredictable, personal journeys of players on different sides of the explosive Cambridge Analytica/Facebook data story.

Propagandistic documentary aiming to demonstrate how vigorous and prosperous the provinces of Tacna and Arica were at that time, despite being in dispute, but under predominantly Chilean influence, investment, and administration.

This short film, produced at the end of WWII, warns that although Adolf Hitler is dead, his ideas live on.

Oscar winning postwar propaganda film in support of the United Nations Relief and Rehabilitation Administration. Strident but poignant, focusing on children. The film surveys the Nazi/Japanese atrocities, post-war devastation and the early relief efforts. This film was responsible for raising over $200,000,000, making it a top moneymaking film. Preserved by the Academy Film Archive in 2005.

Like the best USIA films, The Wall distills political events into an emotionally clear and compelling ideological "story". In 1962 Walter de Hoog gathered footage from U.S. and German newsreel sources and crafted this taut short film about the first year of the Berlin Wall. Straightforward, keenly balanced narration portrays Berliners as "accepting the wall but never resigned to it". The extraordinary footage of the first escapes was propaganda enough-- His challenge was to make the politics human.

An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time. (Silent short, voiced in 1937 and 1996.)

Kieslowski’s later film Dworzec (Station, 1980) portrays the atmosphere at Central Station in Warsaw after the rush hour.

Leading biblical scholars and religious experts discuss the implications of the Rapture, when prophecies predict that Jesus Christ will return to Earth and his true believers will be transported to meet him.

The story of Istituto Luce and it's newsreels, full of visual records of the social and political history of Italy under Mussolini's leadership.

A film about the noted American linguist/political dissident and his warning about corporate media's role in modern propaganda.

Over the past few years, Israel's ongoing military occupation of Palestinian territory and repeated invasions of the Gaza strip have triggered a fierce backlash against Israeli policies virtually everywhere in the world—except the United States. This documentary takes an eye-opening look at this critical exception, zeroing in on pro-Israel public relations efforts within the U.S.

An educational film about power sources that’s rendered as a lyrical meditation on heat and vapor, The Four Elements is a poetic and avant-garde documentary Curtis Harrington made for the United States Information Agency.

A documentary about World War II, also known as the "Holy War" while Romania was an ally to Nazi Germany. The propagandistic nature of the film is evident through its overt anti-semitism and ultra-nationalist tone.

This is a unique film in Disney Production's history. This film is essentially a propaganda film selling Major Alexander de Seversky's theories about the practical uses of long range strategic bombing. Using a combination of animation humorously telling about the development of air warfare, the film switches to the Major illustrating his ideas could win the war for the allies.

Following fateful scientific reports, protestors pose the argument for a better future against the vested interest of industry. Small to large, individual to collective, where do I fit into this?