Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.
A young Beothuk woman tells the story of her experiences witnessing recent interactions between her people and Europeans.
Vestindo Histórias
Britain's first Muslim war heroine is tested to the limit as she faces her brutal captors in Nazi-occupied Paris for the last time.
Tommy’s Train is a story about imagination, drive, and the power of a dream. Once existing as a tourist attraction in the city of Anacortes, Washington, Tommy Thompson’s Railway ran every summer from 1987 until 1999. The genuine steam locomotive and coaches were all hand built by Tommy in his garage workshop, and he maintained and operated the railway with his family.
50 years on from the event, environmentalist Steve Backshall retraces a young Prince Charles' Arctic adventure and uncovers dramatic changes to our planet alongside an urgent need for action.
A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.
Part of BBC Arena's Animal Night, this film chronicles a strange era in history when animals were put on trial in human courts.
In November 1936, a few months since the beginning of the Spanish Civil War, the government of the Second Republic moves to Valencia. In this situation, several Valencian artists and intellectuals decide to build four fallas — satirical plasterboard sculptures created to be burnt — to mock fascism.
During the Revolutionary War, Emily, her daughter Sarah and her two young grandchildren have to look after themselves and run the family farm while the men fight for the patriots' cause. With winter approaching, crops dwindling and food shortages mounting, the women face their greatest fears when three lost British soldiers storm into their house demanding food, drink and anything else they can get their hands on.
A film about peace, love and war. Dedicated to the 100th anniversary of the end of the Civil War in Russia. The film takes place at the end of the summer of 1917, when Russia and the whole world were at a crossroads between two eras. None of the people could even imagine how much his life would change in the very near future. In a strange way, the atmosphere of the film echoes our current reality and what is happening in Russia today. According to the form of visualization, the film belongs to experimental mockumentary cinema. To give greater authenticity to what is happening on the screen, the shooting was carried out on black-and-white negatives of 16 and 35 mm, hand-operated cameras were used and the material was developed in manual spiral tanks. The documentary chronicle of the Kolchak army of 1919 and the White army in the Far East of 1922 is embedded in the finale of the film.
Packed with drama, high emotions and cliff-hanger moments, Australia Says Yes is the intimate and personal history of struggle and perseverance that propelled Australia to say Yes to marriage equality. The film shows how a group of determined individuals fought tirelessly against unjust laws that treated LGBTIQ people as second-class citizens, creating a movement that saw them go from criminals to legally equal over the course of five decades.
A documentary that traces the life and times of Bhagat Singh, a committed Marxist who most ably exemplified the spirit of revolutionary resistance against British imperialism in undivided India.
Two generals prepare for battle at the Plains of Abraham.
The story of the statesman Ioannis Kapodistrias from his time as foreign minister of Russia all the way to Greece's independence in the 1820s.
It is an early winter morning in Kolkata in 1989 and the palatial old "Roy Choudhury" house lies dilapidated, housing the last few members of a once huge affluent joint family. Rudro, the younger brother of the last generation, an under-confident, nondescript man in his mid-30s tries to convince Rajatabho, the eldest of the brothers to take up the offer of selling the house in a desperate attempt to save themselves from bankruptcy. Rajatabho, however, is unrelenting. Rudro, later tries to convince Anjali, Rajatabho's wife, to help change her husband's mind. Later in the day, a crying Anjali grinds down sleeping pills on her kitchen slab. She reminisces down memory lane through each nook and corner of the house as she does this. Finally, at dusk, as Anjali stands alone on the terrace holding a bottle of sleeping pills, Rajatabho suddenly arrives and they look eye to eye for the first time in months.
On November 25, 1973, the first of four car-free Sundays transformed West Germany's deserted highways into spaces for walking, cycling, and horse-drawn carriages, while towns and cities took on a festive atmosphere. Introduced during the oil crisis to conserve fuel after the Arab oil embargo and production cuts following the Yom Kippur War, the measure became an unforgettable collective experience. Beyond the immediate energy shortage, the crisis marked a turning point, ending the postwar economic boom and encouraging greater awareness of energy use, consumerism, and environmental issues.
A kinetic prayer and structuralist intervention. Shot entirely on an iPhone 11 in a desolate Midwest laundromat, 108 spin documents the mechanics of impermanence. The film shifts from heavy turbulence to suspended repetition—not as a path to completion, but as a study of the loop itself. Featuring a layered soundscape, the work asks the viewer to stare into the rotation until the noise becomes a mantra.
When the Iron Curtain cuts his tiny German village in half, Peter the bull gets separated from his 36 cows. Based on a true story narrated by Christoph Waltz.
For the first time, Dr. Victor Frankl through the eyes of those closest to him. A defining character of the 20th century, not only a genius, doctor and survivor of Nazi terror and tragedy but a man who lived, believed and loved.