In this film we demonstrate atheists know God deep down despite professing the contrary. First, we show various proofs including scientific studies which indicate there are no atheists. Second, we show atheism renders basic things everybody agrees on meaningless. It is proved that atheism is unable to account for the validity of reason, empirical observation, the possibility of knowledge, moral absolutes, the uniformity of nature, the laws of logic, and human dignity. In fact, these issues render atheism impossible. We argue since atheists assume these things this means they are not atheists but closet believers.
Nazi propaganda film contrasting Germany in the days before Adolf Hitler became Chancellor with the Germany of "today" and how much better it is.
King of the Jews is a film about anti-Semitism and transcendence. Utilizing Hollywood movies, 1950's educational films, personal home movies and religious films, the filmmaker depicts his childhood fear of Jesus Christ. These childhood recollections are a point of departure for larger issues such as the roots of Christian anti-Semitism.
How the Islamic State has created a powerful propaganda factory that manipulates and twists at its convenience the subjects and icons of the Western popular culture in order to lure into darkness certain young people and recruit them to achieve a dreadful purpose, an industry of fear that overcomes the infamous Nazi machinery and the methods used by both sides during the Cold War.
A documentary about how Russia has been using popular culture as a weapon against Ukraine for decades. Together with industry participants, the film's narrator, musician Albert Tsukrenko, explores the financial, political and psychological reasons for the vulnerability of Ukrainian artists and reflects on how to break this vicious circle. Unfortunately, our own Ukrainian talents are becoming the ammunition in this weapon. Several generations of original Ukrainian musicians at different times in the 1970s and 1980s, 1990s and 2000s, and 2010s switched from Ukrainian to Russian in their work. Whether willingly or unwittingly, they became tools of Russian show business, which has always sought to blur the cultural border between Russia and Ukraine and worked to promote the imperial myth of "one nation".
This is a documentary done by a group of 2nd year students at the Bethel School of Supernatural Ministry. The documentary focused on God's heart to provide for His children. This is achieved through teaching and testimonies.
An intimate portrayal of the everyday lives of Carthusian monks of the Grande Chartreuse, high in the French Alps (Chartreuse Mountains). The idea for the film was proposed to the monks in 1984, but the Carthusians said they wanted time to think about it. The Carthusians finally contacted Gröning 16 years later to say they were now willing to permit Gröning to shoot the movie, if he was still interested.
Jesus Camp is a Christian summer camp where children hone their "prophetic gifts" and are schooled in how to "take back America for Christ". The film is a first-ever look into an intense training ground that recruits born-again Christian children to become an active part of America's political future.
World Order is a nearly two-hour documentary film by documentary film director Vladimir Soloviev examining the vast political changes in the world since the fall of the Soviet Union in 1992. The film was first broadcast on Russian television channel Pervy Kanal on December 20.
An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time. (Silent short, voiced in 1937 and 1996.)
Kieslowski’s later film Dworzec (Station, 1980) portrays the atmosphere at Central Station in Warsaw after the rush hour.
On January 6, 2021, Americans witnessed an attack on the U.S. Capitol without precedent in our history. Armed militiamen and QAnon followers made headlines, but among them were a sea of crosses and Christian flags, rosaries and "Jesus Saves" signs. What motivated so many Christians to participate in this violent assault?
A Christian minister explains to viewers why millions of Christians have suddenly vanished: the Rapture has occurred.
This short film, produced at the end of WWII, warns that although Adolf Hitler is dead, his ideas live on.
Oscar winning postwar propaganda film in support of the United Nations Relief and Rehabilitation Administration. Strident but poignant, focusing on children. The film surveys the Nazi/Japanese atrocities, post-war devastation and the early relief efforts. This film was responsible for raising over $200,000,000, making it a top moneymaking film. Preserved by the Academy Film Archive in 2005.
In the deep hills of northeast India, Christianity and pop culture have taken over the lifestyle and imagination of the Tangkhul tribes. Rewben Mashangva from Choithar travels through the remote villages of the Tangkhul Naga to talk to the old people and collect songs and instruments. The rhythms, melodies and lyrics form links to his own music, which he describes as Naga Folk Blues. In his traditional 'Haokuirat' hairstyle and western boots along with his 9 year old son Saka, he performs across India and South-East Asia spreading the message that some songs have no end.
This feature-length biography traces the journey of Heidi Baker, a modern day Mother Theresa, as The Baker’s pursuit of the presence of God has transformed a poverty-stricken and war torn Mozambique through love in action. Shot on the run over a period of 20 years, in 10 countries and on 4 continents in war zones, brothels, and Ivy League campuses, from Hollywood to Mozambique, this film chronicles the power of one life fully yielded to God and the truth that love wins.
It was the biggest escape in the history of the Berlin Wall: in one historic night of October 1964, 57 East-Berliners try their luck through a tunnel into West Berlin. Just before the last few reach the other side, the East German border guards notice the escape and open fire. Remarkably, all the refugees and their escape agents make it out of the tunnel unscathed, but one border guard is dead: 21-year-old officer Egon Schultz.
Robert Mitchum narrates an anti drug propaganda film.
The true story of the massacre of a small Czech village by the Nazis is retold as if it happened in Wales.